WEBVTT

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my name is, uh robert Oliver. I've sometimes known as bob Oliver and I was

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a professor at a issue in the college
of Architecture. It was known then

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And it was there for 25 years. Born in
a little town in Anaconda Montana.

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Where the Anaconda Copper was smelted
date was 1919, November 10. It's

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probably just when they established
veterans day after that. It is Because

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for all these some 88 years I've been
going under the birth date of

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November the 11th because I was born
at midnight And my mother and dad had

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a daughter, a daughter, my oldest
sister who was born on four July. So

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they figured that's kind of patriotic.
We'll just put November the 11th

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Until the government caught up with me
here a couple of years ago and said

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you were born on the 11th. You were
born on the 10th. We got prove it. So

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can you remember any of your early
life when you were young? They're in

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Montana. Well, it was a typical small
town kids playground, you might say

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. I went to small grade school and
outside the grade school across the

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street was a big city block that the
company froze over every winter into

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a skating rink. So my winters were
spent skating on the rink and the

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summers were spent swimming in beaver
ponds up in the creek, up north of

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town. And

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I did everything little kids did
growing up played the street had bonfires

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of autumn leaves in the street, played
baseball in the street until our

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folks called us in at night. Yeah the
company town. So we had we had a

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streetcar that ran from the east end
of the west end of town to the east

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end of town and ended up with the
smelter. So every day you hear the

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trolley car go down with all the
workers and come back with all the

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workers on each shift.

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It wasn't, it was a copper, It was
mined in Butte Montana and refined

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Anaconda which was 25 miles. So you
had the big smokestack there? Yeah, I

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was still there too still working. No,
no the smell is all gone. It's just

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empty, empty field. He knows more
about than I do. But we had three

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schools, one on the east end, one of
the west end and one in the middle

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and one in high school, one Junior
High School and the town was full of

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Austrian workers from Austria. And so
they were all in one end of the town

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and then there was this the office
workers seemed to congregate in the

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middle part of the town. On the other
end of the town of the executive and

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the executives were upwind and the
blue collar was down. Oh schooling.

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Tell us about your school what
favorite subject. What stands out,

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indicated you had some talent or? Well
I didn't really realize I had any

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talent or propensity to do anything. I
did the usual thing that kids do. I

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had electric train and we built cities
for the train and and I had a big,

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big, tremendous sandbox. Then we used
to build cities and do things in

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sandbox. So my early interest must
have come drawing ideas for that, but I

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never realized I had the, the talent
to draw or the paint they ultimately

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had, I was just another kid on the
street, did you

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circumstances dictated to be moved to
san Francisco because my dad was at

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that time with another company and he
was on the road and his headquarters

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were out of san Francisco. So we moved
to san Francisco, a nice family

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four years and well, you know, for
years to high school in San Francisco,

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a very nice high school called Lowell
High School, some of their graduates

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for alexander calder and rube Goldberg
and a few other very famous people.

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Then I went from there to Berkeley UC
Berkeley and started out an

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electrical engineer and I didn't like
it too well. And I was sitting in a

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physics class one day and looked over
the shoulder of some guys in front

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of me and they were drawing house
plans and I said what kind of classes?

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That, that's one of our architectural
courses? I said well you do that and

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you can go to college and do that. I
said, yeah, take me to your

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colleagues. So after class I went over
and changed my major,

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it was an architect ever since high
school, I didn't I didn't pick up on

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art at all. I I didn't like the art
teacher and I didn't really get in

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contact with art actually in
architecture, we had to render our projects

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as the old boss art school did. And
that's where we were introduced to

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watercolor, but no formal training,
just what the professors didn't know.

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We learned. They weren't very good
here, but we picked it up mostly at

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that out of books and things and just
taught ourselves. And as a matter of

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fact, I did take a course and uh art
from the art teacher and she was

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trying to make an abstract artist out
of me, which I didn't understand,

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look at me now,

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but she kicked me out of the class.
And you know, I never did have any

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formal art education

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because while I was there or just no,
just after I left, they they had

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been in the old shingle building, that
used to be the offices of May, he

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may beck used to be his offices in all
single building. And it's kind of

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what put me off because it had a lot
of plaster casts on the outside the

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building or from greek greek buildings
and I didn't like that old stuff.

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So I didn't, that's why I didn't go to
our condition until they took me

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over there and I went inside and it
was all redwood inside and it was on

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levels going up the hill and beautiful
big drafting rooms where the kids

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all had their radios, hung their
clothes, They lived there as you know in

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architecture, you live there and and a
big gallery where they would jury

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that that works. I think I went over
there and

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38 to the war, I got out in 40, 38,

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when I went in the service john I
think you finished it after you left and

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then I came back and finished in 48
something like so

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students were reading magazines so
they could do their projects. What kind

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of magazine? What was the current in
vogue style? Who are the architects

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of note? Nitra Nitra, Very big
influence on me. Uh my architecture would

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show they look about like Albita
locally same kind of architecture, right

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? Nobody there really gotten to write
very much. We had a few houses but

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by right graduates

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but they didn't cotton to him very
much. I got my bachelor's and went to

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war for three years and came back and
got my masters.

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Okay. So did they have a B. Ark or
they had a four year and then a five

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year program? Master's degree
manufacturers back B. A. And M. A. So you

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come back for a year? Uh Yeah. Yeah.
Any notable professors that you had

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there that change your life is a big
hero. Oh I know eric Mendelssohn.

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He was very well known came from
Germany and he was my professor in

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graduate school. I forgot all about
that. Yeah. And an interesting

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anecdote about him, he had a practice
in san Francisco but he couldn't

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drive because he couldn't see but the
damn either. And we would allow to

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take turns going over across the
bridge, picking him up, bring him over to

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the studio, go across the street to
the local drugstore and get him an ice

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cream soda and then they need to hold
forth with this ice cream soda and

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give us critiques all afternoon and he
couldn't see but he had these big

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glasses and he'd go all over your
drawing like this Mm and he just study

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the whole thing for about 15 minutes
when he got through he said let's

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talk about it. And that was an
interesting experience. And I then

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subsequent to that, it's bragging a
little bit. I was looking for a job

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because I graduated and I got one with
an architect in san Francisco who

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was a very run of the mill ordinary
but offered me a pretty good job as a

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designer because he had just lost his
designer and good faith. And then

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shortly after that I get a call from
ERic Mendelssohn. He says you've

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graduated now, when are you coming to
work?

