WEBVTT

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 learned the very first part of the tapes doesn't quite record. Mm hmm.

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Okay. I think I'll go ahead and
identify on the tape that, let's see. I'm

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pam Stevenson. I'll be doing the
interviewer. Manny Garcia is our

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videographer and we are conducting a
living history video interview for

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the Arizona State University Retirees
Association. And today is january

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the 30th of 2000 and six. And we're at
the visitor information center at

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issue at rural and Apache and I'll let
you introduce yourself. I'm beth

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Lassard

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and for just for some background, tell
me when you were born and where you

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were born. I was born on 16 January
1943 in Camden south Carolina

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and lived there for two years and then
moved to Augusta Georgia. So you

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grew up in Georgia pretty much um, was
that a rural community or in

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Augusta? I, we lived what we thought
was sort of a little bit out in the

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country. It was a little bit rural but
Augusta was a pretty good size city

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even as I was growing up because they
had a fort Gordon military post

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which brought quite a bit of
population and it's the medical center of the

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south. So there was a lot of and they
had a four year black university or

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pain college at the time and a two
year community college. So it was a

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pretty, pretty good sized town. You
were born during the war years. Mhm

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parents there because of the military.
Actually my father was given the

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choice of serving or becoming a
civilian flight instructor and he, because

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my sister was three when I was born
and when all of this was going on, he

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opted to take the civilian flight
instructor position and we still have

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his flight log books of the men that
he trained who went to war. So that I

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know that being in Camden was part of
his flight assignment, but being in

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Augusta is because that's where home
was for both your parents pretty much.

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Did your mother work outside the home? Not really know. She was, she was a

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devoted mom. What do you remember
about your life? They're growing up? Um

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, just being one of four Children,
being very shy, um, being wanting to do

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anything and everything in the arts
from the time I had consciousness I

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wanted to sing and dance and act and
paint and write poetry and draw. You

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know, those were the things I wanted
to do.

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I went to several elementary schools,
the sort of country junior high

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school and we only had one large high
school actually, there were 31. And

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, and these, these were days of
segregation. And so the black Children

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went to a particular school, the
catholic Children went to a particular

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school of everybody else went to the
Academy of Richmond County. So that's

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where you went. Mhm. And, and that was
in high school, you said you liked

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the arts. What were you active in, in
high school? The only thing I did in

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high school was, uh, sing in the
chorus and I acted in two or three of

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their musicals. But you have to
realize I was so shy that for me to do

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that even was, and I, I took art in
junior high school, but I don't think

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I didn't do any art in high school. I
don't know why. I think I just had a

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full academic schedule and wanted to
sing.

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When did you get interested in dance?
Had you been athletic? I think what

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happened in dance was this very long
stories and I promise I'm going to

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write them up one of these days, but
to make it short, I I had a cousin

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who was adopted and she was about a
year and a half younger than I, she

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wanted, her mother wanted her to take
dancing lessons and basically she

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wouldn't go unless I went and um, I
got three years of ballet out of that

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deal and that was enough to make me
want to be a dancer, but I never

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considered being a dancer seriously
because I knew that um, looking around

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at, at my family and my role models, I
knew that I had to get an education

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and be able to support myself and it
never occurred to me that dance would

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be an avenue for that ever. So what
did you plan to do? I uh, went finally

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went to a community college when I got
out of high school and um, you know

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, you could pay $100 and go for a
whole quarter. So I, and I had a

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scholarship, so I managed to get two
years of college out of the way. And

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then um, I had a, a life change. I
mean I, I realized I wanted to finish

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school, I didn't seem to have any way
of going about it, there was no

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money. Um, so I had a few really
fortuitous um occurrences like I call

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them angels who appear and make things
happen for me. And one of them was

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a guidance counselor at the community
college and she said if you want to

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finish college you will. And she
helped me fill out the applications for

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loans and scholarships and I went to
the woman's College of Georgia in

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Milledgeville and my first week there
they said, well what are you going

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to major in? And I burst into tears
because I had no idea, but I knew that

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I would get a degree in education. It
was just a matter of what would my

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field b and I said, well I'm not that
good in sports, so I don't know if I

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can remember, I think I'll do Math. So
I majored in math. That's kind of

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unusual. Yeah, I was going to be a
high school math teacher.

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So how far did you get along that
career path? Well I did my student

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teaching in math and was getting ready
to graduate. And another little

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fortuitous thing happened. We had a
new dance teacher come to the college

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and she said you should dance and I
said okay. Um I don't know quite how

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you think that this is going to
happen, but she paid for me to go with her

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and two other students to texas,
woman's university, That's a long story,

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but I'll leave out most of the
details. And um enrolled me, paid for

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everything, my dorm, my meals, my
transportation, And there was six

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credits that I earned. Post back
served as uh kind of a an audition for me

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to get into a master's degree program.
So I went straight into a master's

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degree program and dance with no
training and dance.

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What did she see? What made her think
that you were a dancer? Well I had

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um I had the body of a dancer number
one. Um I had loved ballet so much as

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a child, even though I wasn't
studying, I continued to want to be a dancer

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and I thought it, I ate it, I dreamed
that I slept it. So when I walked

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into her class in college I already
looked like a dancer. I looked like I

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had training modern dance modern
dance. I had never heard of modern dance

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. I just said well if they wear
leotards, I want to do it. So

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that was a junior, I was a junior in
college when I started dancing. I say

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that I started dancing as a junior in
college

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and you were doing it just more for a
fun thing to do. I did it because I

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loved it. And it's still never
occurred to me that I could be any kind of

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dance professionals, even a teacher.
Until my senior year in college when

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she said you should dance. And all of
a sudden I'm in a master's degree

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program studying dance.

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Mm hmm. I finished in a year and a
half. What did your family think of

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that after you already prepared to be
a math teacher? My father kept

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saying girl get your degree in
mathematics and Physics make a lot of money

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and I'd say well daddy, I think I
wanna dance. They were sort of kind of

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not minding, they were so caught up in
life. I had two younger brothers

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who were you know struggling in their
own ways and my mother was focused

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on them and my father had his own
issues and I kind of just did what I

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want to do. And I had a lot of support
from family and friends and people

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just kept walking into my life to make
things possible. What were your

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plans of getting a Master's in dance?
I was going to teach in the

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university the minute, the minute I
knew that that connection was

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happening because she she said to me,
you know you can teach in the

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university, She said there are people
who are teaching in universities now

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who are not nearly as qualified as you
are because a lot of programs were

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in physical education and many times
people would be teaching beginning

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modern dance and they only had one
beginning modern class themselves. It's

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just the nature of the beast in those
old days. So it was hard for me to

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believe and build the confidence in my
dancing because I was saying I'm

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too old to start, I'm too old to do
this. But I did it. So have you ever

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thought about being a performer? I
wanted to perform and I started

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choreographing immediately and I was
performing right away. But it again,

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it never occurred to me to try to be a
professional performer. I felt like

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I had started way too late. So no, I
was very content that I, if I could

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teach and if I could teach in the
university and this would be a real

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dream come true for me. So that's what
I did. And then my first job was at

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the university of florida. I just fell
into it. I mean, I didn't even, I

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didn't even have to try, I just was
performing at a national convention in

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Dallas. And the Dean of the college
had made sort of an arrangement with

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the Dean at the University of florida.
She says, well I've got somebody in

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tennis, somebody in aquatics and
somebody in dance. Do you want them all

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three? And he said, sure I'll take
them.

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So I ended up at the University of
florida didn't ask you about it. Well I

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had to apply of course, but you know,
for me to get a job period was to me

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it was like a miracle. So I was very
wide eyed and you know, kind of

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pretty naive. What year was that? That
was 1965,

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I was 22 years old and I taught at the
University of florida for four

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years and I was married. By the way, I
got married, I finished my degree

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and got married and we went to florida
together and In four years the

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circumstances sort of encouraged us to
look somewhere else and I applied.

