ADMISSION PASS • Fire and safety regulations limit admission to the official posted capacity of the "fixed" seating in the performance hall. This program is being used as the "Admission Pass" due to concerns for the possibility of over-capacity attendance. • Keep this program in your possession. If you find you must leave the performance hall for any reason after you have been admitted please keep this program with you. You will need to show it to the House Manager to be readmitted. • Due to the limited seating, all program admission passes are distributed on a strictly first-come-first-serve basis. Only one person will be admitted to the event with each program "Admission Pass". In fairness to all, saving seats cannot be permitted for persons who are not present at the time passes are distributed and/or who do not have an "Admission Pass" program in tneir possession. ---- School of Music Arizona State University The ASU Early Music Program Presents The Harpsichord Studio and Baroque Ensembles THANK YOU Your Patience and Cooperation are Appreciated ASU Early Music Pro~ram wishes to thank the Arizona Center for Medieval and Renaissance Studies for its continuing support Performance Events Staff Manager Paul W. Estes Assistant Performance Events Staff Manager Gary E. Quamme ARlzoNA STATE UNIVERSITY COLLEGE OF FINE ARTS School of Music Main Campus, P.O. Box 870405, Tempe, AZ 85287-0405 480-965-3371 • www.asu.edu/cfa/music EVENTS INFORMATION CALL 480-965-TUNE (480-965-8863) Organ Hall Tuesday, November 28, 2000 7:30 p.m. '1 Program Sonata in D Major, Allegro K. 27 Domenico Scarlatti 1685-1757 Stephen Cook Seventh Suite, in G minor Overture Andante George Frideric Handel 1685-1759 Qual per ignoto calle Cantata for soprano and basso continua Antonio Vivaldi 1678-1741 Melinda de Jesus, alto Klarita Kukumi, harpsichord Mark DuPere, baroque cello Jian Liu English Suite in A Major Prelude Allemande Courante I J. S. Bach 1685-1750 Allemande Les Trois Mains Jean-Philippe Rameau 1683-1764 Julia Ageyeva So-Yi Ahn Arda e ver per te d'Amore Cantata for soprano, flute, and continua Alessandro Scarlatti 1660-1725 Aniuska Garcia-Millan, soprano Kiann Robinson Mapes*, baroque flute Marina Pintos, harpsichord Mark DuPere, baroque cello Sonata No. 13 in G, Hob. XVI/6 Allegro Minuet Joseph Haydn 1732-1809 Crystal Luan J. S. Bach Preludes from W.T. C. Book I Prelude in E Major, Prelude in D minor, Prelude in B-flat major Sixieme Ordre Les Moissonneurs Les Langueurs-Tendres Les Baricades Misterieuses Fran~ois Couperin 1668-1733 Eun Mi Noh Marcelo Cesena Enee et Didon, Cantata for soprano and baritone Amore Traditore Cantata for bass and harpsichord J. S. Bach James Newman, bass-baritone Natalya Shkoda, harpsichord Andre Campra 1660-1744 Jeffrey Stevens, baritone Rachel Bushnell, soprano Julia Ageyeva, harpsichord Barbara Bailey-Metz, viola da gamba* * Faculty Associate ***There will be a ten-minute intermission.*** The harpsichordists ares students of John Metz. The Baroque Ensembles are coached by John Metz with the assistance of Barbara Bailey-Metz. ADMISSION PASS • Fire and safety regulations limit admission to the official posted capacity of the "fixed" seating in the performance hall. This program is being used as the "Admission Pass" due to concerns for the possibility of over-capacity attendance. • Keep this program in your possession. If you find you must leave the performance hall for any reason after you have been admitted please keep this program with you. You will need to show it to the House Manager to be readmitted. • Due to the limited seating, all program admission passes are distributed on a strictly first-come-first-serve basis. Only one person will be admitted to the event with each program "Admission Pass". In fairness to all, saving seats cannot be permitted for persons who are not present at the time passes are distributed and/or who do not have an "Admission Pass" program in tneir possession. ---- School of Music Arizona State University The ASU Early Music Program Presents The Harpsichord Studio and Baroque Ensembles THANK YOU Your Patience and Cooperation are Appreciated ASU Early Music Pro~ram wishes to thank the Arizona Center for Medieval and Renaissance Studies for its continuing support Performance Events Staff Manager Paul W. Estes Assistant Performance Events Staff Manager Gary E. Quamme ARlzoNA STATE UNIVERSITY COLLEGE OF FINE ARTS School of Music Main Campus, P.O. Box 870405, Tempe, AZ 85287-0405 480-965-3371 • www.asu.edu/cfa/music EVENTS INFORMATION CALL 480-965-TUNE (480-965-8863) Organ Hall Tuesday, November 28, 2000 7:30 p.m. '1