WEBVTT

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and I would keep help.

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People that

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Do you think they'll apply it when
we're finished,

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I'll be moving faster. Um, I'm Jeffrey
Cook, and, uh, I teach at Arizona

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State University. Uh, and I've been
there for my whole teaching career. Um

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, And when I first moved to the
valley, um, one of the first people who I

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met outside of the university, uh, was
Paolo Soleri and his family. And

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almost instantly, they became my
family here. I had no family, uh, here in

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Phoenix. And so, um, through the
years, we've shared many things. Uh, So,

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um, this is a special occasion for,
uh, for me to share that, uh,

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friendship, but also, uh, some of the
insights of, um of Paolo Soleri. So

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now, Paulo, you have to introduce
yourself. Oh, God.

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I was born in Italy. That's it. That's
the one. I came to this country

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when I was 26. I was here about three
years and I went back to Italy with

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my family for five years, and then I
came back. We came back to Arizona by

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way of Santa Fe.

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So this series is labelled modern
architects, so I want to know why you're

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here.

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No,

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we could We could discuss whether
you're an architect. Because after all,

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there are people who are not
architects who are doing it. And there are

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architects who are not doing it. I I
Italian architect. You're you're an

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Italian. Italian. Um, but the part
that I'm more interested in is the

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modern part. Are you modern, Uh,
beyond?

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Well, I'm living in the in this age,
So I, I guess I'm part of the modern.

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Do you? How do you place yourself in
relationship to the other architects

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in the latter half of the 20th century

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as a, um, not maverick is not the word
almost as an outsider.

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So the the label modern architect does
seem to embrace, uh, some well,

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well known names who who are somehow
or other associated. But your name is

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not normally associated with those
names. It's abnormally associated. But

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how many? How many are here tonight?
How many a I a members members want

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to a minority? We can Where? Where the
hold.

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So, um, in terms of your background
and where How? How you got to wherever

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you got. Um, I'm really curious. What?
Um what credit you would give to

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your childhood and upbringing in Italy
and the kind of experiences you had

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as a child. Well, when I get that
question, I always say, Well, we are

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environmental animals. We belong to a
certain reality, which is the the

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terrestrial reality. So evidently the
environment is very influential.

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Quite a bit of what we are comes about
through the environment we are born

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in. So quite definitely my
environment. My first, the first part of my

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life. My environment was the
Mediterranean environment, though it was on

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the edges of it because I grew up in
the in the Alps. So that's almost at

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the border with France.

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But still, the civilization that
developed in the Mediterranean era were

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were very influential in my for my
background Could could you separate? Um

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, since you lived in France for some
time, could you separate the

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difference between the experience of
living in Italy and in France? But

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not that much? Maybe the language was
the main difference. But that's a

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very important difference. Well,
because that French is your second

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language and I, I still I'm still
trying to learn English. I lost the

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Italian so I'm stuck with some kind of
patois.

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Then for me, an interesting part of
your background, Is that it? I mean,

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we all have, uh, favourite images of
what Italian life and culture and

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cities are. But, uh, but the city of
Turin, where you spent a lot of your

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childhood, uh, does have a special
flavour, Uh, especially because it's,

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uh it's a modern component. It has a
modern component. And, um, it's the

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city of the factory of Fiat cars and,
uh, labour movements and so on. Did

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did any of that rub off on you? Well,
Torino developed it started in the

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Roman times, and then but the the main
development was the Baroque area

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era era. So it tends to be a baroque
city, but a very quiet baroque. P

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Montes People are always quiet.

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Um, I think one of the reasons to
raise this question is that, um

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ultimately, I think tonight we may
talk about cars and automobiles and

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automobile culture, and you grew up in
a city which had a very distinct

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automobile culture. There was the the
the launcher here, the Bugatti here

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, and few of the car manufacturers
surrounding us right. So, as as a boy,

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you were probably, uh, fascinated as
most young boys are with these

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machines. No, I was a bicycle person

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then. Then I was promoted to the to
the motorcycle.

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Oh, did you have a Vesper? No, Lambre,
which is like a Vesper. Yes. OK, Ok.