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And one of the uh faculty members at
the University of florida was Betty

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graham and Betty said, oh I'll write
to judges and see if she's got any

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openings out at Arizona state. And I
said Arizona, I think I'd like

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Arizona. And so she just either wrote
to Margaret or called her and said,

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have you got anything? And she said by
all means have her apply here. So I

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sent her a letter and a little
photograph of me flying through the air and

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she hired me sight. I mean they hired
me, you couldn't do that today. I'm

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saying, I'm glad this was, you know, I
got in on the early days. So I came

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here in the fall of 1969,

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that's when Margaret and my history
start to meld because um the the

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degree programs had been approved and
I thought it was just the most

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wonderful thing in the world to be
able to come into a dance major program

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,

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had it been a degree program in
florida, That's what it is called, a

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service program, people had to take P.
E. And if they wanted to take

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aquatics or modern dance it was their
choice. And I taught eight sections

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of modern dance usually. But um I did
teach the physical education majors

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and that was a lot of fun. I got to
teach them choreography and technique

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and I even choreographed a lecture
demonstration and put it on for the

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college and they were like wow!
Because a lot of those youngsters were shy

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too and a little self conscious about
their ability to dance. But it was

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very, it was a lot of fun. So what you
came to Arizona in 1969, what was

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your first impression of Arizona? Well
I was my husband and I were in a

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Volkswagen beetle pulling a trailer
and we were driving from Tucson to

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phoenix in the heat of the day and I
was looking everywhere and I said

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there's no shade, what would we do if
we had a flat tire? Oh my God,

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there's no shade, what are we gonna
do? How are we going to live in this?

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And so I mean I was beginning to panic
and I haven't even seen Tempe yet.

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We were so we pull into Tempe and we
immediately go find some kind of

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little motel so that we can um
regroup. And the first thing we do is we

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just fell asleep. The heat just zapped
us, we fell asleep. And then the

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next um what time of year was that?
This was august, it was in the middle

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of august and not only that, it was
the year that the monsoons washed out

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all the bridges. And I said I feel
like I'm having an out of body

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experience in the first place. I'm in
the desert and there's no shade. Now

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I'm I'm in these floods. What kind of
a place have I chosen? But it was,

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it was. And then to balance it out, I
don't know if the name Don Robinson

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rings a bell. He was a gymnastics
coach for years. And terry sin graph was

00:14:09.980 --> 00:14:14.697
a part time faculty member. And they
were kind enough to invite my husband

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and me to go camping with them. So
then we did this all happened within

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two weeks. We're in Civic, You Creek
Volkswagen climbing over boulders and

00:14:25.059 --> 00:14:29.307
crossing streams behind their four
wheel vehicles there. We were trying to

00:14:29.340 --> 00:14:33.537
keep up. There were eight people. So I
had quite an introduction. My first

00:14:33.570 --> 00:14:37.006
two weeks was quite an introduction

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and I mentioned those Volkswagens
didn't have air conditioning, you know,

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I don't, I think it did because I
bought it in florida, I think I think it

00:14:46.230 --> 00:14:54.230
did, but I do remember um loving it
and, and Margaret would take me around

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and we'd go to lunch or something. She
drive me around to the periphery of

00:14:58.759 --> 00:15:01.927
the desert. She showed me the care
center, she showed me everything. She

00:15:01.960 --> 00:15:05.967
had taught me the names of all the
cacti and the plants within like three

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weeks. I still, you know, and people
come, they said, well how did you

00:15:09.889 --> 00:15:13.106
learn all that? I said, Margaret
taught him to me the first two or 3 weeks

00:15:13.139 --> 00:15:19.037
I was here, but I loved it. I've
always loved it. What was the issue like

00:15:19.070 --> 00:15:21.807
in 1969?

00:15:21.840 --> 00:15:26.677
The campus, we were in um, the
physical education building east because

00:15:26.710 --> 00:15:31.856
that one was opened in 1965, damage
opened in 1965. So I came in after a

00:15:31.889 --> 00:15:35.447
couple of major, some major things had
happened. But I do remember that we

00:15:35.480 --> 00:15:39.787
had about 24,000 students. And at that
time it was kind of a big thing to

00:15:39.820 --> 00:15:43.437
be a member of the faculty women's
group. And Margaret made sure she

00:15:43.470 --> 00:15:46.817
mentored me and took me to the
meetings. My picture was in the paper, you

00:15:46.850 --> 00:15:52.246
know, and I met Katherine Nichols and
a lot of the people who were friends

00:15:52.279 --> 00:15:57.467
of Margaret's at that time. And um, I
felt very welcome. Um of course the

00:15:57.500 --> 00:16:02.907
student union and all the old
buildings were there. Um

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How many women were there in the
faculty at that time? And the dance

00:16:06.460 --> 00:16:12.797
faculty? We were Margaret, gigolo. Peg
desk garden. Now Peg was an A. S.

00:16:12.830 --> 00:16:17.006
You from 1949 two,

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she is no longer with us and she was
in a lecturer position and actually

00:16:22.259 --> 00:16:27.287
became a full time, she played for
classes and gradually she began to pick

00:16:27.320 --> 00:16:31.626
up some music literature, I mean music
theory for dancers and pretty soon

00:16:31.659 --> 00:16:36.177
she had a full time lecturer
appointment. So she was, she was a lecturer

00:16:36.210 --> 00:16:44.210
emeritus. So Peg and Margaret were the
mainstays. Um Then when I came in I

00:16:44.470 --> 00:16:51.187
was in that third full time position.
Then there was a halftime dance and

00:16:51.220 --> 00:16:55.386
uh pe position, terry scene graph, she
coached gymnastics and she taught

00:16:55.419 --> 00:16:58.606
some dance

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and I do believe that was it. What
about campus in general? Were there

00:17:04.559 --> 00:17:08.457
many other women in other departments
in the faculty?

00:17:08.490 --> 00:17:15.197
I don't have any awareness of them
being not so many. My awareness became

00:17:15.230 --> 00:17:20.016
a little sharper as I began to move
more towards administration and had to

00:17:20.049 --> 00:17:25.397
meet and be on committees and I would
find that it was very heavily male

00:17:25.430 --> 00:17:29.986
in composition. The committees and any
of the administrators I had to deal

00:17:30.019 --> 00:17:33.326
with. I don't think I ever dealt with
a female. I don't remember ever

00:17:33.359 --> 00:17:38.667
dealing with a female. I mean up to a
certain point, so a lot has changed

00:17:38.700 --> 00:17:44.207
I think. So what was your first, your
job title when you came here

00:17:44.240 --> 00:17:47.256
actually when I was at the university
of florida, I was an assistant

00:17:47.289 --> 00:17:51.937
professor of dance and I have to talk
a little bit about am Pittman dr

00:17:51.970 --> 00:17:56.746
Pittman because technically she was
head of women's PE and Margaret was

00:17:56.779 --> 00:18:00.526
the dance faculty but Margaret didn't
really have a degree or I mean a

00:18:00.559 --> 00:18:05.677
program as such. So an Pittman is the
one that hired me. And when I found

00:18:05.710 --> 00:18:12.137
out about the job, she says $7,000,
take it or leave it instructor. And I

00:18:12.170 --> 00:18:16.986
was already making like 93 in Florida
and I was assistant professor. That

00:18:17.019 --> 00:18:24.566
was a tough decision for me to make
very tough. And I I said well you know

00:18:24.599 --> 00:18:28.447
let me think about it because I really
wanted to come here. I wanted to be

00:18:28.480 --> 00:18:34.217
part of a dance major program. I saw
history being made. So at the time my