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And I said, well I don't know, I just
took a job but I suppose I could

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come to work. It was first while I
said how much in those days. Well I can

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pay for your very boat fare.

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I said I can't live on that. Well that
was the end of it. I subsequently

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did regret it but I don't know how
long it would have made. Amends meat.

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Do what I finally did get a little
apartment in san Francisco in the

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basement. Tell him the anecdote about
since Mendelssohn was so blind. His

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beautiful sketches rational. Oh well
yeah that history books are full of

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erich Mendelsohn's little drawings
because he couldn't see. So the biggest

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he can draw would be about that thing.
Mhm. So all all those buildings the

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genesis for all his buildings came
from a sketch like that. Fabulous That

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was one. So he came from the well I
don't know whether he was the house or

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not.

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Yeah he was jewish

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hospital san Francisco that was his
big claim to fame here in the states.

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 And he's a real interesting person.

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Okay so let's go to your military, you
graduated from Berkeley and then

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you were you you weren't drafted I
guess

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university universities all over the
country ROTC. And you had to do two

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years of R. G. C. Your first two years
in college then you were screened

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and let's go on to upper division ROTC
and if you were in opera division

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or you didn't get to go you have to go
in the service but I didn't make

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the cut. So I had to spend semester in
the shipyard reading blueprints

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because that's the only thing I could
claim any knowledge of. And I spent

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a year doing that I guess. And then I
got back in the program after that I

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put my two years in and then qualified
to go to officer's candidate school.

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And the rest is military. So where did
you go to O. C. S. Mhm. Was it

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navy was no it was an artillery school
back east. And the aircraft

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artillery in the old days when they
had had floodlights. You know they'd

00:14:05.620 --> 00:14:11.116
spot airplanes in the air or the
searchlights and shoot them down. Which

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he never did because then radio radar
came in at that time. But that's

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where they sent me and they didn't
need me anymore. So they took they sent

00:14:22.779 --> 00:14:30.126
me to the military fort Benning
Georgia to make a foot soldier Alami. So I

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became a foot soldier and were sent to
a training school where I taught

00:14:35.539 --> 00:14:43.539
military tactics as an infantryman.
And then I subsequently was sent

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overseas to Manila. And that's when
the war ended oriented. I was in Pearl

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harbor when the war ended and I
arrived in Manila and no place to send us

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because they were gonna send us to
Japan. So I was just cooling my heels

00:15:05.049 --> 00:15:10.516
and one day I was in downtown manila
and I saw this building which is the

00:15:10.549 --> 00:15:15.026
general engineering district and I
went in to see it and found out they

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had an architectural department,
Electrical and mechanical. The whole nine

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yards there. So he captains and
lieutenants spotted me and showed me all

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around. And in the meantime I had
applied to be an air courier to carry

00:15:32.789 --> 00:15:38.746
documents from Manila to Australia and
back. And one day I was going out

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to the airport to get on a plane to go
and the sheep comes flying through

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the air strip where you and some
papers. And I said, what do you guys want

00:15:48.980 --> 00:15:53.756
? He says you're not going. I said
why? He said no you're the chief

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architect

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engineering district. That's where I
stayed for the next three years. I

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didn't know beans about architecture.
I just got a degree that's all. But

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I fortunately had a graduate from
Harvard who was my chief draftsman and

00:16:12.629 --> 00:16:20.197
he ran the whole show. I like to think
he was a native filipino. Oh he

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wasn't in the military,

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the staff we had were not military.
They're all Filipinos

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one or 2 will I had military and the
higher the electrical engineering and

00:16:34.809 --> 00:16:42.457
mechanical and all that. But the
drafting department was all generated by

00:16:42.490 --> 00:16:49.087
Filipinos and they did all the design
work at our guidance and but all we

00:16:49.120 --> 00:16:55.407
did was designed officers clubs and
and

00:16:55.440 --> 00:17:01.707
hi Joanne things of that nature. Did
you by any paintings? No, but if you

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go to the Monica room. They have
refreshments on your way out. Punch and

00:17:07.190 --> 00:17:13.197
strawberries and chocolate little
sandwiches and his dad wasn't another

00:17:13.230 --> 00:17:16.516
offshoot of the story that the plane
you were gonna get on before your

00:17:16.549 --> 00:17:21.607
orders were changed. Yeah, well,
really crazy. The plane I was to get on

00:17:21.640 --> 00:17:26.457
and I was on it and they took me off
it and brought a new courier to take

00:17:26.490 --> 00:17:34.006
my place and that plane took off and
went down in the late takeoff,

00:17:34.039 --> 00:17:41.107
crashed in the water and this guy
floated out on mail sacks. You tell like

00:17:41.140 --> 00:17:44.006
recovered them.

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Okay,

00:17:46.140 --> 00:17:53.707
that was a close call. Those

00:17:53.740 --> 00:17:58.326
okay, so you were in the Army is the
head architect in Manila for three

00:17:58.359 --> 00:18:04.976
years. And what year did you get out?
48, I think something like that. I

00:18:05.009 --> 00:18:09.756
was married in 50, so it must be 40,

00:18:09.789 --> 00:18:15.566
So 48 you went back and got your
master's degree. That's when Mendelssohn

00:18:15.599 --> 00:18:21.506
was there to Mendelssohn job, you
didn't take it. So you were working in

00:18:21.539 --> 00:18:29.539
san Francisco with this run of the
mill firm Then what I got married oh

00:18:30.750 --> 00:18:38.750
1950 where where did you meet Joanne
met her as a boy. I was, I went for

00:18:39.339 --> 00:18:42.407
an uninvited

00:18:42.440 --> 00:18:46.677
they in san Francisco at that time,
they had places for young distance

00:18:46.710 --> 00:18:52.407
people to live. It was coed, they all
lived in set up on pacific Heights

00:18:52.440 --> 00:18:56.826
and she lived in this place, they had
a dance one night and I went with

00:18:56.859 --> 00:19:03.857
some other girl spotted her. The rest
is history. I

00:19:03.890 --> 00:19:08.637
just told her we would go down to Van
ness avenue afterwards and have a

00:19:08.670 --> 00:19:14.407
jug of beer and I'm sitting there when
I says my name is Sasha sister, I'm

00:19:14.440 --> 00:19:21.996
gonna be calling you after you got
married. What? Well then we lived in

00:19:22.029 --> 00:19:25.766
Marine County which is just north of
san Francisco across the Golden Gate

00:19:25.799 --> 00:19:33.486
Bridge and had no Children and we
decided we better do something about

00:19:33.519 --> 00:19:40.907
that. And coming home one day I passed
a steamship line called holland

00:19:40.940 --> 00:19:46.627
american line. They had a boat called
the Rain Damn, which is still not

00:19:46.660 --> 00:19:52.207
the same boats, same name still
operating. I went home, told her about it.

