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Arizona State University
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School of Music

DOCTORAL RECITAL SERIES

CAINBUDDS
GUITAR

Fridayo

ORGAN HALL
April 13,2001 ' 7:30 P.m.

PROGR.AM

Pieza sin Titulo No. 1
Pieza sin Titulo No. 2
Pieza sin Titulo No. 3
Fuga No. I

Leo Brouwer
b. 1939

Phantasias and Giga
A Major
A minor
D minor
D Major
Giga in D Major

David Kellner

4 Venezuelan Waltzes
El Marabino

Antonio Lauro
1917-1986

c. 1670-1147

Angostura
Carora
IVaria Luisa

**There will be a I}-minute intermission**

Fandango
En Los Trigales

Joaquin Rodrigo
1902-1999

Nocturne "Reverie" Op.

19

Giulio Regondi
1822-1812

Sonatina

I.
Il.
III.

Federico Moreno-Torroba

Allegretto
Andante
Allegro

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*********{<***x
This recital is given in partial fulfillment of the perfbrmance requiremcnrs
for the degree Doctor of Musical Arts in guitar perlbrmance.
Cain Budds is a student of Frank Koonce.
In respect for the performers and those audience members arouncl you, pleasc turn
all beepers, cell phones, watches to their silent mode. Thank you.

.

,''Performanee. Events Staff Manager
Puul W. Estes

As$istanrt,'Pefformance Events

Staff Manager

Gary Quamme

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Andrey Astaiza, Rebecca Bell

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William Cushing, Erin Dow
Jihyun Lee, Elizabeth Maben
James Parkinso!; Grant Striemer
Makoto,Taniai. Jessica Wood. .,

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Ttu. KarHERrNE K; HFRBERGER' '
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Main:Caqrpus, P.O. Box 870405,'lempe, AZ 85287-0405
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Program

CAIN BUDDS, GUTTAR
Leo Brouwer (b. 1939)
Pieza sin Titulo No. 1
Pieza sin Titulo No, 2
Pieza sin Titulo No.3
tr'uga No.

I

Cuban guitarist and composer Leo Brouwer is a staple in the modern guitar repertory. Brouwer's early out
put brings to lit-e the Afro-Cuban and iblk inl-iuences woven in a keen, concise and rhythmically incisive
style. The selections played here are from his very earliest efforts in composition and exemplify this mix of
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David Kellner (cJ670-fi47)- Four Phantasias and Giga
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A Minor
D Minor
D Major
Giga in D major
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Stockholm. Of his compositions, mainly dance movements, seventeen pieces for lute were published in
Hamburg in 1747. A feature of the Phantasias is the Aee rhapsodic introduction. The D minor Phantasia
has a particulady extensive introduction with elaborate harmony and chromatic passages. The Phantasias
in D major and D minor are considered to be Kellner's finest compositions.

Antonio Lauro (1917-1986)--Vengzuelan Waltzes
El Marabino
Angostura
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fervent culturai nationalist, determined to rescue and celebrate his nation's musical heritage. This he has
accomplished by his use of South American harmorues and rhJthms mixed with the European waltz form.
The names for his compositions are largely those of people and places. Carora is the birthplace of virtuoso
guitarist Alirio Diaz. Angostura is the ancient name of Cuidad Bolivar, Lauro's birthplace. El Marabino
refers to a native of Maraciabo. Maria Luisa is the name of Lauro's wife and describes the piece as. "as
diilicult as she is."
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En Los Trigales

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had other famous Spanish musicians inciuding Albeniz, Falia and Turina. His Concierto de Aranjuez
brought Rodrigo immediate worldwide fame. En Los Trigaies (In the Wheat Fields) reflects a rewarding,
celebratory dance after the hard labor of harvesting wheat. One can hear the impression of the wind in the
fields and the mechanical hum of the machinery. The middle section suggests quiet reflection of prayer at
noontime with the church bells in the distance and finally the return to work. The Fandango is fulI of
opalescent discords and reflects Rodrigo's use of old dance forms with newly illuminated musical
substance.

