CHAMBER ORCHESTRA PERSONNEL Violin I Andrew Irvin** Tara Barnes Debbie Dennis Grace Park Rachel Chavez Violin II Astasia Al-Shamaileh* Maria Roggenhofer Eugenie Wu Inbal Lapid Jessica Solano Nicholas Ross Viola Patrick Rosalez* Jeffrey Norman Mary Harrah Katherine O'Brien Cello Kerry Campbell* Merrick Jones OzgurElgun Joel Morgan Bass Waldir Bertipaglia* Kevin Kirkpatrick Trumpet John Marchiano* Michael Arndt Flute Monica Sauer* Amy Tatum Timpani Melanie Tebay Oboe Erik Behr* Lara Saville Clarinet Tamara Cuypers* Allison Storochuk Bassoon Rebecca Cain* Koula Zambounis Horn Andrey Astaiza* Eric Brown ---- School of Music Arizona State University Orchestra Assistants Joel Brown Nicholas Ross Orchestra Librarian Ivan Insua Orchestra Mana~ers Christopher Niileksela James Schmidt CHAMBER ORCHESTRA Timothy Russell, conductor ** Concertmaster * Principal Trygve Peterson, piccolo and flute Borivoj Martinic-Jercic, violin Martin Schuring, oboe Jeffrey Lyman, bassoon ARlzoNA STATE UNIVERSITY COLLEGE OF flNE ARTS School of Music Main Campus, P.O. Box 870405, Tempe, AZ 85287-0405 480-965-3371 • www.asu.edu/ cfa/music Tuesday, October 24, 2000 7:30 p.m. Evelyn Smith Music Theatre UPCOMING EVENTS PROGRAM Concerto in A minor for Piccolo, P. 83 (RV 445) .. .............. ........ .. .. .. .. .. Antonio Vivaldi (1678-1741) Allegro Larghetto Allegro Chamber Orchestra Vivaldi Festival Saturday, October 28, 2000 4:30 p.m. Katzin Concert Hall Trygve Peterson, piccolo Violin Concerto in A minor, Op. 3, No. 6 (RV 356) Allegro Largo Presto Sinfonietta Thursday, November 16, 2000 7:30 p.m. Gammage Auditorium Chamber Orchestra Sunday, March 4, 2001 2:00 p.m. Off-campus University Symphony Orchestra Wednesday, March 7, 2001 7:30 p.m. Gammage Auditorium Sinfonietta Borivoj Martinic-Jercic, violin Concerto in G major for Oboe and Bassoon, F. XII No. 36 (RV 545) Andante molto Largo Allegro molto Chamber Orchestra Tuesday, November21, 2000 7:30 p.m. Music Theatre Thursday, March 29, 2001 7:30 p.m. Gammage Auditorium Chamber Orchestra Martin Schuring, oboe Jeffrey Lyman, bassoon Concerto in B-flat major for Oboe, Violin, and Strings, F. XII No. 16 (RV 548) Allegro Largo Allegro Martin Schuring, oboe Borivoj Martinic-Jercic, violin University Symphony Orchestra Holiday Concert Sunday, December 3, 2000 2:30 p.m. Gammage Auditorium Chamber Orchestra Tuesday, February 6, 2001 7:30 p.m. Music Theatre Friday, April 13, 2001 7:30 p.m. University Presbyterian Church 139 E. Alameda Dr., Tempe University Symphony Orchestra Friday, April 20, 2001 7:30 p.m. Gammage Auditorium Sinfonietta Concerto in F major for Flute, Oboe, and Bassoon ("La tempesta di mare") (RV 570) Allegro Largo Presto Trygve Peterson, flute Martin Schuring, oboe Jeffrey Lyman, bassoon INTERMISSION Symphony No. 2 in D major, Op. 36 .... ..... .. ... .... .. .... .......... .. .... Ludwig von Beethoven (I 770-1827) Adagio molto; Allegro con brio Larghetto Scherzo: Allegro Allegro molto University Symphony Orchestra Friday, February 9, 2001 7:30 p.m. Gammage Auditorium Sinfonietta Wednesday, February 28, 2001 7:30 p.m. Gammage Auditorium Thursday, April 26, 2001 7:30 p.m. Gammage Auditorium JEFFREY LYMAN Jeffrey Lyman, Assistant Professor of Bassoon, holds both the master's and doctorate degrees in bassoon performance with highest honors from the University of Michigan. He graduated summa cum laude with a bachelor of music degree from Temple University. Prior to his appointment at ASU, Dr. Lyman was Assistant Professor of Bassoon at Bowling Green State University. His private teachers have included Bernard Garfield and Richard Beene. Formerly Principal Bassoon of the Savannah Symphony for seven years, he has also played with the Toledo Symphony, the Grand Rapids Symphony and the Michigan Opera Theater. For seven years he performed with the Colorado Music Festival, then joined the Peninsula Music Festival in Wisconsin, and is currently a member of the St. Bart's Chamber Orchestra, a group that performs annually on the island of St. Barthelemy in the French West Indies. Dr. Lyman has appeared as soloist with the University of Iowa Center for New Music, the University of Michigan Contemporary Directions Ensemble, and the Michigan and Bowling Green State University Philharmonias. In the fall of 1996, he appeared as soloist at the Moscow Autumn Festival in the world premiere of a new