00:18:34.250 --> 00:18:38.617
husband, the reason we were leaving
florida was because he was ready then

00:18:38.650 --> 00:18:41.927
to get a master's degree and we were
looking for a place where I could

00:18:41.960 --> 00:18:47.347
have a job and he could get into a
master's program. And we picked Arizona

00:18:47.380 --> 00:18:51.836
state out of three or four offers that
we both had and I took the cut in

00:18:51.869 --> 00:18:56.657
pay and I took the reduction in rank
and then um lots of administrative

00:18:56.690 --> 00:19:04.506
things changed, women's and men's pE
went together and I became

00:19:04.539 --> 00:19:09.177
a dance faculty member in a uh like a
college, I mean a department of

00:19:09.210 --> 00:19:14.476
health, physical education, recreation
and dance dance was added. And um

00:19:14.509 --> 00:19:20.347
Dean Richardson, who was one of the uh
chairs of Physical education, found

00:19:20.380 --> 00:19:25.177
out that I had been reduced in rank
and reduced in pay and he just fixed

00:19:25.210 --> 00:19:29.286
it, he just said no, no no no this
won't do. And so he reinstated

00:19:29.319 --> 00:19:32.947
everything. And I don't remember
having to do anything. I don't remember

00:19:32.980 --> 00:19:36.437
having to put together any kind of big
portfolio or anything to justify

00:19:36.470 --> 00:19:40.707
the change in rank.

00:19:40.740 --> 00:19:46.976
And then over the years I was
surprised too, from time to time be

00:19:47.009 --> 00:19:51.806
identified as a female who was
underpaid or to get some kind of a merit

00:19:51.839 --> 00:19:55.207
thing. And to me I never asked for
anything, it was just like, oh that's

00:19:55.240 --> 00:20:01.957
really nice, thanks. And Margaret had
a way of um I don't even know how I

00:20:01.990 --> 00:20:05.806
was on sabbatical leave when I went up
for promotion

00:20:05.839 --> 00:20:10.736
and I'm sure that I put together
something for her. But I was working on

00:20:10.769 --> 00:20:16.607
my PhD I think at the time. And
somehow I got promoted and I didn't even

00:20:16.640 --> 00:20:21.677
realize how, you know, it's kind of
like magic. It's I've had wonderful

00:20:21.710 --> 00:20:29.710
experiences here and wonderful support
at all levels mm mm. Talk a little

00:20:29.829 --> 00:20:35.627
bit about what your responsibility is,
what you did as a dance instructor

00:20:35.660 --> 00:20:43.660
or Yeah, well let's call me an
assistant professor at the the biggest

00:20:44.039 --> 00:20:49.766
thing was um that because there were
so few of us,

00:20:49.799 --> 00:20:57.107
the everybody had to teach a lot of
different classes and Margaret was um

00:20:57.140 --> 00:21:02.976
my first semester and Pittman gave me
two levels of ballet to levels of

00:21:03.009 --> 00:21:10.407
modern production, dance history or
kisses.

00:21:10.440 --> 00:21:12.806
Um

00:21:12.839 --> 00:21:16.607
I think there was seven or 8
preparations

00:21:16.640 --> 00:21:20.707
and I had been teaching in a program
where you taught technique and yes, I

00:21:20.740 --> 00:21:23.407
know and choreography, that was number
eight and I had taught some

00:21:23.440 --> 00:21:25.877
choreography and I had done
productions. I had never taught dance history

00:21:25.910 --> 00:21:30.976
, I had never taught dance production.
I didn't, I mean there's all kinds

00:21:31.009 --> 00:21:35.207
of, I mean you have to know costuming
and lighting and sets.

00:21:35.240 --> 00:21:40.137
So when I got there I went to Margaret
and I said I don't know if I can do

00:21:40.170 --> 00:21:44.887
all of this, I had eight different
classes and I didn't even know how I

00:21:44.920 --> 00:21:48.496
was going to make the course outlines
or anything. So she, what did she do

00:21:48.529 --> 00:21:54.986
? She um she took the dance history
back

00:21:55.019 --> 00:21:58.867
to give me a little bit of a break and
I managed to get through that first

00:21:58.900 --> 00:22:03.597
semester. It was a strange because it
was also choreographing and

00:22:03.630 --> 00:22:07.207
directing the performing group and

00:22:07.240 --> 00:22:11.296
I was very conscientious and I was
totally aware of my shortcomings, so it

00:22:11.329 --> 00:22:15.217
made it even harder for me emotionally
to push myself through all this and

00:22:15.250 --> 00:22:19.516
say I felt like an imposter, but the
first year was the hardest. Then it

00:22:19.549 --> 00:22:23.677
got, it got better and better. I just
had to do it all again. Yes, yes.

00:22:23.710 --> 00:22:28.826
And I did. Um, as a faculty member, I
served on all the committees, you

00:22:28.859 --> 00:22:32.266
know, we had committees for
curriculum, we had committees for policy,

00:22:32.299 --> 00:22:36.006
student advisory boards. I was on all
of those. I directed the performing

00:22:36.039 --> 00:22:40.107
group, took the students out on tours,
took them to Mexico and a state

00:22:40.140 --> 00:22:47.217
department tour took him to el paso, I
took them to Albuquerque. I was all

00:22:47.250 --> 00:22:52.056
over the map. I mean still, you know,
this is a lot of fun, but there was

00:22:52.089 --> 00:22:56.726
no no funding for it. That's another
one of those long stories. But we

00:22:56.759 --> 00:23:02.707
managed to do a lot with very little
money.

00:23:02.740 --> 00:23:07.506
When did the dance program move out
from the physical education department.

00:23:07.539 --> 00:23:14.717
It all happened in my tenure. I took
over in 1977, Margaret was really

00:23:14.750 --> 00:23:17.746
burned out. She had been doing this
for so many years and things were

00:23:17.779 --> 00:23:21.516
getting much more complicated in
school at the university. The financing,

00:23:21.549 --> 00:23:24.746
the budget, the administrative stuff,
it was just layers and layers and

00:23:24.779 --> 00:23:30.806
layers and she wasn't used to that and
she was tired. So I, we sort of

00:23:30.839 --> 00:23:35.957
drew straws and all put our

00:23:35.990 --> 00:23:40.367
a little bit sometimes there in the
distance, but that one sounds like

00:23:40.400 --> 00:23:46.746
it's right outside. We're right in the
stream of a lot of those fire fires

00:23:46.779 --> 00:23:50.407
and stuff

00:23:50.440 --> 00:23:54.447
because I know this is gonna be a good
story, remind me which one I was

00:23:54.480 --> 00:23:57.336
about to tell

00:23:57.369 --> 00:24:00.187
1977.

00:24:00.220 --> 00:24:07.066
Okay, Margaret was very tired and we
decided that one of us would run the

00:24:07.099 --> 00:24:11.746
department about now. We were six
faculty members. We had added one here

00:24:11.779 --> 00:24:17.187
and one here and one here. And um put
in a couple of extra, we had put in

00:24:17.220 --> 00:24:22.937
a few more degrees as well. We have
been very busy, But in 1977, um, I

00:24:22.970 --> 00:24:30.076
became chair of the dept and the
first, my first year, I um, my first

00:24:30.109 --> 00:24:36.647
semester I, I was working on chapters
one through three of my dissertation.

00:24:36.680 --> 00:24:41.937
I had to get those in by December. We
were doing a 10-year program review.