Giulio Regondi (1822-187 2)
Nocturne "Reyerie" Op. 19
Regondi *'as bom in Lyons in 1822 of an Italian fbther and German mother. He was a child pro,Cigy and
toured all the European courts before the age of nine. He played with the young and gifted girl, Catherine
Josepha Pelzer. Both had to climb on a table to be seen by the audience. R-egondi revealed a very sensitive
and delicate nature, later testimonies emphasize his extreme kindness and his great erudition. "Reverie," in
which the tremolo is used from the first to the fourth string, is perhaps one of the most important tremolo
pieces written for the guitar. The middle section features a virtuosic sixteenth chord sequence, which is
only encountered, in a similar form, in the twentieth century in Prelude No. 5 by Heitor Villa-Lobos.
Federico Moreno-Torroba (1891-1982)--Sonatina (1965)
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Torroba's works for guitar place him among the fwentieth century's leading composers for the instrument.
Most of his nearly one hundred guitar compositions are brief dance-like numbers or character pieces,
though there are aiso much more ambitious creations such as the Sonatina. This Sonatina opens with a
Seguidilla in sonata ibrm built liom a sprightly main theme and a more subdued subsidiary subject. The
Andante is a sweet wordiess song colored with harmonies sufficiently rich to evoke the pastel world of
French Impressionism. The Finale (Allegro) is derived from a type of old Spanish dance in quick ti-iple
meter called Jota or gallarda.
Cain Budds is curiently -working io'ward the Doctor of l"{usical Aits degree in classical guitar performance
at Arizona State University where he is a student of Frank Koonce and a faculty associate in the classical
gr-ritar program. Mr. Budds stays br-rsy as a teac.he.r and perft'rmer in the valley in vanqus positions
including North Valley School of the Arts in Scottsdale, Southwestern College in Phoenix and the Tonal
Center in Tempe. He also served as a member of the rnusic faculty at Glendale Community College from
1998-2000. Mr. Budds received his Bachelor and Master's degrees from Illinois State University. He
studied guitar with Professor Manley Mallard III at lfillikin University in Illinois as well as with Dr.
Douglas Rubio and noted performer and teacher Dr. Angelo Favis. He has performed in Master Classes
with outstanding performers including: Eliot Fisk, Paul Henry, William Kanengiser, Margarita Escarpa,
Kevia Gallaghei, Stephen Robinson and Javier Garcia-l"foreno.
N4r. Budds' final Doctoral recital will be Friday April i3, 2001 in the Organ Hall at Arizona State
Liniversity's School of Music.

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References
for Leo Brouwer Cntitar Music Volume

I.Naxos

urJv-

Cooper, Colin. 1980. Liner notes for David Russell Plays Antonio Lanro. Guitar Masters

n?H.iii;ti :3;::fi:$:*;

uei Barrueco Fiays De Faiia, Fonce and
Rodrigo. EMI CDC 7 49228 2. Compact Disc.
Kappel, Hubert. 1990. Liner notes lor Hubert Kappel: Virtuoso Guitar Transcriptions.
GSP Recordings GSP 1003CD, Compact Dsc.
Dairmer,

Kappel,Hubert. l99l.LinernotesforHubertKappel:RomanticGtilarlvlusic.FSlli{
FCD97960. Compact Disc.
Long, fuchard M. 2000. Liner notes for Anlonio Lauro: Venezuelan ll'altzes for Guitar
(Adam Holzman, Guitar). Naxos 8.554348. Compact Dsc.
Rodda, Rjchard E. 1996. Line.r notes for lt{usic of Tor"oba. Drwid furssell (htltrrr. Telarc
CD-80151. Compact Dsc.
Russell, Or:l
for DavidRussell plays I9th Century tr'Iusjc. GF{A

lj"ttl^t_1:r^lotes

Summerfield, Maurice J. 1996. The Classical Guitar: Its Evolution, Plqvers cmd
Personalilies Since 1800,2d ed. Newcastle, United Kingdom: Ashley Mark

t"r"*n""t:tfr396?
Volume

Lin"r.rot" s forJoaquin Rodrigo: The comptete works for Guitar,
L Gt{A 126.026. Compact Disc.