concerto for bassoon by Russian composer Yuri Kasparov. The recipient of both musical and scholastic honors Or. Lyman received a Research Partnership Grant from the University of Michigan to study the music of Igor Stravinsky. He has also received grants from the Mid-American Center for Contemporary Music and the Dean of the College of Musical Arts at Bowling Green State University. He appears on New Worlds Records, Koch International and Brasswell CDs. · TIMOTHY RUSSELL In the Fall of 1993, Timothy Russell became Professor of Music and the Director of Orchestras at Arizona State University. He has established himself as one of America's most versatile conductors, foremost music educators, and outstanding record producers. His recording, The Manhattan Transfer Meets Tubby the Tuba, received a Grammy nomination as the "Best Musical Album for Children." In January of2000, Inner Voices, with Native American cedar flutist R. Carlos Nakai, received a Grammy nomination as "Best New Age Album." Other popular recordings by Russell include his own children's story, The Gift of the Eagle, Poulenc's The Story of Bahar, and The Nutcracker by Tchaikovsky. In addition to these favorites, Russell has conducted the world premiere recordings of Peter Schickele's new work Thurber's Dogs, written in honor of the IOOth anniversary of the birth of humorist James Thurber, Stephen Paulus' riveting interrelated arts masterpiece, Voices from the Gallery, and Circle of Faith. Russell's other recordings include Remembering Marian Anderson, Hope's Journey, A Brassy Night at the Opera with the ASU Chamber Orchestra, Perception, and Lilacs: The Music of George Walker with the ASU Symphony Orchestra. These recordings have been enthusiastically received by listeners and critics alike, as has hi-s vital and imaginative orchestral leadership. Equally at home conducting the great symphonic literature, music for chamber orchestra, large choral works, pops concerts, and children's programs, Russell has been a frequent guest conductor with The Phoenix Symphony. Other recent guest conducting appearances have included the Charlotte Symphony, Hawaii Symphony, Spokane Symphony, Baltimore Chamber Orchestra, South Dakota Symphony, Pittsburgh New Music Ensemble, Lehigh Valley Chamber Orchestra, Summit Brass, Interlochen Arts Academy Orchestra, World Youth Symphony, and symphony orchestras in Arkansas, Indiana, Iowa, Missouri, Montana, and Texas. This year he will conduct All-State orchestras in Illinois, Kansas, Minnesota, New Mexico, and Ohio. The 2000-200 l season will be most exciting, his twenty-second as Music Director of the ProMusica Chamber Orchestra of Columbus, Ohio. Russell's achievements with ProMusica have been remarkable and diverse. The orchestra continues to make significant strides in musical excellence, having earned an outstanding reputation for artistic performances and exciting, adventuresome programming. On eight occasions the American Society of Composers, Authors and Publishers (ASCAP) has honored Russell and ProMusica for outstanding service to contemporary music. For nine seasons, Russell served as Music Director and Conductor of The Naples Philharmonic in Florida. Under his leadership, the orchestra experienced dramatic growth in the size of their audience and became recognized as one of the finest performing ensembles in the southeastern United States, with a full-time resident core ensemble of forty musicians. In addition to the numerous symphonic, pops, and educational performances, Russell conducted a collaborative ballet series with the Miami City Ballet and its Artistic Director, Edward Villella. In November of 1990 Russell conducted the premiere performances of a new production of The Nutcracker, as choreographed by George Balanchine. Timothy Russell and ProMusica have been active in the commissioning of new works. Russell's commitment to contemporary music, having conducted the world premiere performances of over seventy new compositions, is coupled with energetic and exacting renditions of a repertoire that covers over 300 years of musical composition. A Danforth Foundation Fellow, Dr. Russell is an active music educator. He regularly leads pre-concert talks and symposia and is involved in research and publication. He continues to be a featured speaker at music conferences and workshops as well as guest conductor of