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And you left it behind. But I never
had the Gilera. My father used to

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drive the gile was 80 some and was
driving the Gilera going to the

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mountains and then climb up and then
come back. Get the Gilera. Come home.

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Um, Paula's father, Um uh, as a hobby was a mountain climber. I wonder if

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you could say anything about how he
introduced you to the outdoors and to

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the natural environment? Well, yeah, I
tended to like the outdoors from

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the very beginning, but the fact that
every other week or once a month at

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least we would go climbing. It was a
very important experience. I didn't

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realise how important it was when I
was doing it, but more and more later

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on, I felt that that was, uh, quite a
lesson.

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Then we would walk for many, many
hours and never never saying one word

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just climb up. It's something run
down. Was it jumping the funny car? No,

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the train, the train.

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The funny car that came later. OK, And
then when you graduated, uh, from

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the, uh, the, uh, polytechnic in Turin
in, uh, 1946.

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What was it that was so attractive for
you to come to Arizona to

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apprentice with Frank Lloyd Wright?
Because this was a really tough time

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in Italy. Yeah, that was That was very
tough. Yes.

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Why did you Why did you believe that I
happened to find a small book in

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Italian about Mr Wright, I think was
the first publication of his work.

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And I was very taken by what I saw and
what I read. So I wrote an awful

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letter to Mr Wright in English. Your
English?

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It was a two or three pages later.
And, um, six months after I got a a

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short letter. Come front way, right.

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That happened.

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Um, so I came. Yes.

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OK. I think it must have been very,
uh, very stressful for your family for

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you to live. Leave home at that
particular juncture just at the end of the

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Second World War reconstruction had
barely been done and economic times

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were well, I measured The economic
times was that, um I got grants for two

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years from the university. So the dean
of the school had this made this

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speech, and at the end, he said, Well,
and now we are very proud to be

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able to send one of our best
architects to America by way of those grants.

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But those two grants put together were
able to buy about £6 of butter. So

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that what that showed the the
financial bankruptcy that Europe was in the

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the the level of inflation.

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Can you say anything about what? The
experience with Frank Lloyd Wright

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and at TES? And how did that
contribute to, um, what you did later in life

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? Of course. The first thing is, it
introduced you to the United States.

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Yes, which was pretty important,
especially after 25 days in Ellis Island.

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35 days in Ellis Island. OK, that was
Christmas and New Year's in 1947

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1948 46 46 47. Ok, we get those dates,
right?

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Um so So surely that that's a very
important uh uh transition that you

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immediately join, uh, a kind of
extended family.

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And one of the negative side was that
I couldn't speak. I couldn't

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understand. I was doing a dummy. So
they put you in the kitchen. They put

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him in the kitchen because I couldn't
afford decorations.

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Well, the the arrangement was that if
he if he could come, Mr Wright would

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look after him. But that still meant
that you have to work your way

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through. Which was fair. Since I
couldn't pay, I had to do some work. And

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, uh, in the year and a half that you
were with the Taliesin Fellowship.

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You were both, uh, up in Wisconsin and
you were here. We were here most of

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the time. We were in Wisconsin, one
winter from October from October to,

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uh maybe April or no. Yeah. You went
to Wisconsin? I've been in the summer.

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Yes. No, We Yeah, we came back. We
came back to west in West was late, I

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think. And we went through snow storms
and all sorts of nice things. That

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that's the That's the usual pattern.
Um,

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it is there, is there? I was asking
what? That experience at Taliesin uh,

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how that might have affected the
direction of your life after you left.

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Well, number one I was, uh, under the
tutelage of of a great architect,

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which is always very important. So
that was one aspect of the of the

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experience. The landscape and the
light were very, very important

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both here and especially here in in,
uh, in Arizona. And then the

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fellowship was evidently very
important. And the way of life and the

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activities, the scheduling and so on.

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So it was so part of that experience
was the rigour, the day, the rhythm

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of the daily life. Oh, that's right.
Yes.

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And being having to to be responsible
for something that would influence,

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uh, you know, that's 40 or 50 people
that were there being part of the

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community.