00:19:52.240 --> 00:19:58.756
And so we said okay, she was selling
real estate at the time, sold our

00:19:58.789 --> 00:20:05.486
house, moved into a house boat on
Sausalito on the harbor for about six

00:20:05.519 --> 00:20:11.786
months, sold bonds, carl the house,
everything took off for europe to be

00:20:11.819 --> 00:20:18.306
gone for the winter

00:20:18.339 --> 00:20:22.897
for the summer and hopefully get a job
for the winter and then finish off

00:20:22.930 --> 00:20:30.207
the next summer. Well I had a contact
in Rome is the name of style Berg,

00:20:30.240 --> 00:20:34.617
he was an engineer that taught in the
college of architecture

00:20:34.650 --> 00:20:42.650
and any, I uh we were traveling all
over europe and found out that tell me

00:20:42.819 --> 00:20:48.986
christmas time she was pregnant. So
either I had to go home or sticking

00:20:49.019 --> 00:20:55.707
through the winter somehow and
finished our trip in the summer and

00:20:55.740 --> 00:21:01.556
they said well we were all going home
for christmas leave so come back

00:21:01.589 --> 00:21:06.246
after christmas. So I went to Austria
for a month. I lived in an attic of

00:21:06.279 --> 00:21:13.306
an old hotel and I got a telegram fly
romar expense which I did when I got

00:21:13.339 --> 00:21:17.907
there. There was no drafting job, but
there was a two year contract

00:21:17.940 --> 00:21:24.157
two in the drafting of the
architecture department as a designer. So we

00:21:24.190 --> 00:21:30.937
spent two years in europe, one of them
in Rome and one of them uh in

00:21:30.970 --> 00:21:38.970
Holland and I have two Children,
dollar in Rome and a son in holland. What

00:21:40.319 --> 00:21:46.306
kinds of firms were they? Well Rome
was Arabian american oil company.

00:21:46.339 --> 00:21:50.347
I used to fly out to Arabia

00:21:50.380 --> 00:21:56.427
develop the project and bring it back
and the Italians have dried up and

00:21:56.460 --> 00:22:01.246
Holland the same way they just
transferred their office the same company

00:22:01.279 --> 00:22:07.657
and the company. And so my first two
years of architecture deep embedment

00:22:07.690 --> 00:22:15.467
of it was in roman in holland.

00:22:15.500 --> 00:22:20.816
So I came home to open my office. No,
we didn't come back to marin County

00:22:20.849 --> 00:22:25.877
if it came back to northern California
and I set up an office in a little

00:22:25.910 --> 00:22:32.276
town called Marysville yuba city twin
cities. And I was there for eight

00:22:32.309 --> 00:22:38.927
years. Why did you go there? Well I
took my car and drove around

00:22:38.960 --> 00:22:42.867
California up and down, tried to find
a place where there were no

00:22:42.900 --> 00:22:44.907
architects

00:22:44.940 --> 00:22:49.127
and where the community looked like it
in the future and the people were

00:22:49.160 --> 00:22:55.556
nice mm hmm that one kind of fill the
bill. So they made it very easy for

00:22:55.589 --> 00:23:00.786
me, made me join the rotary club. The
Elks and almost everything you need

00:23:00.819 --> 00:23:07.269
to do to get a practice going. So we
had a good practice for eight years.

00:23:07.440 --> 00:23:09.440
What kind of projects did you do in maryville? Mary jo well

00:23:16.740 --> 00:23:23.806
in that house,

00:23:23.839 --> 00:23:31.576
I didn't even know who Albita was.

00:23:31.609 --> 00:23:38.147
I was asked by the ai a san Francisco
chapter to go to san Francisco to

00:23:38.180 --> 00:23:43.947
the airport and meet with some
professors from cal poly and uh discuss

00:23:43.980 --> 00:23:49.597
student architecture and kind of an
interview like this. And I talked to

00:23:49.630 --> 00:23:54.177
these guys and I got more out of them.
They got out of me because I

00:23:54.210 --> 00:23:59.316
figured gee that sounds like a pretty
good deal teaching and architecture.

00:23:59.349 --> 00:24:03.546
And so I thought, hmm, when I get back
and I'll think this over. So when

00:24:03.579 --> 00:24:10.796
I got back I started writing letters
to the different universities and so

00:24:10.829 --> 00:24:14.677
instead of going to the U. Of a, the
letter went to Jim. But it was

00:24:14.710 --> 00:24:20.796
addressed to the Dean of the U. S. A.
So Elmore got in touch with me, he

00:24:20.829 --> 00:24:24.986
asked me if I was interested in coming
down and seeing what he had. So we

00:24:25.019 --> 00:24:32.566
, we went out, came down here and took
a look around and networks, Jim and

00:24:32.599 --> 00:24:36.086
his wife and they just come back from
europe. So we had a lot to talk

00:24:36.119 --> 00:24:41.766
about. Maybe you want an interview
down there in 63. But I think, yeah,

00:24:41.799 --> 00:24:49.799
but I went to work there in 64.