00:24:41.970 --> 00:24:47.836
So that was my job jules. Dean Heller.
He said, I mean Dean jewels teller

00:24:47.869 --> 00:24:52.857
, that was, that was weird. Dean
jewels Heller said I'd like to have, I'm

00:24:52.890 --> 00:24:56.036
gonna reorganize college fine arts,
I'd like to have dance, but I can't do

00:24:56.069 --> 00:24:59.207
it for you. I said, I'm with you. Give
me a few minutes to think this

00:24:59.240 --> 00:25:05.167
through and talk to my troops and then
we were feeling kind of proud of

00:25:05.200 --> 00:25:11.197
what we were doing. We had, we had a
national reputation already By 1974,

00:25:11.230 --> 00:25:14.857
1975 we were known and a lot of the
visiting artists told us we were in

00:25:14.890 --> 00:25:18.397
the top three, top five, whatever and
we were thinking this was really

00:25:18.430 --> 00:25:23.707
neat. So we decided we wanted to be a
department and

00:25:23.740 --> 00:25:27.526
yeah, we wanted to have department
status, we wanted to be in the College

00:25:27.559 --> 00:25:31.756
of Fine Arts and we wanted an M. F. A.
Degree, We didn't want much. And we

00:25:31.789 --> 00:25:35.776
were also going through a 10-year
program review and I was doing the the

00:25:35.809 --> 00:25:38.687
first three chapters of my
dissertation, that's what I did my first

00:25:38.720 --> 00:25:41.407
semester in administration.

00:25:41.440 --> 00:25:45.447
So the first year was pretty rough, I
think I cried a lot but we did it,

00:25:45.480 --> 00:25:51.566
we we got all those proposals
together, we handed them in um um page

00:25:51.599 --> 00:25:56.097
Mulholland was the provost and for
some reason he sort of was kind of

00:25:56.130 --> 00:26:01.697
fascinated by dance. I don't know why
um jules was extremely supportive

00:26:01.730 --> 00:26:04.697
and kept reminding us, don't worry
about your space. We kept saying, you

00:26:04.730 --> 00:26:09.296
know, we're in physical education, all
of our space belongs to them. If we

00:26:09.329 --> 00:26:11.986
leave physical education, how are we
going to fight these battles? How are

00:26:12.019 --> 00:26:15.217
we going to carve out territory just
for ourselves? We share the gyms, we

00:26:15.250 --> 00:26:20.996
do this, he says, well just um we'll
take it, you know, as it comes. So we

00:26:21.029 --> 00:26:28.657
did and got all those proposals
written um by spring of 78 they went in,

00:26:28.690 --> 00:26:32.157
they went to the Dean, they went to
the College of Liberal Arts because we

00:26:32.190 --> 00:26:38.167
were in liberal arts and a chuck Wolfe
and um guido wagon, I don't

00:26:38.200 --> 00:26:41.786
remember exactly whose tenure was
where, but they were very wonderful and

00:26:41.819 --> 00:26:49.347
interested in dance as well. So by
this July I think of 79 all of those

00:26:49.380 --> 00:26:53.967
proposals were approved. The FAA was
approved. And that was an interesting

00:26:54.000 --> 00:26:58.236
little thing because we had written an
M. A proposal. Dean Wolfe said,

00:26:58.269 --> 00:27:01.496
you're not a research oriented unit,
we're not going to support this, he

00:27:01.529 --> 00:27:06.326
says, but if you want to go back and
rewrite it as an M. F. A. We would be

00:27:06.359 --> 00:27:09.667
happy to support that. Of course,
you're not in the College of Fine Arts,

00:27:09.700 --> 00:27:14.607
but we would support that. And so with
jewels here and Dean Wolf here, I'm

00:27:14.640 --> 00:27:20.127
saying, okay, this is our moment. If
we're going to do get approval for an

00:27:20.160 --> 00:27:25.486
M. F. A. Degree, this is our
justification to move for fine arts. Nobody

00:27:25.519 --> 00:27:29.197
would argue with us on that. I was a
little nervous about it because we

00:27:29.230 --> 00:27:33.397
had good ties with physical education,
kinesiology and all kinds of stuff

00:27:33.430 --> 00:27:38.657
, but that's kind of what happened. So
we moved to the College of Fine

00:27:38.690 --> 00:27:45.726
Arts as a full department of dance
with an M. F. A degree in 1979

00:27:45.759 --> 00:27:52.006
it was huge and we was we were like
six of us. And paige Mulholland says,

00:27:52.039 --> 00:27:54.586
well, you're quite the politician. He
says, when you want something, you

00:27:54.619 --> 00:27:57.357
say you only have six faculty members,
but then when you want to be a

00:27:57.390 --> 00:28:02.207
department, he says, you have six
faculty members says, yeah, that's the

00:28:02.240 --> 00:28:06.967
way we operate, I guess. But it was a
wonderful time. Why was it an

00:28:07.000 --> 00:28:14.117
important move to make because the
trend was national trend was that dance

00:28:14.150 --> 00:28:20.137
is a fine art. It is a performing art.
It is not a sport. And as many

00:28:20.170 --> 00:28:25.726
times as we have with education and
with um physical education because my

00:28:25.759 --> 00:28:30.506
PhD is in biomechanics, I I wanted to
be a dance scientist and I love that.

00:28:30.539 --> 00:28:33.407
You know, I mean I love the research
aspect of it but that was not our

00:28:33.440 --> 00:28:37.076
thrust. I was the only one in the
department that was interested in that

00:28:37.109 --> 00:28:42.766
piece. Everybody else was performance,
choreography, theater. Um you know

00:28:42.799 --> 00:28:47.597
production and all of that. So it was
important because all of the really

00:28:47.630 --> 00:28:52.806
wonderful programs around the country
had moved out of physical education.

00:28:52.839 --> 00:28:57.016
There was only one left that was
University of Wisconsin Madison and they

00:28:57.049 --> 00:29:00.447
thrived. They had they had good, you
know, good luck there. I think they

00:29:00.480 --> 00:29:04.447
did move eventually. But everybody
else. And another little piece of

00:29:04.480 --> 00:29:07.586
history that people wouldn't
ordinarily know was that there was a group

00:29:07.619 --> 00:29:12.177
called the council of dance
administrators. It's just a little group of

00:29:12.210 --> 00:29:16.187
friends that said, hey you're the head
over at Ohio State. I'm at U. C. L

00:29:16.220 --> 00:29:22.736
. A. And let's get the whoever she
was. Um, her name will come to

00:29:22.769 --> 00:29:25.586
agreement from the university of
Illinois and nancy smith from florida

00:29:25.619 --> 00:29:32.187
state. And let's get this Pearson from
temple and let's meet. So in 1965,

00:29:32.220 --> 00:29:39.306
a group began to meet in California by
74, they invited Margaret to join,

00:29:39.339 --> 00:29:43.437
They invite. And that was, that was
the moment when we knew that program

00:29:43.470 --> 00:29:47.687
was nationally recognized because
there were only about 10 or 12 members.

00:29:47.720 --> 00:29:55.086
Margaret was invited to join. So we,
we wanted to be part of that main

00:29:55.119 --> 00:30:01.726
thrust, that movement to get dance as
an art really taught by

00:30:01.759 --> 00:30:06.627
professionals and to give the students
professional experiences, bring

00:30:06.660 --> 00:30:10.836
guest artists in, get the students to
new york, get them. You know, it's

00:30:10.869 --> 00:30:15.306
just, it was just a wonderful,
wonderful time.