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Why do you live in Arizona?

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Because we got when we came back in
this country, we tried Santa Fe for

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one for one summer. And then we
decided to come back here, and we were We

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knew a little about this area, so we
decided to to establish ourselves

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here. But the other thing is that I'm
I'm a son addict. I'm a son

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worshipper. and so whatever.

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Maybe you should say what your name
means.

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You heard the song. So this is the
translation of Soleri. But then I had

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to add immediately. We are all so we
were all the son. So nothing new

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about that. It's just that you have
the name.

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But what what is, uh, Can you say
anything about the special attraction of

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, um, the the the valley here. And so
the the lower part of Arizona as a

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as a place. Well, I think I tended
always to like to be able to look into

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the distance. So if, for instance, if
you're in a in a forest forest

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forestation area, uh, the vegetation
tends to cut your view, your view.

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But there was more than that. I mean,
the Arizona and New Mexico, they

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have something very, very special to
offer. Um, I remember usually mou in

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valley and being floored by Monument
Valley Canyon, the shea and things of

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that sort and then the light. But also
again, going back to your childhood

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and mountain climbing with your
father. When you get to the top of the

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mountain, you can see almost forever.
Yeah, but you you would do that once

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once in a while, you wouldn't sit
there for months or years. But you fix

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that by Yeah, I remember when When I
came here and they were pointing at

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me at the mountains, I would say, What
are the mountains? There were

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little hills. There were mountains,
OK, because you had done your climbing

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in the Alps,

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right? Um, had have you thought about
living in some other part of the

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Southwest?

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No, I I'm done. I'm not a migratory or
a nomadic person, Really. I'm

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pretty set in my habits.

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So the idea is that you have a nest,
which you wander out of, but you

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always come back to

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OK,

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um And when, um uh, when you came to
the United States, then you you

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married an American woman. Um What did
she contribute to your thought?

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Well, I sing mainly. She was a
wonderful mother, An exceptional murder.

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And

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so the combination. I was a terrible
father. So So we find some kind of a

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balance there,

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but this gave she she worked, You
know, my work constantly, well and that.

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But that also gave you an American
family and an American outlook

00:17:05.368 --> 00:17:11.967
from the main line. Philadelphia.

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Um, when you first married, you went
back to Italy for a few years and, uh

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, Italy was still, uh, in this
stressful economic situation that, uh, you

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you just felt you couldn't. Uh Well, I
was trying to find an activity

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which would give me enough freedom to
do what I wanted to do in

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architecture and planning. And that
might might have been a mistake, a

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fatal mistake. But it might have been
also the A very important, um,

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condition to be in in a centre. I
think, though I lost, um, let's say the

00:17:52.239 --> 00:17:57.226
the profession maybe again something
that now I feel it more and more

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important.

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And so it was in in Italy that you
really learn to feed yourself to

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support yourselves. Uh, the both of
you, Uh uh, with, uh, crafts.

00:18:12.439 --> 00:18:18.406
Um and that's where you, uh, you
really began to develop that, uh,

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livelihood that has supported your
whole life. Yeah, one reason that we I

00:18:23.930 --> 00:18:31.217
got into that is because before the
university years I was in Artistical

00:18:31.250 --> 00:18:39.250
called so called and you would get out
of there as professor of fine arts.

00:18:39.959 --> 00:18:46.936
So They gave me a access to some of
the visual and, um, and a kind of

00:18:46.969 --> 00:18:50.887
activities that I kept.

00:18:50.920 --> 00:18:55.575
But when you move back to the United
States, then you continued with this

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craft business, and you really
developed it, Um, in in particular, uh, the

00:19:02.160 --> 00:19:05.426
wind bells?