00:24:50.240 --> 00:24:54.986
No, I just stopped teaching would be a
great, great ideas. But I didn't

00:24:55.019 --> 00:25:01.907
know the the real pluses to it was the
fact that I was enjoy

00:25:01.940 --> 00:25:09.940
as the idea of teaching and of all
people jim and said come down and have

00:25:11.440 --> 00:25:17.006
us talk with all of us. We had a
meeting at the pizza parlor over on

00:25:17.039 --> 00:25:23.457
Apache and university and at the head
of the table where the big manga

00:25:23.490 --> 00:25:28.397
bear was cal strobe and then the rest
of the faculty sitting around, I'm

00:25:28.430 --> 00:25:32.996
down at the other end and that's how
they interviewed me. And when I got

00:25:33.029 --> 00:25:37.887
home, so Joanna says, I'll never be
able to make it down there if they

00:25:37.920 --> 00:25:41.756
asked me because they talked to words
I don't understand, like

00:25:41.789 --> 00:25:48.806
Ameliorating the interstices. That was
one of the challenge big lines and

00:25:48.839 --> 00:25:53.076
and I said I don't understand what
they're talking about. And least of all

00:25:53.109 --> 00:25:59.066
that guy is sitting at the end of the
table, who are somebody. So we drop

00:25:59.099 --> 00:26:05.217
the subject. And pretty soon I asked
jim if there was anything on the part

00:26:05.250 --> 00:26:10.976
for me on the stove. He said, well let
me look into it and I'll call you

00:26:11.009 --> 00:26:14.836
back, I said, well I've got to answer
Oregon because they were asking me

00:26:14.869 --> 00:26:20.806
about me that was to build a fire
under him. So I heard that afternoon

00:26:20.839 --> 00:26:27.107
there will be a wire sent to you in
the telegram days with your salary and

00:26:27.140 --> 00:26:32.207
what the terms of your contract will
be will be back to take you on.

00:26:32.240 --> 00:26:37.617
So we packed up everything we had sold
the house, piled it into a trailer.

00:26:37.650 --> 00:26:43.996
So we came. Dear mel moore said come
on down. So the first thing it I

00:26:44.029 --> 00:26:50.556
walked into Elmore's office, he said
well we're gonna pair you up with one

00:26:50.589 --> 00:26:55.836
of our faculty members to teach a
joint studio. You will have one, he'll

00:26:55.869 --> 00:27:01.516
have one cal strobe. I'll

00:27:01.549 --> 00:27:08.516
never understand the guy but we we
came came the best of friends over the

00:27:08.549 --> 00:27:14.207
years. I'm getting horse and it's
amazing.

00:27:14.240 --> 00:27:18.506
I couldn't understand him at first but
I sure got to know him pretty well.

00:27:18.539 --> 00:27:24.746
Drove into town on a sunday afternoon
over to Tempe to see what they had

00:27:24.779 --> 00:27:29.306
to offer. Saw a house on Loma vista

00:27:29.339 --> 00:27:35.137
and bought it that afternoon and then
went up on Hayden Road where there

00:27:35.170 --> 00:27:40.207
was a trailer park and that's where we
spend a couple of nights. And then

00:27:40.240 --> 00:27:45.717
we took off from Mexico because this
is before school started and we

00:27:45.750 --> 00:27:50.766
stayed in Mexico for I don't know how
long until school started. And then

00:27:50.799 --> 00:27:57.296
I came back and moved into our house
and you brought four Children and

00:27:57.329 --> 00:28:02.736
Joanne what was she doing raising
Children well at that time. But shortly

00:28:02.769 --> 00:28:09.367
thereafter she I went back to and got
our masters degree and then took a

00:28:09.400 --> 00:28:16.566
job teaching a retarded school in the
West valley. And then from there she

00:28:16.599 --> 00:28:22.026
took a job teaching at Country Dacian.
Which she was there for some 20

00:28:22.059 --> 00:28:27.907
years.

00:28:27.940 --> 00:28:35.940
Where was the college When you came in
in 64? Was it still in the a wing?

00:28:37.039 --> 00:28:41.826
Okay. So everything was up there and
you had the library in the middle of

00:28:41.859 --> 00:28:46.816
the middle of the hallway. Of course
it was entirely different for me

00:28:46.849 --> 00:28:52.056
because I was coming out of a private
practice of in the drafting room, in

00:28:52.089 --> 00:28:57.427
my own office, my own secretary and
and all of everything. I was in

00:28:57.460 --> 00:29:02.427
control of everything. So I go up on
the top floor and Kallstrom's control

00:29:02.460 --> 00:29:10.016
of everything. And even though Elmore
was there, his office is over by the

00:29:10.049 --> 00:29:16.266
library on the main hall, the only guy
that was nearest was oh Elinor Tony.

00:29:16.299 --> 00:29:22.496
Elinor Elinor yeah. Well cal and Tony
were in this office room, it was a

00:29:22.529 --> 00:29:27.407
classroom, their officers were there
the almost next to them. So Elmore

00:29:27.440 --> 00:29:34.246
says we'll put a desk in there next
Straub he couldn't be intimidating me

00:29:34.279 --> 00:29:41.217
anymore. He tried to so anyhow I spent
and the and the studio he had was

00:29:41.250 --> 00:29:47.657
down the hallway somewhere but we just
divided the studio up in half and I

00:29:47.690 --> 00:29:52.907
took half the kids and he took half
the kids and

00:29:52.940 --> 00:29:57.236
then when they built that wing on the
end of the engineering building I

00:29:57.269 --> 00:30:00.697
guess it was just a wing that went out
there and had drafting room and if

00:30:00.730 --> 00:30:05.387
they ended had two offices, how long
were you in that building? You moved

00:30:05.420 --> 00:30:11.607
out to the pain training so I No, no,
no. Oh yes, we did. Oh those were

00:30:11.640 --> 00:30:16.576
hairy days. Yeah, yeah, we moved over
there, That's when they were going

00:30:16.609 --> 00:30:21.867
to build the new building. So it was
about 67 or eight. Yeah. Yeah. And

00:30:21.900 --> 00:30:28.286
now interesting there for one semester
I had alby does assistant, he

00:30:28.319 --> 00:30:32.857
couldn't stand it. He he just hated
those kids because they were always

00:30:32.890 --> 00:30:38.296
cutting holes in the ceiling, cutting
holes in the wall because at one

00:30:38.329 --> 00:30:43.506
time, you know, we're in the the
engineering building, we were expanding

00:30:43.539 --> 00:30:48.796
two studios downstairs in the
classrooms because engineering has given up