00:30:15.339 --> 00:30:20.877
And why was it important to have the
masters level? We felt that there at

00:30:20.910 --> 00:30:26.276
that time there was a need for really
highly qualified people to go into

00:30:26.309 --> 00:30:32.246
the universities. We saw that there
was a trend in the old days. Sometimes

00:30:32.279 --> 00:30:36.066
people would be teaching with master's
degrees and they were not as

00:30:36.099 --> 00:30:40.417
qualified as our bachelor students
because they came in certain, you know

00:30:40.450 --> 00:30:43.347
, locations where they didn't have the
benefit of the professional

00:30:43.380 --> 00:30:47.907
training or whatever. And the trend
was, let's get some really highly

00:30:47.940 --> 00:30:51.867
qualified people into these university
programs, even into these high

00:30:51.900 --> 00:30:56.486
school programs. And um,

00:30:56.519 --> 00:31:02.447
and no matter what the field is, dance
is a passion for a lot of people,

00:31:02.480 --> 00:31:07.496
they want to make their life in dance.
And it was, if they thought that

00:31:07.529 --> 00:31:12.147
they had a recognizable degree that
would give them an opportunity and a

00:31:12.180 --> 00:31:16.597
credential to offer themselves at a
community college or university or

00:31:16.630 --> 00:31:21.627
even a high school or even an academy,
then it's worth doing. And the

00:31:21.660 --> 00:31:26.877
benefit of coming to university is
where else are you going to learn about

00:31:26.910 --> 00:31:31.937
philosophy of dance, how to write,
criticism of dance, how to produce in

00:31:31.970 --> 00:31:36.546
terms of the costuming and the
designs, and how are you gonna learn about

00:31:36.579 --> 00:31:41.457
the body? We required them to take
anatomy and physiology and kinesiology.

00:31:41.490 --> 00:31:45.647
We required them to take music. They
had to learn to do in the old days,

00:31:45.680 --> 00:31:48.786
they had to take piano and voice, but
we ended up dropping that because

00:31:48.819 --> 00:31:52.167
the music faculty, we're just about
ready to kill us. Uh because a lot of

00:31:52.200 --> 00:31:54.687
the students didn't want to do it.
They felt really shy about it. They

00:31:54.720 --> 00:31:59.306
didn't have any skills. So, but they
had to be literate in music. You

00:31:59.339 --> 00:32:02.736
can't teach dance if you don't know
music and you you have to be able to

00:32:02.769 --> 00:32:07.506
count and read music and you've got to
be able to listen to music.

00:32:07.539 --> 00:32:10.506
Otherwise

00:32:10.539 --> 00:32:14.556
it comes off looking like somebody in
junior high school did it. So there

00:32:14.589 --> 00:32:19.796
was a whole body of knowledge that
needed to be available to dancers. The

00:32:19.829 --> 00:32:26.526
era of just being a body who did
tricks was long gone, dancers are

00:32:26.559 --> 00:32:32.107
exceedingly intelligent and well
educated today.

00:32:32.140 --> 00:32:38.407
I'm sure some people would wonderful
why that's important to have that

00:32:38.440 --> 00:32:41.397
degree at all.

00:32:41.430 --> 00:32:46.447
No, it's not a record like you said.
It's it's fairly new. It's not so new

00:32:46.480 --> 00:32:50.407
anymore. But I mean at least we've
been doing this now for 20 years 30

00:32:50.440 --> 00:32:54.157
years. I mean different schools have
had them in under different names. M

00:32:54.190 --> 00:32:58.347
. A. M. S. But eventually the M. F. A.
Was the thing. And I was really

00:32:58.380 --> 00:33:02.097
fortunate because because Margaret had
been invited to join this group the

00:33:02.130 --> 00:33:06.407
very year that I came into that group
we started writing national

00:33:06.440 --> 00:33:10.816
standards for the dance major programs
from off all over the country and

00:33:10.849 --> 00:33:14.056
those national standards. Then I was
on the committee that put them into

00:33:14.089 --> 00:33:21.046
accreditation standards. So that era
1977 through 1980-85

00:33:21.079 --> 00:33:25.617
was a really fertile time of bringing
people together and saying what's

00:33:25.650 --> 00:33:30.167
important here what should I should r
students be able to do, what should

00:33:30.200 --> 00:33:36.407
they know? And I was really happy to
be part of all that.

00:33:36.440 --> 00:33:40.566
Are there any particular things during
those years that happened at A. S.

00:33:40.599 --> 00:33:46.177
U. That you want to be sure remember I
think there were some things um I

00:33:46.210 --> 00:33:52.006
think that tour that I we did a state
department tour of Mexico in 1973

00:33:52.039 --> 00:33:58.197
and we took I believe we took eight
dancers and I had a part time faculty

00:33:58.230 --> 00:34:01.996
member who was fluent in Spanish, she
went as a translator and we had a

00:34:02.029 --> 00:34:05.427
state department official with us the
whole time. What a wonderful. Oh

00:34:05.460 --> 00:34:10.217
that was. It was like seven or eight
days. And that was a great thing for

00:34:10.250 --> 00:34:16.247
me to do. Another wonderful thing
happened in 1973.

00:34:16.280 --> 00:34:21.867
This is 1978. We began to realize that
Doris Humphrey, It was a 50th

00:34:21.900 --> 00:34:28.347
anniversary. I mean she died in 19 She
was born in 1928. She died in 1958.

00:34:28.380 --> 00:34:32.157
And this was 1978. We began to put all
these anniversaries together and

00:34:32.190 --> 00:34:37.646
we had been bringing out, we were part
of a national grant. We were one of

00:34:37.679 --> 00:34:42.037
five schools selected to be part of a
laban notation project. So every

00:34:42.070 --> 00:34:48.686
year they send a lot of rotator two
and a choreographer. Uh laban notation

00:34:48.719 --> 00:34:53.557
is a form of writing dance. It is a
vertical, you have columns for all the

00:34:53.590 --> 00:34:56.637
parts of the body. There's energy,
there's time, there's head, there's

00:34:56.670 --> 00:35:03.247
fingers, you can know Tate the
movements of a spider or a flea or a body.

00:35:03.280 --> 00:35:07.936
But that was, that was one of the ways
of preserving dance. How do you

00:35:07.969 --> 00:35:12.706
archive dance? Well, there was a lot
of interest in laban notation and we

00:35:12.739 --> 00:35:15.986
were part of this pilot project. So
they, the choreographer would come in

00:35:16.019 --> 00:35:20.637
and make a dance on our students. They
would send a no tater along to know

00:35:20.670 --> 00:35:26.307
Tate every gesture. Every roll.
Alright. And they videotaped everything.

00:35:26.340 --> 00:35:31.796
Then we produce it the next year they
would take the score and send it to

00:35:31.829 --> 00:35:37.537
another school and they would
reconstruct it and check the score and we

00:35:37.570 --> 00:35:41.617
will then. So we got on a circuit of
three or four years of getting these

00:35:41.650 --> 00:35:46.396
wonderful pieces and having artists
come check the scores uh in 1978

00:35:46.429 --> 00:35:50.106
because we had already done two or
three Doris Humphrey works, we decided

00:35:50.139 --> 00:35:54.697
to do a dance tribute to Doris
Humphrey Channel eight did the documentary

00:35:54.730 --> 00:36:00.227
on it. We brought in Ernestine Steidl
who was very, very prominent

00:36:00.260 --> 00:36:06.376
historical figure who did the
commentary live. She was present. We showed

00:36:06.409 --> 00:36:12.037
a film of Doris's um Air for the G.
String, which was an experimental film

00:36:12.070 --> 00:36:18.146
done in like 1929 by Westinghouse. It
was glorious. It was glorious. And

00:36:18.179 --> 00:36:21.276
we got written up in Dance magazine,
had a feature article in dance

00:36:21.309 --> 00:36:25.736
magazine, that was, that's a high
point. Uh these may not be in order, but

00:36:25.769 --> 00:36:31.697
another one is uh we did a national in
1992, we did the National American

00:36:31.730 --> 00:36:34.586
College Dance Festival.

