The King of Instruments in the Service of Kings
Concerto in G Major
[Allegro]
Grave
Presto
My Lady Carey’s Dompe
Fancy

Maria zart
Ascendo ad Patrem meum

Johann Ernst
(1696-1715)
arranged for organ by J. S. Bach

Anonymous English, c. 1540
Alfonso Ferrabosco
(1543-1588)
Arnolt Schlick
(c1455-post 1521)

On the Traeri organ:
Excerpts from Missa della Madonna, Fiori musicali:
Toccata
Girolamo Frescobaldi
Canzona dopo l’Epistola
(1583-1643)
Toccata per l’Elevazione
Tiento del Séptimo Tono sobre
“Cum Sancto Spiritu”

Antonio de Cabezón
(1510-1566)

On the Fritts organ:
Offertoire du 5e Ton: "Vive le Roi"
Batalha de 5o Tom
Overture to Saint Paul

André Raison (ante 1650-1719)
Diego da Conceição fl. 17th century
Felix Mendelssohn (1809-1847)
Arranged for organ by W. T. Best

Kimberly Marshall
Kimberly Marshall maintains
an active career as an
organist, performing regularly
in the US and Europe. She
has previously held teaching
positions at Stanford
University and the Royal
Academy of Music, London.
She is attracted to the organ’s
vast possibilities of timbre
and musical texture, and her work reflects enthusiasm for creativity and
historical awareness. She has performed throughout Europe, including concerts
in London's Royal Festival Hall and Westminster Cathedral; King's College,
Cambridge; Chartres Cathedral; Roskilde Cathedral (Denmark); St. Laurenskerk,
Alkmaar (Netherlands); as well as the famous Hildebrandt instrument in
Naumburg, Germany, that Bach examined in 1746.
Kimberly Marshall is often invited to perform at conventions and festivals. She is
a frequent recitalist and workshop leader at National Conventions of the
American Guild of Organists. In 2001, she appeared in Seoul for the Korean
Association of Organists and in Toronto for the Royal College of Canadian
Organists. She was a featured artist for the 2007 Early English Organ Project in
Oxford and for the Oaxaca Historical Organ Festival in Mexico. She currently
holds the Patricia and Leonard Goldman Endowed Professorship in Organ at
Arizona State University and serves as Director of the ASU School of Music.
A review of Dr. Marshall’s performance for the national convention of the
American Guild of Organists last July extolls her as “a multi-faceted musician”
who “pushed the organ to its limit with her virtuosic demands in playing and
registration….This was a royal performance by one of our royalty!”

The King of Instruments
in the Service of Kings
Kimberly Marshall
organ
March 6, 2011
2:30 pm
ASU Organ Hall