00:30:48.829 --> 00:30:54.177
on the building actually. And so we
put one design studio downstairs and

00:30:54.210 --> 00:30:59.266
one right next to him and went away
for the weekend and came back and the

00:30:59.299 --> 00:31:06.597
students had cut a hole in the wall to
connect the two studios and went up

00:31:06.630 --> 00:31:12.306
in the river bottoms and brought a
whole bunch of driftwood and crap down

00:31:12.339 --> 00:31:15.826
and made it difficult to get through
there. But you could get through

00:31:15.859 --> 00:31:20.367
there, the students could get through
there but the faculty couldn't and

00:31:20.400 --> 00:31:24.897
then of course things went from bad
divorce, they started building little

00:31:24.930 --> 00:31:30.717
drafting nests up in the air and
remodeling the pain training school until

00:31:30.750 --> 00:31:36.286
they finally kicked us out of there.
But that that was fun. But l didn't

00:31:36.319 --> 00:31:43.006
like those days. And I think by that
time cal ah

00:31:43.039 --> 00:31:48.286
he was tapering off because it seems
to me I had I wouldn't I don't I

00:31:48.319 --> 00:31:56.319
can't remember the later years where
cal and I were together

00:31:59.039 --> 00:32:03.556
all these guys. I had a practice on
the side. Did you have a practice on

00:32:03.589 --> 00:32:11.589
the side? I had intended to but I
happened to run into some people who

00:32:13.170 --> 00:32:19.296
were wanted color painters. And I said
how come you're doing that? They

00:32:19.329 --> 00:32:24.586
said we have a couple of good people
have workshops here. So I thought

00:32:24.619 --> 00:32:29.276
well it's the part of it. I'll check
it out. Never got around to having a

00:32:29.309 --> 00:32:36.857
practice. Never wanted to. I saw you
already had that. I I had that. I

00:32:36.890 --> 00:32:40.927
didn't need another one but everybody
else was doing it. So I figured I

00:32:40.960 --> 00:32:46.907
was gonna have to do it. But when I
spotted this water clerk demonstration

00:32:46.940 --> 00:32:53.066
by this two different watercolor
painters, they were opposites. So I took

00:32:53.099 --> 00:32:57.786
my choice and I give him all the
credit in the world for making me a

00:32:57.819 --> 00:33:03.556
watercolor artist because but I so I
started to paint water colors and

00:33:03.589 --> 00:33:11.367
been going at it ever since. And of
course the the acrylic paintings we're

00:33:11.400 --> 00:33:18.137
a product of by going down to Mexico
every summer in the spring summer

00:33:18.170 --> 00:33:24.187
school Of course when she was closed
we'd spend our summer in Mexico and

00:33:24.220 --> 00:33:29.326
that's when I took up painting on
canvas. But all the watercolor painting

00:33:29.359 --> 00:33:34.607
and everything was here in town

00:33:34.640 --> 00:33:38.217
and I apparently had enough time on my
hands. I could do it because we

00:33:38.250 --> 00:33:43.867
didn't lecture every day Probably
three days a week and had a studio five

00:33:43.900 --> 00:33:50.266
days a week. So there were a little
time in there to do my thing. You had

00:33:50.299 --> 00:33:55.286
how many Children? five Children? four
at home. We bundle them all up and

00:33:55.319 --> 00:34:02.207
rent a house in Mexico. Where is that?

00:34:02.240 --> 00:34:07.986
It's west east of you know what it is?
It's up in the hills, very pleasant

00:34:08.019 --> 00:34:12.727
climate. It's a wonderful town and we
had a the ball there. But and those

00:34:12.760 --> 00:34:19.206
paintings downstairs for a product of
that. And we didn't start taking our

00:34:19.239 --> 00:34:26.807
trips around the world until my
sabbatical times came up then that's when

00:34:26.840 --> 00:34:31.327
the first sabbatical was a year in
europe. With the Children. The Camper

00:34:31.360 --> 00:34:36.736
and the other two sabbaticals for a
year around the world in camper was a

00:34:36.769 --> 00:34:42.427
year in europe. But the other two
years around the world were out of a

00:34:42.460 --> 00:34:45.106
suitcase

00:34:45.139 --> 00:34:51.907
bag.

00:34:51.940 --> 00:34:59.206
Remember any notable people that came
to speak or people you remember were

00:34:59.239 --> 00:35:05.907
notable, How about Craig Ellwood or

00:35:05.940 --> 00:35:13.497
Oh I know one very notable one that
came to speak frank Gehry. Okay. He

00:35:13.530 --> 00:35:19.077
was a student of cows at USC and cal
brought him over a couple of times to

00:35:19.110 --> 00:35:25.057
talk to our students. But this was
before he we got hooked on the freeform

00:35:25.090 --> 00:35:32.017
architecture, this is when he was in
his sheet metal corrugated iron

00:35:32.050 --> 00:35:38.006
speech. That's when he would come
over. And so nobody was

00:35:38.039 --> 00:35:44.657
Oh and then there was another
architect whose would go, even a great

00:35:44.690 --> 00:35:50.967
sketcher made wonderful sketches. I
can't remember his name now, but I was

00:35:51.000 --> 00:35:55.456
really impressed with all the
sketching he did. And that's what got me

00:35:55.489 --> 00:36:00.896
started when I would take trips.

00:36:00.929 --> 00:36:08.929
All of that full of sketches. Mm hmm.

00:36:10.630 --> 00:36:15.847
And the book that I learned how to
paint from

00:36:15.880 --> 00:36:21.197
was right, this is one of the artists

00:36:21.230 --> 00:36:28.537
hold that up there. He collected his
paintings and I they're not mine.

00:36:28.570 --> 00:36:35.657
They're is that he had a studio over
in Green lake in California and we

00:36:35.690 --> 00:36:39.956
go over there in the summertime for
two weeks or so and study with him.

00:36:39.989 --> 00:36:46.037
Remember his name, robert. He would,
he will never forget his name. And

00:36:46.070 --> 00:36:49.097
then the

00:36:49.130 --> 00:36:52.197
when I was looking for

00:36:52.230 --> 00:36:58.086
Oh no, it had a Yeah, here it is. Mm,
mm mm mm mm. This is the bible. This

00:36:58.119 --> 00:37:04.727
is the bible that the UC Berkeley gang
studied from. It's called rex

00:37:04.760 --> 00:37:06.836
Brandt.