numerous All-State orchestras. Dr. Russell has held academic appointments at The Ohio State University and the University of Rochester, including in its Eastman School of Music as an Associate Professor of Conducting and EnsemlJles. Timothy and his wife, Jill reside in Phoenix, Arizona, with their children, Kathryn and Geoffrey. They enjoy sports, travel, and cooking. TRYGVE PETERSON Trygve Peterson, Associate Professor of Flute, began his professional training at the New England Conservatory of Music as a student of James Pappoutsakis. He subsequently received a Master of Music degree from the Yale Schooi of Music, where he worked with Thomas Nyfenger, and most recently, the Docto~ of Musical Arts degree from The Juilliard School, studying with Samuel Baron. Dr. Peterson also spent several years in Europe studying with James Galway, Jean-Pierre Rampa!, Alain Marion, Marcel Moyse, William Bennett, and Maxence Larrieu. Peterson has performed as a member of the Connecticut Philhatmonic, the New Haven Symphony, the Philharmonica de Caracas, in Austria and Italy with the American Institute of Musical Studies Orchestra, and currently with the Brevard Music Center Orchestra. Guest soloist appearances have included the Chicago, Denver, Washington, Boston, and Kansas City conventions of the National Flute Association. He is an avid recitalist and chamber musician, performing widely at universities and in concert series across the United States. As a teacher and master class artist, he has worked with students at numerous schools, universities, and flute societies throughout the United States. A frequent contest adjudicator, he served as a judge for the finals of the 1995 National Flute Association High School Young Artist Competition. He has taught on the faculties of the University of Alabama, Virginia Tech, and the Ohio University School of Music. Dr. Peterson also teaches and performs each summer on the faculty of the Brevard Music Center in Brevard, North Carolina. BORIVOJ MARTINIC-JERCIC Borivoj Martinic-Jercic was born in Zagreb, Croatia in 1960. He began his violin studies at the age of three and graduated from the Blagoje Bersa Conservatory in Zagreb in 1978 under the guidance of Professor Kristijan Petrovic. In 1978 Martinic-Jercic came to the United States to attend the Interlochen Arts Academy, where he won a full scholarship to attend the University of Michigan School of Music. In 1982 he received his Bachelor of Music degree under the guidance of Professor Paul Makanowitzky. He received his Masters degree in 1984 under the guidance of Professor Ruggiero Ricci. From 1982 to 1986 he was the Teaching Assistant to Professor Ricci at the University of Michigan. Marinic-Jercic's solo career began in 1974 when he appeared with the Zagreb Philharmonic in a performance of the Khachaturian Violin Concerto. He won First Prize in the Competition of Young Violinists of Croatia and Yugoslavia for six consecutive years. Also on his list of accolades are the prestigious 1983 Yehudi Menuhin Award and the Earl V. Moore Award in 1984. After graduating in 1984, Martinic-Jercic continued to pursue a career as a concert violinist with numerous solo and chamber music appearances in the United States, Canada, Japan and Europe. He has performed with such prestigious ensembles as the Detroit Contemporary Chamber Ensemble and the Orpheus Chamber Orchestra. Presently he holds the position of Concertmaster of The Phoenix Symphony. During the summer he is Concertmaster of the Santa Fe Opera Orchestra. Martinic-Jercic is also a Faculty Associate at the Arizona State University School of Music, where he teaches violin. Borivoj Martinic-Jercic resides in Phoenix with his wife Magdalen and their two daughters, Marija and Ivana. MARTIN SCHURING Martin Schuring, Assistant Professor of Oboe, joined the faculty of Arizona State University in 1992. Mr. Schuring studied at the Curtis Institute of Music with John de Lancie. He has held positions with the Hong Kong Philharmonic, The Florida Orchestra and The Phoenix Symphony Orchestra. Since 1980, Schuring has been a regular participant at the Grand Teton Music Festival, playing English Hom and oboe in the Festival Orchestra as well as making frequent appearances on the Festival's chamber music series. In other summer activities, he has participated in the Bach Aria Festival, served as Professor