00:36:34.619 --> 00:36:40.847
We had over 600 people come and it's
the biggest thing I've ever been part

00:36:40.880 --> 00:36:44.686
of and tried to produce. And One of
the things we did was we honored

00:36:44.719 --> 00:36:49.787
Daniel Negrin. I hired Daniel in 1982

00:36:49.820 --> 00:36:57.197
at age 65 and he's a famous solo
artist and hopefully his DVD is through

00:36:57.230 --> 00:36:59.856
the institute. Well used to be called
Institute for Studies in the Arts

00:36:59.889 --> 00:37:07.889
now it's the um arts and media Program
at eight am something. I'm sorry, I

00:37:08.010 --> 00:37:12.467
don't know the title, But there's a
DVD coming out on Daniel. But we did

00:37:12.500 --> 00:37:17.486
this as a 75th birthday and a
retirement party for Daniel. And people

00:37:17.519 --> 00:37:22.637
began when they found out it was for
Daniel. Really prominent artists

00:37:22.670 --> 00:37:29.316
began to call me and say, can I come,
I'd say we can't fly you in, we

00:37:29.349 --> 00:37:33.217
don't have the, no, I'm coming, I'll
teach a class for you, you can, you

00:37:33.250 --> 00:37:37.046
know? So anyway, we had a panel
discussion with all these people whose

00:37:37.079 --> 00:37:44.146
work, his work had influenced them. So
that was a wonderful moment. I've

00:37:44.179 --> 00:37:47.677
had some wonderful times. I've had
some sabbatical leaves. I did a six

00:37:47.710 --> 00:37:53.456
month uh, stent in europe with the
Ludwig Dance theater. That was great.

00:37:53.489 --> 00:37:56.517
I've been to brazil to teach workshops
a couple of times. I went to

00:37:56.550 --> 00:38:04.550
Mexico to teach a workshop. I've had
the great times, sounds like

00:38:10.219 --> 00:38:14.577
are there any particular challenges
that you face other than, I mean to

00:38:14.610 --> 00:38:18.836
move into the Department of Fine Arts
was huge. Other than that any other

00:38:18.869 --> 00:38:23.537
challenges that you can think back on
that. I think the hardest thing for

00:38:23.570 --> 00:38:31.570
me was um times when the university
had to take a hard line on budgets and

00:38:32.119 --> 00:38:38.066
We were such a small program that we
were like 95% salaries. So when

00:38:38.099 --> 00:38:43.376
Seymour Rosen tells me, I have to cut
X number percent out of my budget?

00:38:43.409 --> 00:38:49.137
I'm saying this is a human being, what
am I gonna do, I can't do this. And

00:38:49.170 --> 00:38:53.977
I made myself physically ill. I ended
up stepping out of the chair in 1994

00:38:54.010 --> 00:38:58.907
because I just had a really hard time
dealing with that. I couldn't be

00:38:58.940 --> 00:39:02.617
cavalier about it When it because it
involved human beings. I ended up

00:39:02.650 --> 00:39:06.206
giving up all of our production money.
We ended up when I started, we had

00:39:06.239 --> 00:39:11.477
a $300 production budget and I managed
to build it to $40,000 a year so

00:39:11.510 --> 00:39:15.566
that we can videotape, we can pay
music royalties, we could buy costumes,

00:39:15.599 --> 00:39:20.427
we could bring in. I gave it all up
most of it anyway, so I didn't have to

00:39:20.460 --> 00:39:28.019
fire people, So they recuperate id
some of it, but my tenure ended in 1994.

00:39:29.920 --> 00:39:31.920
So it sounds like you didn't really want to leave at that point. I did.

00:39:33.619 --> 00:39:40.186
And I did. I had I had reached a point
where I was not effective. I I just

00:39:40.219 --> 00:39:44.727
I was not, well, I was just not, well,
I was completely burned out. And

00:39:44.760 --> 00:39:51.376
you know, that's been over 10 years
and I still sometimes feel, but I'm

00:39:51.409 --> 00:39:56.876
still a little bit burned out. That's
that's that's a sad thing to say.

00:39:56.909 --> 00:40:04.909
It's like, I think I I was so
emotionally and totally committed to that

00:40:06.380 --> 00:40:13.706
work and the vision of that program
for so long. Um it really it took its

00:40:13.739 --> 00:40:21.739
toll, But Syros and who retired in 94
with me, he began to see what was

00:40:21.739 --> 00:40:26.727
happening and, and he was one of those
Dean's that it was very, you know,

00:40:26.760 --> 00:40:31.776
he was really hard on you. Um, but it
was kind of like, yeah, you can't,

00:40:31.809 --> 00:40:37.876
it was just, you have to know Sy
Rosen, okay. But he said, he says, you

00:40:37.909 --> 00:40:40.267
need to, he says you need to get out
of the position. He says, you need to

00:40:40.300 --> 00:40:44.367
get out of the chair and then you can,
you can stay on and teach for a

00:40:44.400 --> 00:40:48.006
while. He says, you just need to give
up the, the responsibility and And I

00:40:48.039 --> 00:40:50.847
was a little concerned about the
finances and this and that. And anyway,

00:40:50.880 --> 00:40:54.816
said finally, he says, look, I'm
retiring in 1999. And if it's the last

00:40:54.849 --> 00:41:02.577
thing I do, I'm taking you out with
me. I want your resignation by April.

00:41:02.610 --> 00:41:07.727
It was really the best thing. I was
too, you know, I was too embroiled in

00:41:07.760 --> 00:41:10.706
it to see the, you couldn't see the
forest for the trees. So once the

00:41:10.739 --> 00:41:18.739
decision was made, I stayed and
taught, I taught five more years and then

00:41:20.760 --> 00:41:24.977
I retired and then I taught three more
part time, just little bits and

00:41:25.010 --> 00:41:28.836
pieces of specialties that that people
wanted me to do. So I eased out of

00:41:28.869 --> 00:41:34.356
it and I'm happy, what are you doing
now?

00:41:34.389 --> 00:41:39.356
Taking care of a couple of 2 91 year
olds. And I mean really taking care

00:41:39.389 --> 00:41:44.296
of them managing every aspect of their
lives. And uh, I still dance with

00:41:44.329 --> 00:41:49.477
the, and Ludwig dance theater, a
Ludwig dance theater. Um, I do Pilates

00:41:49.510 --> 00:41:53.307
twice a week. I did competitive
ballroom dancing for about, I just really

00:41:53.340 --> 00:41:59.847
recently let that go. It was just the
most fun I've ever had. Um, the

00:41:59.880 --> 00:42:03.666
costumes and the shoes and the
competitions and the jewelry. It was just a

00:42:03.699 --> 00:42:09.796
hoot. I really, and I was good and I
had a great time at that. Um, I read

00:42:09.829 --> 00:42:15.947
, I do a little bit of sewing. I'm
just trying to do less. I'd like to do

00:42:15.980 --> 00:42:21.697
a little less yet because I still, I
still feel uh, on anxiety in here and

00:42:21.730 --> 00:42:25.597
I don't like that. I'd like to get rid
of that. And it, it's connected to

00:42:25.630 --> 00:42:29.146
responsibility and being worried about
other people and making sure

00:42:29.179 --> 00:42:34.467
they're okay. So I'm moving in that
direction

00:42:34.500 --> 00:42:37.657
of all the things that you
accomplished in the issue. What are you

00:42:37.690 --> 00:42:41.546
proudest of that you want to be
remembered for? I want to be remembered

00:42:41.579 --> 00:42:46.367
for being very compassionate

00:42:46.400 --> 00:42:53.307
chair I want because this was like my
family. And um, we were very, we

00:42:53.340 --> 00:42:57.126
were very careful about hiring in
those days. You know, you could have 10

00:42:57.159 --> 00:43:01.867
really good candidates and I could
say, mm Hmm, this one's a stinker. We

00:43:01.900 --> 00:43:07.497
can't, it would destroy what we have
here. You can't do that now. You have

00:43:07.530 --> 00:43:12.026
to do it very carefully. But we had a
sort of an intuitive sense about

00:43:12.059 --> 00:43:15.447
what would be a good fit for the
program. And I think one of the reasons

00:43:15.480 --> 00:43:20.856
the program flourished and developed
as quickly and as well as it did was

00:43:20.889 --> 00:43:24.967
because we weren't fighting with each
other, We weren't competing with

00:43:25.000 --> 00:43:28.026
each other, we were assisting each
other. We were doing things together.