00:37:06.869 --> 00:37:12.827
And he was out of

00:37:12.860 --> 00:37:19.247
let's see, it's how to how to paint
watercolor And of course he had a

00:37:19.280 --> 00:37:24.396
tremendous influence on me, as you can
see from some of the water costs

00:37:24.429 --> 00:37:28.467
and his sketching.

00:37:28.500 --> 00:37:34.227
Oh yeah, in his painting. So he

00:37:34.260 --> 00:37:39.727
used my first contact with sketching
and watercolor painting. There's an

00:37:39.760 --> 00:37:47.760
autograph coffee right there john good
excellent. But he's the one that's

00:37:48.730 --> 00:37:56.477
all of us, you see. And and when I got
down here, of course they didn't

00:37:56.510 --> 00:38:01.626
teach you teach this because they
didn't, I didn't teach him all the

00:38:01.659 --> 00:38:06.986
renderings were black and white. And
uh,

00:38:07.019 --> 00:38:12.097
so I just happened to get a couple of
local architects knew I did this and

00:38:12.130 --> 00:38:15.347
so they'd come down at night

00:38:15.380 --> 00:38:22.916
studio and paint at night. No, I can't
think of some have died. Who are

00:38:22.949 --> 00:38:28.747
they? one of them got to be very, very
successful painter ended up and

00:38:28.780 --> 00:38:34.796
architect graduated to end up in
northern Idaho. Oh that's nelson Barton,

00:38:34.829 --> 00:38:42.829
nelson Barton. He was a super painter.
Country. Yeah. After I started him

00:38:44.719 --> 00:38:46.997
painting,

00:38:47.030 --> 00:38:55.030
you never quit. He said he could make
more on a friday afternoon painting

00:38:56.880 --> 00:39:02.347
then he could make with his
architecture firm. I'm sure he could, I

00:39:02.380 --> 00:39:08.126
couldn't, we could, I didn't try.
Yeah, they had this stuff in the gallery

00:39:08.159 --> 00:39:14.586
up in Scottsdale.

00:39:14.619 --> 00:39:22.236
Tell us about your book, how it came
to be. That's Marcus within history.

00:39:22.269 --> 00:39:29.517
I was, I had gone on a sabbatical and
made all these sketches and came

00:39:29.550 --> 00:39:33.186
back and I thought gee I got a lot of
sketchbooks,

00:39:33.219 --> 00:39:37.927
we gotta do something with him. I will
make a syllabus for the students

00:39:37.960 --> 00:39:44.026
make it, you know, take it up with
your opposite in those days. And I was

00:39:44.059 --> 00:39:48.677
talking to Marcus Swift and I told him
to take these all up and xerox them

00:39:48.710 --> 00:39:55.347
and put in spiral finding this is all
don't do that get a publisher I said

00:39:55.380 --> 00:40:00.887
heck I don't know what published races
right to several books I did I

00:40:00.920 --> 00:40:06.066
wrote to Ryan hall publishing company
and I sent them a mock up of what I

00:40:06.099 --> 00:40:11.677
thought the book ought to be like and
they had a representative coming to

00:40:11.710 --> 00:40:18.736
to the gym show out of court site and
he looked me up and it took me to

00:40:18.769 --> 00:40:24.467
lunch I just I got a contract here for
you.

00:40:24.500 --> 00:40:30.577
So they took over publishing the
original book and

00:40:30.610 --> 00:40:35.977
of course it was hard cover

00:40:36.010 --> 00:40:38.177
and

00:40:38.210 --> 00:40:43.977
but it was all black and white and so
after that had its stay in the sun.

00:40:44.010 --> 00:40:49.577
They said well how about another book?
Well I just took this book and

00:40:49.610 --> 00:40:55.197
added a whole bunch of colored but
colored plates and things in it and I

00:40:55.230 --> 00:41:03.230
call it uh I sketch and color yeah
yeah and that's I put a color face to

00:41:04.239 --> 00:41:09.927
it and so you know that it's called
component and then they want another

00:41:09.960 --> 00:41:16.517
one. Well I said I don't know so I
what we did is we compromised and we

00:41:16.550 --> 00:41:23.086
had the where is that it that's what
we did the same anyhow we call it the

00:41:23.119 --> 00:41:30.477
complete sketch mhm which combined
black and white and color this is all

00:41:30.510 --> 00:41:36.206
color it's all black and white don't
worry about it anyhow. So that that's

00:41:36.239 --> 00:41:42.077
another book and then all of a sudden
one day brian hold sold out to

00:41:42.110 --> 00:41:48.577
another publisher. I can't think of
the name. Very well known one. And

00:41:48.610 --> 00:41:56.610
they sent me back. No no I just don't
box. There's a box here somewhere

00:41:57.210 --> 00:42:02.046
with all my drawings in it. They
didn't want to publish it. That was the

00:42:02.079 --> 00:42:09.066
end of it

00:42:09.099 --> 00:42:14.617
to thank for this, Joanne gave me this
one for one of my birthdays. But

00:42:14.650 --> 00:42:19.727
this is the second of That is a 3rd
generation. The first generations down

00:42:19.760 --> 00:42:27.760
under there. Big macintosh printed on
it. Round the first ones I ran

00:42:28.880 --> 00:42:33.736
across a picture the other day. I wish
I still knew where it was. I would

00:42:33.769 --> 00:42:40.947
go over at night after I retired and
tutor the kids into using a

00:42:40.980 --> 00:42:47.137
perspective program with his old box.
But as soon as I got through doing

00:42:47.170 --> 00:42:53.706
that they came out with very
sophisticated computers and programs and my

00:42:53.739 --> 00:42:59.106
day was done. I wasn't gonna be any
value anymore. I think that old box

00:42:59.139 --> 00:43:06.747
had like 256 MB of hard drive. Yeah I
saw a documentary and I got a whole

00:43:06.780 --> 00:43:11.827
bunch of dr stuff stored on these
things that I can't get off because they

00:43:11.860 --> 00:43:14.776
can

00:43:14.809 --> 00:43:22.809
zip drive. This is what I use this for
now or catalog my paintings.