of Oboe at the 1996 Londrina Music Festival in Brazil, and performed as Principal Oboe of the Orchestre Philharmonique Rhodanien and Professor of Oboe at the Academie Europeenne de Musique in Toumon-sur-Rh6ne, France. Schuring has recorded for Philips, Koch International, and Summit Records, both as soloist and as an orchestra player. Recently, he recorded the world premiere of the Oboe Concerto by Eric Funk_with _the Prague_R.adio Symphony on the MMC label. Martin Schuring hosted the 1998 Conference of the International Double Reed Society at Arizona State University, June 2-6, 1998. JEFFREY LYMAN Jeffrey Lyman, Assistant Professor of Bassoon, holds both the master's and doctorate degrees in bassoon performance with highest honors from the University of Michigan. He graduated summa cum laude with a bachelor of music degree from Temple University. Prior to his appointment at ASU, Dr. Lyman was Assistant Professor of Bassoon at Bowling Green State University. His private teachers have included Bernard Garfield and Richard Beene. Formerly Principal Bassoon of the Savannah Symphony for seven years, he has also played with the Toledo Symphony, the Grand Rapids Symphony and the Michigan Opera Theater. For seven years he performed with the Colorado Music Festival, then joined the Peninsula Music Festival in Wisconsin, and is currently a member of the St. Bart's Chamber Orchestra, a group that performs annually on the island of St. Barthelemy in the French West Indies. Dr. Lyman has appeared as soloist with the University of Iowa Center for New Music, the University of Michigan Contemporary Directions Ensemble, and the Michigan and Bowling Green State University Philharmonias. In the fall of 1996, he appeared as soloist at the Moscow Autumn Festival in the world premiere of a new concerto for bassoon by Russian composer Yuri Kasparov. The recipient of both musical and scholastic honors Or. Lyman received a Research Partnership Grant from the University of Michigan to study the music of Igor Stravinsky. He has also received grants from the Mid-American Center for Contemporary Music and the Dean of the College of Musical Arts at Bowling Green State University. He appears on New Worlds Records, Koch International and Brasswell CDs. · TIMOTHY RUSSELL In the Fall of 1993, Timothy Russell became Professor of Music and the Director of Orchestras at Arizona State University. He has established himself as one of America's most versatile conductors, foremost music educators, and outstanding record producers. His recording, The Manhattan Transfer Meets Tubby the Tuba, received a Grammy nomination as the "Best Musical Album for Children." In January of2000, Inner Voices, with Native American cedar flutist R. Carlos Nakai, received a Grammy nomination as "Best New Age Album." Other popular recordings by Russell include his own children's story, The Gift of the Eagle, Poulenc's The Story of Bahar, and The Nutcracker by Tchaikovsky. In addition to these favorites, Russell has conducted the world premiere recordings of Peter Schickele's new work Thurber's Dogs, written in honor of the IOOth anniversary of the birth of humorist James Thurber, Stephen Paulus' riveting interrelated arts masterpiece, Voices from the Gallery, and Circle of Faith. Russell's other recordings include Remembering Marian Anderson, Hope's Journey, A Brassy Night at the Opera with the ASU Chamber Orchestra, Perception, and Lilacs: The Music of George Walker with the ASU Symphony Orchestra. These recordings have been enthusiastically received by listeners and critics alike, as has hi-s vital and imaginative orchestral leadership. Equally at home conducting the great symphonic literature, music for chamber orchestra, large choral works, pops concerts, and children's programs, Russell has been a frequent guest conductor with The Phoenix Symphony. Other recent guest conducting appearances have included the Charlotte Symphony, Hawaii Symphony, Spokane Symphony, Baltimore Chamber Orchestra, South Dakota Symphony, Pittsburgh New Music Ensemble, Lehigh Valley Chamber Orchestra, Summit Brass, Interlochen Arts Academy Orchestra, World Youth Symphony, and symphony orchestras in Arkansas, Indiana, Iowa, Missouri, Montana, and Texas. This year he will conduct All-State orchestras in Illinois, Kansas, Minnesota, New Mexico, and Ohio. The 2000-200 l season will be most