00:19:05.459 --> 00:19:10.916
Yeah, yes, but in, uh, we were
travelling through Italy trying to find

00:19:10.949 --> 00:19:17.226
something that would fit what I felt
could be useful. So we ended up in

00:19:17.259 --> 00:19:25.085
VRE, which was, um, a small town with
many ceramics, family, family doing

00:19:25.118 --> 00:19:30.256
ceramics. So we got to know one of
those families. I began to learn

00:19:30.289 --> 00:19:36.065
something about ceramics with them,
and they asked me eventually to design

00:19:36.098 --> 00:19:44.098
their own fabrica, which was the
soleiman and fabric,

00:19:44.289 --> 00:19:52.289
and so that that was a a pretty
important series of lessons. Um, I wonder

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whether you have any perspective on
how the craft of, um making bells. Uh

00:20:01.689 --> 00:20:05.686
, I mean, there's the obvious economic
thing. It not only has supported

00:20:05.719 --> 00:20:12.416
you and your family, but, uh, quite a
large enterprise, but I wonder how

00:20:12.449 --> 00:20:18.176
that has contributed to your method of
thinking and how that has affected

00:20:18.209 --> 00:20:23.607
your architectural thought. Where I
use the term how I think, how is very

00:20:23.640 --> 00:20:30.045
important, and I call it how. And the
fact of working with your hands, for

00:20:30.078 --> 00:20:36.847
instance, might have been influential
in what my thinking developed into,

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and that indicates that before I
develop what you might call a theory or a

00:20:41.699 --> 00:20:49.387
or an hypothesis about reality, I work
physically in doing little objects

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or those larger objects, like a small
house or something. But it was the

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physical presence that was very
important and how you manipulate things

00:21:01.529 --> 00:21:06.276
and how you transform this into that
and so on.

00:21:06.309 --> 00:21:10.627
So I I'm saying that because more and
more I believe that harness defines

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what the reality is from the very
beginning. Well, that's that's what

00:21:15.670 --> 00:21:22.357
gives it quality. Well, that was what
the idea is in fundamentally,

00:21:22.390 --> 00:21:27.857
how how matter becomes something very,
very special. But the the

00:21:27.890 --> 00:21:33.416
particular quality maybe, is that it's
a human hand that has touched it.

00:21:33.449 --> 00:21:35.906
 Yeah,

00:21:35.939 --> 00:21:41.776
what are your thoughts about the place
of handicraft, meaning hand in

00:21:41.809 --> 00:21:49.809
craft in an industrial society and
post industrial society?

00:21:49.818 --> 00:21:55.325
Well, I make a decision between the
what I call the the Artisan activity,

00:21:55.358 --> 00:22:00.446
the Craftsman Activity and the the
Artist but they are quite different

00:22:00.479 --> 00:22:06.045
from each other. And, uh,

00:22:06.078 --> 00:22:10.956
and naturally, you can say that even
even the technology of the microchip

00:22:10.989 --> 00:22:15.055
has to have very much to do with the
hands with the skilled hands. In fact

00:22:15.088 --> 00:22:20.236
, the hand really is what defines our
nature. Because if we didn't have

00:22:20.269 --> 00:22:27.137
hands, probably would be at the level
of the dolphins or the cockroaches.

00:22:27.170 --> 00:22:34.976
No mammals, but not, uh, not cultural
mammals, just social mammals. So the

00:22:35.009 --> 00:22:39.347
the the existence of this manipulation

00:22:39.380 --> 00:22:45.847
instrument, which is fantastic, has
made us to develop slowly from a from

00:22:45.880 --> 00:22:52.976
a million average into this very
special phenomenon We are. So you

00:22:53.009 --> 00:23:01.009
identified three levels of involvement
you men mentioned The A is was very

00:23:01.299 --> 00:23:06.726
much, uh, from the very origin of of,
um, life and communal life, the

00:23:06.759 --> 00:23:12.897
manipulation of things to serve
immediate needs and developmental, almost

00:23:12.930 --> 00:23:20.065
traditional way of going about
producing tools and, um in governments and

00:23:20.098 --> 00:23:27.627
everything. So it's a very function
oriented activity, and it requires

00:23:27.660 --> 00:23:31.276
quite a bit of self discipline

00:23:31.309 --> 00:23:37.006
to be rooted in an environment in a
certain

00:23:37.039 --> 00:23:39.266
humanity.