00:43:24.300 --> 00:43:31.666
Oh yeah, no way up here.

00:43:31.699 --> 00:43:37.267
So you've taken a digital photograph
of every one of your paintings

00:43:37.300 --> 00:43:42.267
pretty much for the record. So I go in
here

00:43:42.300 --> 00:43:47.436
I started out to catalog them as to
who had them and all that. But that's

00:43:47.469 --> 00:43:50.907
what I use this for mostly

00:43:50.940 --> 00:43:55.206
to keep a record of. And now of course
I'm not painting anymore. So I I

00:43:55.239 --> 00:44:01.197
don't have so I use that for email.
You have that backed up somewhere else.

00:44:01.230 --> 00:44:08.126
Right. No. Well that's what we're
gonna do this afternoon.

00:44:08.159 --> 00:44:12.876
Yeah I'll put it on a thumb drive and
burn a cd for you. Oh well you got

00:44:12.909 --> 00:44:20.909
you got some stuff. Ah

00:44:21.590 --> 00:44:25.856
I'll tell you I'm terribly
disappointed that they don't teach rendering

00:44:25.889 --> 00:44:30.956
and sketching anymore, particularly
sketching because scott here can

00:44:30.989 --> 00:44:34.057
attest to that.

00:44:34.090 --> 00:44:37.686
You've gone into offices and show them
your sketches and how you can

00:44:37.719 --> 00:44:43.517
sketch. And they had a big influence
on your getting a job mm particularly

00:44:43.550 --> 00:44:48.586
being able to be in the front end of
projects. Yeah. Which is a hard place

00:44:48.619 --> 00:44:55.706
to get into. And Tony. Who's
industrial design now in California. Not an

00:44:55.739 --> 00:45:00.497
industrial designer. Store designer.
But he tells the story of being in

00:45:00.530 --> 00:45:06.436
paris designing a perfume stand for
the store and they had this conference

00:45:06.469 --> 00:45:11.106
all morning and had a lot of ideas
which couldn't get them across. So when

00:45:11.139 --> 00:45:14.217
they took a lunch break and they went
across town he sat in the back of

00:45:14.250 --> 00:45:19.146
the cab sketched up all these ideas
and when they met that afternoon he

00:45:19.179 --> 00:45:23.157
says this is what you want

00:45:23.190 --> 00:45:28.006
just like that and what you can't do
anymore. But you can sure show him

00:45:28.039 --> 00:45:34.856
some sexy pictures. But it is
incredible. It's off the subject how the

00:45:34.889 --> 00:45:40.977
computer and the cell phone has the
links everything together. Because

00:45:41.010 --> 00:45:46.856
Tony and my other son, he'll come over
here and set up shop right there.

00:45:46.889 --> 00:45:52.256
He's got a cell phone, he's got his,
he brings this thing over and he

00:45:52.289 --> 00:45:56.637
goes at it all day long, comes in and
has a cup of coffee and go back and

00:45:56.670 --> 00:46:01.407
forth all day. He's on the phone
conference call in Birmingham and he does

00:46:01.440 --> 00:46:04.927
all his work right from there. And
he's got a couple of guys sitting in

00:46:04.960 --> 00:46:10.046
his house taking care of his dogs and
they're working to.

00:46:10.079 --> 00:46:18.079
But all because the cell phone of the
computer,

00:46:18.079 --> 00:46:20.867
what you're talking about here is your
Children, you've got four Children

00:46:20.900 --> 00:46:26.876
, you've got scott's number three
bob's number two. Yeah. And what's

00:46:26.909 --> 00:46:34.287
before is # four is Tony. How did you
influence their careers? Pass on

00:46:34.320 --> 00:46:42.320
your abilities or talents to them? Did
they just see it? And scott would

00:46:42.639 --> 00:46:46.347
have to answer that question because

00:46:46.380 --> 00:46:51.126
they never consulted me. I don't think
you ever did. And we went on a

00:46:51.159 --> 00:46:55.936
sabbatical and when I came back here,
he was in the College of

00:46:55.969 --> 00:46:58.046
Architecture

00:46:58.079 --> 00:47:02.717
and for a while, nobody knew he
belonged to me until he had a couple of

00:47:02.750 --> 00:47:06.057
juries. And they finally asked who's
that guy Oliver has he got some

00:47:06.090 --> 00:47:12.227
relation to the faculty member and
then Tony took up residence there in

00:47:12.260 --> 00:47:18.717
industrial design and subsequently
graduated from subsequent but I didn't

00:47:18.750 --> 00:47:23.467
know anything about it. They just went
off and did it. It seems that the

00:47:23.500 --> 00:47:29.736
two youngest Children Tony and I had
the graphic interest, the two olders

00:47:29.769 --> 00:47:35.367
didn't. My older brother dabbled in
some painting a little bit, but but

00:47:35.400 --> 00:47:41.626
from an intuitive point of view or or
maybe I think even the the creative

00:47:41.659 --> 00:47:45.736
act of just making things up even when
you're very young Children, you

00:47:45.769 --> 00:47:51.526
make believe things that translated
them to designing things. And I think

00:47:51.559 --> 00:47:58.767
Tony and I had that kind of
imagination and yeah, dad's modest about this

00:47:58.800 --> 00:48:03.787
and he didn't pressure us to to learn
or do anything but we absorbed what

00:48:03.820 --> 00:48:08.617
was around us. And in my case
particularly, you know, I was destroyed at

00:48:08.650 --> 00:48:13.256
an early age because dad would get two
or three architecture magazines in

00:48:13.289 --> 00:48:17.586
the mail every month, Architecture
plus magazine, that's long been defunct

00:48:17.619 --> 00:48:23.526
, Architecture Record a journal, I'd
see all these, you know, buildings

00:48:23.559 --> 00:48:27.577
and renderings. And then of course dad
was doing a lot of rendering work

00:48:27.610 --> 00:48:32.807
for with Kallstrom and other his other
colleagues for their practices and

00:48:32.840 --> 00:48:35.907
famously for the paddock of freeway in
those early days. So I'd watch him

00:48:35.940 --> 00:48:40.747
draw. So I learned perspective and pen
and ink work when I was, you know,