exciting, his twenty-second as Music Director of the ProMusica Chamber Orchestra of Columbus, Ohio. Russell's achievements with ProMusica have been remarkable and diverse. The orchestra continues to make significant strides in musical excellence, having earned an outstanding reputation for artistic performances and exciting, adventuresome programming. On eight occasions the American Society of Composers, Authors and Publishers (ASCAP) has honored Russell and ProMusica for outstanding service to contemporary music. For nine seasons, Russell served as Music Director and Conductor of The Naples Philharmonic in Florida. Under his leadership, the orchestra experienced dramatic growth in the size of their audience and became recognized as one of the finest performing ensembles in the southeastern United States, with a full-time resident core ensemble of forty musicians. In addition to the numerous symphonic, pops, and educational performances, Russell conducted a collaborative ballet series with the Miami City Ballet and its Artistic Director, Edward Villella. In November of 1990 Russell conducted the premiere performances of a new production of The Nutcracker, as choreographed by George Balanchine. UPCOMING EVENTS PROGRAM Concerto in A minor for Piccolo, P. 83 (RV 445) .. .............. ........ .. .. .. .. .. Antonio Vivaldi (1678-1741) Allegro Larghetto Allegro Chamber Orchestra Vivaldi Festival Saturday, October 28, 2000 4:30 p.m. Katzin Concert Hall Trygve Peterson, piccolo Violin Concerto in A minor, Op. 3, No. 6 (RV 356) Allegro Largo Presto Sinfonietta Thursday, November 16, 2000 7:30 p.m. Gammage Auditorium Chamber Orchestra Sunday, March 4, 2001 2:00 p.m. Off-campus University Symphony Orchestra Wednesday, March 7, 2001 7:30 p.m. Gammage Auditorium Sinfonietta Borivoj Martinic-Jercic, violin Concerto in G major for Oboe and Bassoon, F. XII No. 36 (RV 545) Andante molto Largo Allegro molto Chamber Orchestra Tuesday, November21, 2000 7:30 p.m. Music Theatre Thursday, March 29, 2001 7:30 p.m. Gammage Auditorium Chamber Orchestra Martin Schuring, oboe Jeffrey Lyman, bassoon Concerto in B-flat major for Oboe, Violin, and Strings, F. XII No. 16 (RV 548) Allegro Largo Allegro Martin Schuring, oboe Borivoj Martinic-Jercic, violin University Symphony Orchestra Holiday Concert Sunday, December 3, 2000 2:30 p.m. Gammage Auditorium Chamber Orchestra Tuesday, February 6, 2001 7:30 p.m. Music Theatre Friday, April 13, 2001 7:30 p.m. University Presbyterian Church 139 E. Alameda Dr., Tempe University Symphony Orchestra Friday, April 20, 2001 7:30 p.m. Gammage Auditorium Sinfonietta Concerto in F major for Flute, Oboe, and Bassoon ("La tempesta di mare") (RV 570) Allegro Largo Presto Trygve Peterson, flute Martin Schuring, oboe Jeffrey Lyman, bassoon INTERMISSION Symphony No. 2 in D major, Op. 36 .... ..... .. ... .... .. .... .......... .. .... Ludwig von Beethoven (I 770-1827) Adagio molto; Allegro con brio Larghetto Scherzo: Allegro Allegro molto University Symphony Orchestra Friday, February 9, 2001 7:30 p.m. Gammage Auditorium Sinfonietta Wednesday, February 28, 2001 7:30 p.m. Gammage Auditorium Thursday, April 26, 2001 7:30 p.m. Gammage Auditorium CHAMBER ORCHESTRA PERSONNEL Violin I Andrew Irvin** Tara Barnes Debbie Dennis Grace Park Rachel Chavez Violin II Astasia Al-Shamaileh* Maria Roggenhofer Eugenie Wu Inbal Lapid Jessica Solano Nicholas Ross Viola Patrick Rosalez* Jeffrey Norman Mary Harrah Katherine O'Brien Cello Kerry Campbell* Merrick Jones OzgurElgun Joel Morgan Bass Waldir Bertipaglia* Kevin Kirkpatrick Trumpet John Marchiano* Michael Arndt Flute Monica Sauer* Amy Tatum Timpani Melanie Tebay Oboe Erik Behr* Lara Saville Clarinet Tamara Cuypers* Allison Storochuk Bassoon Rebecca Cain* Koula Zambounis Horn Andrey Astaiza* Eric Brown ---- School of Music Arizona State University Orchestra Assistants Joel Brown Nicholas Ross Orchestra Librarian Ivan Insua Orchestra Mana~ers Christopher Niileksela James Schmidt CHAMBER ORCHESTRA Timothy Russell, conductor ** Concertmaster * Principal Trygve Peterson, piccolo and flute Borivoj Martinic-Jercic, violin Martin Schuring, oboe Jeffrey Lyman, bassoon ARlzoNA STATE UNIVERSITY COLLEGE OF flNE ARTS School of Music Main Campus, P.O. Box 870405, Tempe, AZ 85287-0405 480-965-3371 • www.asu.edu/ cfa/music Tuesday, October 24, 2000 7:30 p.m. Evelyn Smith Music Theatre