00:23:39.299 --> 00:23:44.756
The craftsman. It's a more recent
invention when we are not able to be

00:23:44.789 --> 00:23:51.555
artists we turn out to be craftsman.
So it's very much an idiosyncratic,

00:23:51.588 --> 00:23:59.588
uh, expression of the individual and
the syncratic as the problem of being

00:23:59.779 --> 00:24:04.325
delusional now and then because, um,
we think we are doing something

00:24:04.358 --> 00:24:07.756
beautiful. And then we find out that
we are We are just expressing an

00:24:07.789 --> 00:24:13.186
idiosyncrasy that might be irrelevant
to other people's.

00:24:13.219 --> 00:24:19.967
And history is able to, you know, to
discriminate and to sort out the

00:24:20.000 --> 00:24:27.045
quality. Oh, the excellence from the
from the mediocrity that we live in

00:24:27.078 --> 00:24:30.776
in the average.

00:24:30.809 --> 00:24:35.867
Do you have any thoughts about, uh,
the star system? Um and I'm referring

00:24:35.900 --> 00:24:41.976
here, especially to architects,
although it also applies to sculptors and

00:24:42.009 --> 00:24:47.857
painters and so on. Uh, where, uh,
there are certain individuals who seem

00:24:47.890 --> 00:24:53.696
to get a lot of attention. Um who, uh,
well, maybe I should let you carry

00:24:53.729 --> 00:24:58.045
on from there.

00:24:58.078 --> 00:25:03.857
Well, one thing that might be tangent
to this is that, um a while ago, I

00:25:03.890 --> 00:25:11.890
thought that as architects, for
instance, we tend to to enjoy to come up

00:25:12.318 --> 00:25:20.318
with beautiful orchids. By that I mean
beautiful and very, very, uh,

00:25:20.789 --> 00:25:27.166
useful buildings. And we love to make
them into beautiful objects and this

00:25:27.199 --> 00:25:34.897
is very important, but it doesn't
really touch upon habitat in the sense

00:25:34.930 --> 00:25:41.397
that habitat and agriculture are two
fundamental and indispensable

00:25:41.430 --> 00:25:47.486
activities, and that that translates
in a metaphor that we cannot only

00:25:47.519 --> 00:25:53.276
have flowers. We have to have forests,
and the forest is the the whole of

00:25:53.309 --> 00:26:00.897
the habitat that we constantly have to
develop, trust, form and generate.

00:26:00.930 --> 00:26:06.656
So there is a There's a danger of
making beautiful orchids scattered

00:26:06.689 --> 00:26:12.555
around but disconnected with with
reality in many ways. Yes, so if they

00:26:12.588 --> 00:26:18.097
are really beautiful, that's it. The
aesthetic is paramount. If they are

00:26:18.130 --> 00:26:24.516
only on the edge of being beautiful,
then they might not be essential.

00:26:24.549 --> 00:26:30.785
So in terms of, uh, um, sort of
professional responsibility, Or maybe it's

00:26:30.818 --> 00:26:38.276
, uh, maybe it's a human
responsibility. Uh, how do you, uh, how do you

00:26:38.309 --> 00:26:43.627
sort those things out? Uh, who who
should be tending the forest so that we

00:26:43.660 --> 00:26:48.217
have or so that the orchids have a
place to live?

00:26:48.250 --> 00:26:51.696
We should. Since we are part of the
forest, we are all responsible for

00:26:51.729 --> 00:26:56.426
that. We are all responsible

00:26:56.459 --> 00:27:00.805
and, um,

00:27:00.838 --> 00:27:07.266
we we tend to forget about the forest
because we're just admiring

00:27:07.299 --> 00:27:13.335
brilliant in some ways, it's easier to
to produce flowers. Let's say

00:27:13.368 --> 00:27:17.887
beautiful flowers is always difficult
to produce, But

00:27:17.920 --> 00:27:22.166
so it's the segregation of an activity
that by definition should be

00:27:22.199 --> 00:27:28.285
universally embraced because we do
need shelter. It's UNESCAP. Not only we

00:27:28.318 --> 00:27:31.986
need shelter for individual and the
family, but also the institution that

00:27:32.019 --> 00:27:38.206
we have. This library is a good
example of that.