00:48:40.780 --> 00:48:45.666
in early high school And when I was, I
was, you know, when I was 13, I was

00:48:45.699 --> 00:48:50.046
doing pending perspectives and things
like that because I saw him in the

00:48:50.079 --> 00:48:55.447
magazines and what dad did. And so I
was, you know, because all that

00:48:55.480 --> 00:48:59.997
influenced basically a real tragic,
brutalist modernist at an early age

00:49:00.030 --> 00:49:05.436
because that's all we saw. No, we sat
down and discussed it. Well, we, you

00:49:05.469 --> 00:49:10.436
would give me a few tips here and
there, but it was not like, oh dad, show

00:49:10.469 --> 00:49:13.566
me everything, you know, or are you
saying son, you're going to be an

00:49:13.599 --> 00:49:19.836
architect. It just, I absorbed it
through osmosis. And as my father said,

00:49:19.869 --> 00:49:24.956
when we took this trip around the
world, there was no tv teaching was

00:49:24.989 --> 00:49:30.166
correspondence courses a lot of time
to kill. So for me, I learned how to

00:49:30.199 --> 00:49:35.796
read well because it's not no
distractions. And we always picked up the

00:49:35.829 --> 00:49:40.986
blue hole books, drawing books in all
these different towns and I would

00:49:41.019 --> 00:49:45.486
draw whatever I was seeing if we took
a ferry boat across the channel or

00:49:45.519 --> 00:49:49.856
whatever. I decided I was interested
in ships and I would draw designed

00:49:49.889 --> 00:49:56.057
ships and become a naval and whatnot.
And so that was how I kind of

00:49:56.090 --> 00:50:00.847
recorded the trip and, and, and
learned about documenting the physical

00:50:00.880 --> 00:50:03.747
world, which is what architecture is
about. And so then it became a

00:50:03.780 --> 00:50:07.066
natural thing. But I could have grown
up to be a naval architect,

00:50:07.099 --> 00:50:10.626
industrial designer, sure I would have
been happy and my little brother

00:50:10.659 --> 00:50:16.597
did industrial design and migrated
into branding, which is kind of

00:50:16.630 --> 00:50:22.217
incorporating interior design,
marketing and the whole image. So he's kind

00:50:22.250 --> 00:50:30.250
of taken industrial design into a real
spatial practices.

00:50:37.659 --> 00:50:45.586
You know, we used to take the sketch
class down to beats me, but on the

00:50:45.619 --> 00:50:52.046
way we'd stop it to McCaw Khoury and
also stopped at the mission

00:50:52.079 --> 00:50:57.327
and make them sketch the mission and
then go over and sketch it to a Capri

00:50:57.360 --> 00:51:05.026
and then they'd wind up for beer at
the hotel in

00:51:05.059 --> 00:51:08.727
Mhm. Copper Queen, that's what I call
it, you know, that's what it is. The

00:51:08.760 --> 00:51:12.427
Copper Queen had a bar and

00:51:12.460 --> 00:51:16.807
xem nay, I guess the first time we
took them down there, they kind of

00:51:16.840 --> 00:51:20.526
raised a little bit of hell.

00:51:20.559 --> 00:51:27.847
So we next time we had monitors on
interim to keep them quiet. But that

00:51:27.880 --> 00:51:32.367
they had those trips for fun. And then
when we got back they would put all

00:51:32.400 --> 00:51:40.400
their drawings up on the wall in the
hall downstairs gallery so that the

00:51:42.760 --> 00:51:48.256
the one thing that will always remain
a mystery but one of our trips

00:51:48.289 --> 00:51:53.967
futures was with cal over the coast
and then up to san Francisco and then

00:51:54.000 --> 00:52:02.000
back down here. Well on the way over
there where

00:52:03.449 --> 00:52:10.577
Bruce is a fireball came in there with
full of vinegar and english, you're

00:52:10.610 --> 00:52:18.610
ready to roll and he could drop a
storm and he's happy all the time and he

00:52:18.739 --> 00:52:26.739
is calling dad because I was about the
same age as his dad and and we just

00:52:28.150 --> 00:52:33.327
established a friendship over the
years but he always like, I respected

00:52:33.360 --> 00:52:37.787
what he could do and he was, he was
not only a good drawer but he was a

00:52:37.820 --> 00:52:42.517
good entrepreneur to and

00:52:42.550 --> 00:52:48.646
ah we just became very good friends
off campus as well as on campus. But

00:52:48.679 --> 00:52:53.356
he was always a cut up that I remember
times when he would, yes, it was

00:52:53.389 --> 00:52:59.916
proof dressed up as a sheriff.

00:52:59.949 --> 00:53:06.697
He came dressed up as a sheriff and I
was in with the dean and he walked

00:53:06.730 --> 00:53:13.506
in the door, it was all set up and
started reading the riot act. Yeah, he

00:53:13.539 --> 00:53:19.217
had glasses on and everything started
reading the riot act anymore and I

00:53:19.250 --> 00:53:26.816
started to take offense to all and he
said shut up, you you sit down.

00:53:26.849 --> 00:53:33.467
He took me totally by surprise, I
never forget. And then of course he came

00:53:33.500 --> 00:53:39.117
back to show me right. He said put me
in my place.

00:53:39.150 --> 00:53:44.296
That was one thing he was always, well
I know another time he Bruce would

00:53:44.329 --> 00:53:49.447
, we took all of them over to the zoo.
We're doing this design project for

00:53:49.480 --> 00:53:53.316
the zoo and we were all over there and
we've done our research and

00:53:53.349 --> 00:54:00.617
everything and we're all stacked up
along this wash and having a barbecue

00:54:00.650 --> 00:54:05.896
and Bruce, they said now be careful
there, there might be some wild

00:54:05.929 --> 00:54:10.097
animals or something comes through.
Well that's a bunch of Baloney. So we

00:54:10.130 --> 00:54:14.597
went on ignoring it and then all of a
sudden here comes this damn eight

00:54:14.630 --> 00:54:19.267
and he came rushing down the wash and
everybody started scattering. It was

00:54:19.300 --> 00:54:23.117
Bruce, yes,

00:54:23.150 --> 00:54:25.150
gorilla.