Goineg for Baroque!
Kimberly Marshall, organ

Sunday, March 9, 2008
2:30p.m. Organ Hall
Organ Recital Series

MU S IC
--4-ferbergerCollege
of the Arts
ARIZONA STATE UNIVERSITY

Program

Dieterich Buxtehude
(1637-1707)

Toccata in D Minor, BuxWV 155

George Frideric Handel
(1685-1759)
Largo from Concerto in F Major, Op. 4, no. 13
Presto from Concerto in F Major, Op. 4, no. 5

Fugue DI in B-flat Major (1735)

Jan Pieterszoon Sweelinck
(1562-1621)

Fantasia chromatica

Traeri Organ, 1742
Jan

Pavana lachrimae

Pieterszoon Sweelinck
Girolamo Frescobaldi
(1583-1643)

Bergamasca
Fritts Organ, 1992
Batalha de 5° Tom

Toccata in F Major, BWV 540

Diego da Conceicdo
(fl. 17th century)
Johann Sebastian Bach
(1685-1750)

Kimberly Marshall maintains an active career as a concert organist,
performing regularly in Europe, the US and Asia. She currently holds
the Patricia and Leonard Goldman Endowed Professorship in Organ at
Arizona State University and serves as Director of the ASU School of
Music. She previously held teaching positions at the Royal Academy of
Music, London, and Stanford University, California. Winner of the St.
Albans Competition in 1985, she has been invited to play in prestigious
venues and has recorded for Radio-France, the BBC, and the Australian
Broadcasting Corporation.
Dr. Marshall's compact disc recordings feature music of the Italian and
Spanish Renaissance, French Classical and Romantic periods, and works
by J. S. Bach. She has also released a recording of works for organ by
female composers, "Divine Euterpe," that includes music by Fanny
Mendelssohn Hensel, Elfrida Andrde, and Ethyl Smyth. Kimberly
Marshall was a recitalist and workshop leader during many National
Conventions of the American Guild of Organists (Dallas, 1994; New
York, 1996; Denver; 1998; Seattle 2000, Los Angeles 2004). From 19962000, she was affiliated with the Organ Research Center in Goteborg,
Sweden, where she taught and performed. During the summer of 2001,
she appeared in Seoul for the Korean Association of Organists and in
Toronto for the Convention of the Royal College of Canadian Organists.
Her anthologies of late-medieval and Renaissance organ music were
published by Wayne Leupold Editions in 2000 and 2004.
Kimberly Marshall spent the spring of 2005 on sabbatical in Pistoia,
Italy, where she researched early Italian organ music and performed on
many historical organs, including those in Roskilde Cathedral
(Denmark), the St. I,aurenskerk, Alkmaar (Netherlands), the Jacobikirche
Hamburg, as well as the famous Hildebrandt instrument in Naumburg,
Germany, which Bach examined in 1746. During the summer of 2006,
she presented concerts and workshops on early music in Sweden and
Israel, and she was a featured artist for the 2007 Early English Organ
Project in Oxford and the Festival for Historical Organs in Oaxaca,
Mexico.

Specification of the Fritts Organ
Hauptwerk (I)
Principal
16'
8'
Octav
Hohlaite
8'
4'
Octav
4'
Spitzflote
(II)
Nasat/Comet
2'
Octav
IV-VI
Mixture
16'
Trompct
Trompet
8'
Viool de Gamba
(Prep) 8'
Unterwerk (H)
8'
Gedackt
Principal
4'
4'
BlockflOte
(II)
Quint/Sesquialtera
Gemshorn
2'
IV-VI
Scharff
16'
Dulcian
8'
Trichterregal
Schalmey
(Prep) 4'
Pedalwerk
16'
Principal+
Octav
8'
Octav*
4'
Nachthorn
2'
Posaunc
16'
Trompet*
8'
Trompet
4'
Cornet*
2'
Some bass pipes
+
shared with HW (I)
Transmissions from other
pedal stops

Couplers:
II/I I/Pcd II/Ped
Affecting Entire Organ:
Wind Stabilizer
Tremulant
Action:
Mechanical Key and Stop
Temperment:
Un-equal, but in a well-tempered
system enabling the performance
of Bach
Pedalboard:
straight and flat
Key Compass:
Manuals: 58 notes
Pedal: 30 notes

EVENTS INFORMATION 480.965.TUNE (480.965.8863)
herbergercollege.asu.edu/calendar

0 2007 ASU Herberger College of the Arts 0607