00:27:38.239 --> 00:27:42.496
And that's also the reason why I
believe that the city is the answer and

00:27:42.529 --> 00:27:49.946
not the exurban sprawled and now is
beginning to terrify us, and rightly

00:27:49.979 --> 00:27:55.456
so, because it's, um, it's not going
to work. So your your analogy for

00:27:55.489 --> 00:27:59.666
humans is that the city is the forest,

00:27:59.699 --> 00:28:06.857
which would sustain with, uh, with
many, uh, what do you call it?

00:28:06.890 --> 00:28:14.890
Reservations or, um, qualifications?
Qualifications? Yes, One is that the

00:28:15.818 --> 00:28:18.456
city itself

00:28:18.489 --> 00:28:26.489
is really a sort of organism, a pseudo
or para organism. That's why I can

00:28:26.588 --> 00:28:33.456
compare it to an animal or a tree or
anything that is a living system.

00:28:33.489 --> 00:28:37.877
And the reason is that as any living
system in the city, the city that

00:28:37.910 --> 00:28:45.206
works should have a great quantity of
interactions and in relationships

00:28:45.239 --> 00:28:52.266
and connections and, uh uh, all sorts
of, um, what do you call it?

00:28:52.299 --> 00:28:58.890
Synergies and so on going on, which
are the characteristic of any organism.

00:28:59.630 --> 00:29:01.630
And my pet notion is that as an organism is a fantastically miniaturised

00:29:06.779 --> 00:29:12.496
and incredibly complex system, So it
should be the city.

00:29:12.529 --> 00:29:16.976
So miniaturisation and complexity are
a CPA known for life. There is

00:29:17.009 --> 00:29:25.009
nothing in the living a reality that
is not complex and and miniaturised.

00:29:27.229 --> 00:29:33.026
Um, in in the 19 sixties, um, Paulo
was associated with the school of

00:29:33.059 --> 00:29:38.986
architecture at a SU. And for, uh,
each of those summer schools, you

00:29:39.019 --> 00:29:43.946
produced a poster, and I've just been
looking at some of those and it's

00:29:43.979 --> 00:29:47.526
it's very interesting the messages on
some of those I mean, some of the

00:29:47.559 --> 00:29:52.627
messages say students don't take, uh,
you know, don't steal this poster.

00:29:52.660 --> 00:30:00.377
But, uh, that was a problem, because
they were they were too beautiful.

00:30:00.410 --> 00:30:06.597
Yeah. Can something be too beautiful?
Um, but, uh, the poster I'm

00:30:06.630 --> 00:30:11.276
referring to in particular is the one
that started off. Life is in the

00:30:11.309 --> 00:30:17.367
qualified, thick of things qualified.
The qualified was in parenthesis.

00:30:17.400 --> 00:30:21.496
And then there was this development,
uh, of thoughts. And the first one,

00:30:21.529 --> 00:30:27.516
the first paragraph began, uh, with
something about, um, the biosphere and

00:30:27.549 --> 00:30:35.549
this thin mantle, Um, the thin skin of
the globe that supports life and

00:30:36.598 --> 00:30:43.946
then developed through, uh, to, um, uh
the concept of thickness and depth

00:30:43.979 --> 00:30:50.766
and density and complexity. And, um,
the last line had to do with the city

00:30:50.799 --> 00:30:58.799
, Uh, in the image of man, you
remember that?

00:30:58.848 --> 00:31:05.367
It's, um I don't know that your
message has changed so much.

00:31:05.400 --> 00:31:10.847
Well, it's been refined. Well, yes.
Then it's become much, much richer.

00:31:10.880 --> 00:31:17.726
But And that That poster, uh, from I
think it was 67. Um, came just at the

00:31:17.759 --> 00:31:25.759
time when you, uh when the When the
word archology uh, came came out.