00:43:28.059 --> 00:43:33.986
We loved each other. And I say, these
are my family. I'm, I'm doing, I

00:43:34.019 --> 00:43:37.606
can't tell you how many memorial
services and retirement parties and

00:43:37.639 --> 00:43:42.836
things that I've done. I've planned
because this is my group. So I think

00:43:42.869 --> 00:43:46.856
that's my legacy, is that I I think I
will be known as the, the chair who

00:43:46.889 --> 00:43:52.666
cared.

00:43:52.699 --> 00:43:58.066
Mhm. You talked about some of the
people that you've worked with, but in

00:43:58.099 --> 00:44:00.157
particular we would like to talk about
some of the ones that had the

00:44:00.190 --> 00:44:05.756
biggest impact upon you. You mean in
my formative training or particularly

00:44:05.789 --> 00:44:12.856
here at issue here. The issue.

00:44:12.889 --> 00:44:15.467
Mm hmm.

00:44:15.500 --> 00:44:21.557
Well, of course Margaret, she was my
mentor from day one and um, madams in

00:44:21.590 --> 00:44:26.146
your closest ova. She recently passed,
we did a memorial service for her

00:44:26.179 --> 00:44:32.847
between christmas and New Year's and
um she was a remarkable human being

00:44:32.880 --> 00:44:39.066
and quite eccentric and I mean she was
best friends with Gina Lollobrigida

00:44:39.099 --> 00:44:42.947
for crying out loud in Italy growing
up in Italy, I mean, she was an adult

00:44:42.980 --> 00:44:50.980
, Very interesting and Daniel Negrin,
what a supreme intellect.

00:44:51.389 --> 00:44:58.557
Well, I hired her as our Russian
ballet specialist in 1980

00:44:58.590 --> 00:45:06.590
81 I think it was either 80 or 81
Madam. Xenia clashed over X E N I A. She

00:45:08.210 --> 00:45:14.697
was born in Lithuania And when she was
selected at the age of 8 to dance

00:45:14.730 --> 00:45:19.026
with the Kirov Kirov School in Russia.
And when she was 15, because of the

00:45:19.059 --> 00:45:23.327
war and everything, she ended up
having to defect back. She sneaked across

00:45:23.360 --> 00:45:27.997
the border, went back to Lithuania. A
lot of her life is a mystery and she

00:45:28.030 --> 00:45:32.657
only has one child, one living
relative that we know of in this country.

00:45:32.690 --> 00:45:38.517
She has a daughter that was lost
during the war And they reconnected in

00:45:38.550 --> 00:45:41.697
the 70s. And by then she was not
interested in having a relationship with

00:45:41.730 --> 00:45:45.767
her mother, but her son has promised
me that he will write down all of the

00:45:45.800 --> 00:45:51.456
anecdotes that he can. And we've
collected all kinds of photographs and um

00:45:51.489 --> 00:45:54.836
I begged her, I gave her a computer
and I begged her to just sit down and

00:45:54.869 --> 00:46:00.666
write her stories. No,

00:46:00.699 --> 00:46:05.626
she was, should we call her our wild
Russian, but she was really an

00:46:05.659 --> 00:46:12.387
extraordinary person and who else?
Daniel Daniel, I'm just, you know, I

00:46:12.420 --> 00:46:17.166
just love Daniel and I just think he's
so remarkable and he's yeah, just

00:46:17.199 --> 00:46:23.617
ask him a question, he can, he can ask
more thought provoking questions in

00:46:23.650 --> 00:46:28.396
five minutes than most people can in a
lifetime. And he's he's just

00:46:28.429 --> 00:46:36.429
extraordinary, hired him in 19 82 At
65. So he retired in 92 at 75. And

00:46:39.719 --> 00:46:42.736
what made you hire somebody that when
he was 65 and most people would say

00:46:42.769 --> 00:46:46.956
, well he's over the hill, he was
famous, he was famous and the department

00:46:46.989 --> 00:46:52.117
needed a little bit of you know jazz.
And I went to jules and I said jules

00:46:52.150 --> 00:46:56.256
guess who has applied for this job? It
was Margaret Maslow's job. She had

00:46:56.289 --> 00:47:01.146
retired. We filled it with a dance
educator with a PhD, it didn't work out.

00:47:01.179 --> 00:47:06.677
There was just no spark, no real
intellect and it was a bad mistake and

00:47:06.710 --> 00:47:12.146
we just didn't keep her and it was
problem a little bit of a problem,

00:47:12.179 --> 00:47:15.986
wonderful human being. But we thought
that the papers accurately

00:47:16.019 --> 00:47:19.967
represented and it didn't. So we were
in trouble. We loved her as a person

00:47:20.000 --> 00:47:25.137
, but we got in trouble with that one.
So Daniel then saw the job notice

00:47:25.170 --> 00:47:29.077
and we had him booked to come in for a
concert that fall and he called me

00:47:29.110 --> 00:47:32.097
up and we were negotiating what he's
gonna come and he's gonna perform,

00:47:32.130 --> 00:47:34.736
he's gonna teach a master class. He
says, this may come as a surprise to

00:47:34.769 --> 00:47:41.026
you, I'm interested in the job you
have open. I said you are because we're

00:47:41.059 --> 00:47:47.117
talking teaching pedagogy dance
history, maybe some technique. And he said

00:47:47.150 --> 00:47:53.407
, well I could, I think I could do
those things. And I said to jules guess

00:47:53.440 --> 00:47:57.316
who was applied for this job. He said,
who? I said Daniel magazine. He

00:47:57.349 --> 00:48:01.506
said, you're kidding. He said, do you
want him? I said, I think so. He

00:48:01.539 --> 00:48:05.867
said then go get him, go after him,
bring him in as a full, a tenured

00:48:05.900 --> 00:48:10.947
professor. And I talked with Daniel
and of course we had to change the

00:48:10.980 --> 00:48:15.606
schedule. You know, I wasn't gonna
have him teach pedagogy, he could have

00:48:15.639 --> 00:48:20.026
, but he, he's so brilliant and he
needed to be teaching repertory and

00:48:20.059 --> 00:48:25.086
jazz dance styles and technique and
choreography and other stuff. And we

00:48:25.119 --> 00:48:29.537
did have him teach uh, some dance
history and he'd come into the faculty

00:48:29.570 --> 00:48:36.637
meetings, he'd say these students, I
don't know what the middle ages are

00:48:36.670 --> 00:48:41.276
they say, but Daniel, we don't know
what the middle age, what do you mean

00:48:41.309 --> 00:48:47.106
by the middle ages? He was
flabbergasted at how poorly informed a lot of

00:48:47.139 --> 00:48:55.139
the students, wow. He really, he
really added a tremendous um

00:48:56.769 --> 00:48:59.637
element to that program.

00:48:59.670 --> 00:49:03.896
Very, very powerful. And I have to
mention an Ludwig and Ludwig came in in

00:49:03.929 --> 00:49:11.929
1979 when she was um, she has just
been, she recently retired, but she has

00:49:12.380 --> 00:49:16.356
been the most, I mean, I think if the
students could pick one person that

00:49:16.389 --> 00:49:23.236
they feel was the best, all round
intelligent, creative caring human being

00:49:23.269 --> 00:49:28.736
able to be an electric, I think so
somebody needs to get her words too

00:49:28.769 --> 00:49:30.936
string.

