)
Valerie Harris is a OMA student in organ performance at Arizona State University. She
has a Master's degree in organ performance from Shenandoah University in Virginia. She
is a guest organ recitalist at the Tabernacle on Temple Square in Salt Lake City. She is the
Director of Traditional Music and Organist at Central United Methodist Church in
Phoenix.
Kimberly Marshall maintains an active career as an organist and scholar, perfonning
regularly in Europe, the US and Asia. She researches organ music of the Middle Ages, as
reflected in her recording, Gothic Pipes, and her anthologies of late-medieval and
Renaissance organ music (Wayne Leupold Editions). She has written for the Cambridge
Companion to the Organ, the Grove Dictionary of Music and the Oxford Dictionary of the
Middle Ages. Dr. Marshall currently holds the Patricia and Leonard Goldman Endowed
Professorship in Organ at Arizona State University.

GARGOYLE
GALL

From Cleveland, Ohio, Natalie Mealey is a graduate of the Oberlin Conservatory of
Music in Oberlin, Ohio, where she received a Bachelor of Music in Organ Performance
and Master of Music in Historic keyboards. She is in her first year of Doctorate studies at
Arizona State University, and is the recipient of the Bartlett-Armstrong Family
Scholarship. She is currently the Organist at Desert Hills Presbyterian Church.
Paul Oftedahl is a Tucson native and is currently a third-year undergraduate at Arizona
State University. He is double majoring in organ performance and chemistry and also
enjoys playing harpsichord. In his free time, he enjoys cooking, hiking, and learning
languages.
Rees Taylor Roberts is pursuing a Bachelor of Music in organ at ASU. Prior to his
studies at ASU, he studied organ performance at the Oberlin Conservatory. He has studied
organ with Craig Chotard and Jonathan Moyer and harpsichord with Webb Wiggins. Rees
served as the Organist and Choirmaster of Saint Luke's Episcopal Church in Little Rock,
Arkansas, his home town.

ORGAN
ASUORG
FEBRUARY 7, 202
FEBRUARY 9,202

Karen Stephens Taylor is in her second year of the OMA degree at Arizona State
University, where she holds the Pat Goldman Organ Scholarship. She is the Organist at
First United Methodist Church of Mesa. In 2017, she was chosen to be an E. Power Biggs
Fellow by the Organ Historical Society and served as Organ Scholar at Trinity Episcopal
Cathedral.

1

An Alabama native, Julia Tucker holds two degrees in Piano Performance (Auburn and
Syracuse Universities) and a Masters in Organ Performance from Syracuse. Recipient of
the 2019-2020 Richard and Marilyn Wurzburger Organ Award at Arizona State
University, she is a second-year organ OMA student. She also serves as Organist at Valley
Presbyterian Church and as Sub-Dean of the Central Arizona chapter of the American
Guild of Organists.

A511·Herberger Institute
FOR DESIGN AND THE ARTS
ARIZONA
©2009 ASU Herberger Institute for Design and the Arts 0709

STATE

UNIVERSITY

Mit ganczen Willen from
Lochamer Liederbuch ( 1452)

Hans Kotter
(1480- 1541)

Kochersberger Spanieler
Valerie Harris

Preludium in Fa

Hans Kotter

Chorale Prelude: Aus tiefer Not
Paul Oftedahl

Belfiore dan~a (c. 1430)

Codex Faenza

Non ara may pieta

Francesco Landini
(c. 1325/35-1397)
Julia Tucker

Program
Redeuntes and Buxheim
Kyrie SMV (c. 1455)

Pavana italiana
Buxheimer Orgelbuch

Rees Roberts

Maria Zart

Antonio de Cabez6n
(1510-1566)

Veneziana galliarda (1551)
Intavolatura nova di varie sorte di balli
Natalie Mealey

Arnolt Schlick
(1460-1521)

Tiento sobre la letania de la Virgen

Pablo Bruna
(1611-1679)

Ascendo ad patrem meum
Kimberly Marshall
Natalie Mealey

Pa vane and Galliarde (1531)

pub. Pierre Attaingnant

***************

Basse danse
Branle gai
Karen Taylor

Out ofrespect for the performers and those audience members around you,
please turn all beepers, cell phones and watches to their silent mode. Thank
you .