B IOGRAPHIES

P ROGRAM
Excerpts from the Buxheimer Orgelbuch, c1455
Redeuntes in la
J’ay pris amours
Magnificat Octavi Toni
Præambulum super mi
Redeuntes in mi
Salve regina (cf in Tenor)
Ad te clamamus (cf in Bass)
Eia ergo, advocate (cf in Soprano)
O pia (cf in Alto)
O dulcis Maria
Organ Verses in alternation with cantor
Skye Hart, cantor
Ciacona in F Minor

Fugue on the Magnificat, BWV 733

Herzlich tut mich verlangen, Op. 122, no. 10

Herzlich tut mich verlangen, BWV 727
Magnificat VI Toni
[Pleno]
Versus auff 2 Clavir pedahl
Versus manualiter
Preludium in E Minor

Arnolt Schlick
(c1455-c1525)

Johann Pachelbel
(1653-1706)
Johann Sebastian Bach
(1685-1750)
Johannes Brahms
(1833-1897)
J. S. Bach
Heinrich Scheidemann
(c1595-1663)

Nikolaus Bruhns
(1665-1697)

Kimberly Marshall maintains an active
career as an organist, performing regularly
in the US and Europe. She has previously
held teaching positions at Stanford
University and the Royal Academy of
Music, London. She is attracted to the
organ’s vast possibilities of timbre and
musical texture, and her work reflects
enthusiasm for creativity and historical
awareness. She has performed throughout
Europe, including concerts in London's
Royal Festival Hall and Westminster
Cathedral; King's College, Cambridge;
Chartres Cathedral; Roskilde Cathedral (Denmark); St. Laurenskerk,
Alkmaar (Netherlands); as well as the famous Hildebrandt instrument in
Naumburg, Germany, that Bach examined in 1746.
She enjoys tailoring programs to different instruments, as is evident from
her recordings of Italian and Spanish music on historical organs. Her
playing is informed by research into obscure repertoire and performance
practice, although she does not limit herself to early music. She gave
performances of organ works by Ligeti in the presence of the composer in
the 1990s, and her recording of Chen Yi’s organ concerto with the
Singapore Symphony was released in 2003 on the BIS label. Her CD, A
Fantasy through Time (with accompanying DVD), features music from the
16th-20th centuries. Her forthcoming CD presents the music of Arnolt
Schlick on the 500th anniversary of its original publication.
Kimberly Marshall is often invited to perform at conventions and festivals.
She is a frequent recitalist and workshop leader at National Conventions of
the American Guild of Organists. In 2001, she appeared in Seoul for the
Korean Association of Organists and in Toronto for the Royal College of
Canadian Organists. She was a featured artist for the 2007 Early English
Organ Project in Oxford and for the Oaxaca Historical Organ Festival in
Mexico. In 2009, she performed for the Regional AGO Conventions in

Phoenix (2009) and in San Francisco (2011). She currently holds the Patricia
and Leonard Goldman Endowed Professorship in Organ at Arizona State
University and serves as Director of the ASU School of Music.
A review of Dr. Marshall’s performance for the national convention of the
American Guild of Organists in July 2010 extolls her as “a multi-faceted
musician” who “pushed the organ to its limit with her virtuosic demands in
playing and registration….This was a royal performance by one of our
royalty!”
--------An avid musician with an equal love for solo performance and church
music, Skye Hart has been privileged to play and perform on notable
instruments in the US, Europe and Mexico. Presently, he works as director
of music and liturgy at St. Maria Goretti Church in Scottsdale. Skye holds a
Doctor of Musical Arts degree in organ performance from Arizona State
University, where he studied with Kimberly Marshall. He is also a lyric
tenor, and performs as a soloist and in vocal ensembles. Skye’s other
interests include old movies, linguistics, travel, and penguins.

GANZ DEUTSCH!
A Celebration
of German
Organ Music

KIMBERLY MARSHALL, ORGAN
March 4, 2012
2:30 p.m.
ASU Organ Hall