00:49:30.969 --> 00:49:36.637
What about the changes you've seen in
a issue since 1969.

00:49:36.670 --> 00:49:41.026
It's been pretty amazing. And I think
the wake up call for me was the day

00:49:41.059 --> 00:49:45.617
the day that I one day I call over to
physical plant and said mike, this

00:49:45.650 --> 00:49:48.956
is mike in the in the plate in the
paint shop and in the physical plant I

00:49:48.989 --> 00:49:53.807
said somebody put something in our
dryer and I've got die all over the the

00:49:53.840 --> 00:49:57.287
drum of the diet dryer. Do you think
we can fix this? And he said, I'll be

00:49:57.320 --> 00:50:00.787
right over and he comes over and takes
it apart, cleans it up, puts it

00:50:00.820 --> 00:50:05.936
back. Did I fill out a form? No, did I
pay for it? No. Very shortly

00:50:05.969 --> 00:50:11.856
thereafter a man named Lloyd means was
hired and he was hired to design

00:50:11.889 --> 00:50:18.247
forms. And so from then on every day
of my life I had to get new forms

00:50:18.280 --> 00:50:23.847
made for everything, every curriculum
check sheet, every work order. It

00:50:23.880 --> 00:50:29.477
had to be a form and it had to be in x
number of copies. And so I was, I

00:50:29.510 --> 00:50:35.896
had the before and the after on that
and it became almost a joke. And then

00:50:35.929 --> 00:50:40.867
they'd say, oh well physical plant
fill out this form. Oh well then it's

00:50:40.900 --> 00:50:44.347
going to cost you this much money.
Hello, you're charging. And yet they

00:50:44.380 --> 00:50:48.037
haven't added any budget to my money.
How am I going to keep my machines,

00:50:48.070 --> 00:50:52.097
my computers and all this other stuff
going. That was the change that I

00:50:52.130 --> 00:50:56.347
thought was so bizarre. Is that all of
a sudden there's so much technology

00:50:56.380 --> 00:51:00.927
all of a sudden there's all this
equipment and no money to keep it going.

00:51:00.960 --> 00:51:04.947
I think things must be better now, but
I'm talking, I'm talking about it

00:51:04.980 --> 00:51:09.816
that transition period and I think, I
don't know the university today, I

00:51:09.849 --> 00:51:15.677
don't know the campus. I get, I try
not to park, you know, on campus if I

00:51:15.710 --> 00:51:20.526
can avoid it. Although I do have my
little maritime past, which is very

00:51:20.559 --> 00:51:23.727
nice. Um,

00:51:23.760 --> 00:51:27.767
I have to be say that I'm excited
about what's happening on campus. I it's

00:51:27.800 --> 00:51:33.936
like a runaway train. Um, but I'm
surely something good is happening. I'm

00:51:33.969 --> 00:51:37.456
not sure where dance is. I'm not sure
what's happening with dance. I think

00:51:37.489 --> 00:51:42.876
we've had some, some difficulties. You
have a

00:51:42.909 --> 00:51:48.436
little bit, but mostly from the
perspective of, um, mentoring people,

00:51:48.469 --> 00:51:53.706
faculty or people need to talk to me,
um, or people calling still to say,

00:51:53.739 --> 00:51:58.137
well, when you were chair, did we do
it this way or that way? And I'd say

00:51:58.170 --> 00:52:01.717
, well, to be honest with you, we did
it this way, but you might want to

00:52:01.750 --> 00:52:07.256
try this. I still get emails and calls
and then I started an organization

00:52:07.289 --> 00:52:11.517
called Friends of Dance around 1985

00:52:11.550 --> 00:52:17.546
and there's a little group of members
that I have held onto. And so we

00:52:17.579 --> 00:52:22.517
still get together for lunch about
once every three months Margaret stage

00:52:22.550 --> 00:52:28.396
path and the friends of dance group
was just sort of kind of, what do you

00:52:28.429 --> 00:52:32.717
say that it was just dismissed or they
just decided not to have it anymore.

00:52:32.750 --> 00:52:39.356
Uh 5, 6, 7, 8 years ago. And then this
past year there was talk again

00:52:39.389 --> 00:52:43.247
about resurrecting these kinds of
support groups, you know, But I think

00:52:43.280 --> 00:52:47.867
the damage was sort of done with this
group, but I held on to about eight

00:52:47.900 --> 00:52:52.657
of them and we've just been friends.
So I am peripherally involved because

00:52:52.690 --> 00:53:00.690
that little group is now looking at
trying to decide how to resurrect the

00:53:00.949 --> 00:53:08.949
group and broaden the scope and and
make it more of a powerful a support

00:53:09.019 --> 00:53:13.137
group for the department. I don't know
whether it's gonna work or not. I

00:53:13.170 --> 00:53:18.967
need to bow out. I'm tired of holding
everything together. And so I think

00:53:19.000 --> 00:53:23.517
that there will always be new people
come along with good ideas, new

00:53:23.550 --> 00:53:28.026
beginnings. So I'm, I love the
department and I love the department of the

00:53:28.059 --> 00:53:36.059
university and I, I'll always be
supportive and they're in my will, they

00:53:36.610 --> 00:53:43.617
have to wait a while? I got a few
things I want to do?

00:53:43.650 --> 00:53:46.677
Um, I guess just one last question I
always have to ask is, do you have

00:53:46.710 --> 00:53:49.997
advice for young people that are
starting off and trying to decide what to

00:53:50.030 --> 00:53:55.336
do with their lives. I'll give the
same advice that I always gave uh, to

00:53:55.369 --> 00:53:58.827
the students and to the parents and
that was you have to do something you

00:53:58.860 --> 00:54:04.447
love. You have to do something you
love because if you intellectually

00:54:04.480 --> 00:54:08.427
decide you're going to go into
engineering, you might be successful at it

00:54:08.460 --> 00:54:11.887
, but I'm not sure you'll be
fulfilled. And so I would say to the parents

00:54:11.920 --> 00:54:17.227
, you know, there's no guarantee that
this student is going to make a lot

00:54:17.260 --> 00:54:23.006
of money in dance. But look at it this
way. If he or she majors in dance,

00:54:23.039 --> 00:54:27.557
that liberal education is is not any
less valuable than one in psychology

00:54:27.590 --> 00:54:31.467
or english or history. Those are not
tickets to get jobs and neither is

00:54:31.500 --> 00:54:36.157
this, but it is a good education and
it's doing something you love and if

00:54:36.190 --> 00:54:40.666
you love what you are doing, you are
going to be happy. And if you are

00:54:40.699 --> 00:54:45.606
happy, you are going to just attract
what you need, you're gonna be okay.

00:54:45.639 --> 00:54:50.896
I feel really sorry um about the fact
that a lot of students are pushed

00:54:50.929 --> 00:54:56.447
into fields that they don't
necessarily have an affinity for or maybe not

00:54:56.480 --> 00:55:01.727
even much ability they flunk out for
One thing. I think that's the

00:55:01.760 --> 00:55:06.847
toughest toughest order and that is
find something you love. I don't know

00:55:06.880 --> 00:55:10.876
what, what I would say if somebody
doesn't love anything has no passion

00:55:10.909 --> 00:55:14.436
for anything, everybody has to have a
passion for something. Don't you

00:55:14.469 --> 00:55:19.967
think? Yeah, me too. Anything else you
wanted to share with us that I

00:55:20.000 --> 00:55:22.907
didn't ask you about.

00:55:22.940 --> 00:55:28.626
Mhm. Oh, I'll think of it when I
leave. But I think we've covered a lot of

00:55:28.659 --> 00:55:31.836
territory don't you?

00:55:31.869 --> 00:55:36.710
Okay. All right okay.