00:31:25.799 --> 00:31:33.799
Would you like to, uh, explain what
you meant by archology? Well, maybe

00:31:33.949 --> 00:31:38.156
the the origin of that is that I. I
had the experience of the city and the

00:31:38.189 --> 00:31:42.926
experience of the countryside from the
very beginning of my life. And the

00:31:42.959 --> 00:31:48.486
two experiences were were integrated

00:31:48.519 --> 00:31:53.926
that it was very nice to integrate the
two the two domains because I think

00:31:53.959 --> 00:32:00.246
that they enrich your life. So at a
certain point in thinking, in terms of

00:32:00.279 --> 00:32:05.956
habitat, I felt that that, uh that the
chance for everybody to to

00:32:05.989 --> 00:32:10.585
experience those two domains is
essential.

00:32:10.618 --> 00:32:15.026
In order to do that, you have to move
to this highly complex and highly

00:32:15.059 --> 00:32:21.256
compact system so that you are inside
an urban condition. You walk out and

00:32:21.289 --> 00:32:25.617
you are in nature or vice versa.

00:32:25.650 --> 00:32:32.117
What the sprawl does is to in a way,
to kill both of them. Nature goes

00:32:32.150 --> 00:32:36.585
because you are destroyed by moving
into it, and the city is not there

00:32:36.618 --> 00:32:40.696
because you haven't been to being able
to develop a city with within a

00:32:40.729 --> 00:32:46.815
system which is utterly segregated
segregation.

00:32:46.848 --> 00:32:54.848
So the words Garden City don't cut it?
No, to my knowledge, no,

00:32:56.670 --> 00:33:03.607
the there is lots of nostalgia there,
which is a justifiable nostalgia,

00:33:03.640 --> 00:33:07.887
but we cannot live on nostalgia.

00:33:07.920 --> 00:33:13.315
We had to move to our reality now and
then.

00:33:13.348 --> 00:33:17.627
And the reality is that number one, as
I was saying, life is in the thick

00:33:17.660 --> 00:33:22.467
of qualified thick of things. The only
is that the planet has a certain

00:33:22.500 --> 00:33:30.107
size and cannot take what we might be
demanding now from it, and very

00:33:30.140 --> 00:33:35.436
quickly, 10 billions of people married
to the American dream are going to

00:33:35.469 --> 00:33:40.295
need about 10 planets or something
like that, Or maybe 15 planets. So they

00:33:40.328 --> 00:33:45.196
have the American dream as to alter
itself.

00:33:45.229 --> 00:33:50.815
Or we need new planets for parking
lots. No.

00:33:50.848 --> 00:33:57.097
Yeah. It brings me again to the the
the China situation where a a again

00:33:57.130 --> 00:34:02.035
merry into the American dream means to
have about 500 million automobiles

00:34:02.068 --> 00:34:08.836
for China. 500,000,400 millions. What?
1 million for for Africa. Another

00:34:08.869 --> 00:34:15.686
56 millions for 100 millions for South
America. So we end up by having a

00:34:15.719 --> 00:34:22.146
population of 10 billion with about 3
billion of bills. So that requires

00:34:22.179 --> 00:34:27.956
probably seven or eight or 10 planets

00:34:27.989 --> 00:34:31.106
Keeping in mind. Yes. Keeping in mind
that the automobile is only one

00:34:31.139 --> 00:34:37.655
element of consumption of hyper
consumption. But it's only one.

00:34:37.688 --> 00:34:43.416
It happens to be the biggest. Which
one is one of the problems?

00:34:43.449 --> 00:34:51.449
Um, so this is this is an idea which
you, uh, began to, uh, broadcast

00:34:51.719 --> 00:34:58.695
in the, uh, in the late 19 sixties.
And then you published your book. Um,

00:34:58.728 --> 00:35:06.728
the MIT press book called Archology,
in which you demonstrated 30 um,

00:35:07.030 --> 00:35:11.816
models. What? Which were symbols? They
were not city plans. They were

00:35:11.849 --> 00:35:19.849
symbols of ideas. Um, what's happened
to that word in the currency of the

00:35:20.099 --> 00:35:26.195
world? That's Yeah, that's 30 years
ago.

00:35:26.228 --> 00:35:30.316
There might be 10 people that knows
about it.

00:35:30.349 --> 00:35:34.807
Well, I don't know. It seems to me
that the that the term archology is a

00:35:34.840 --> 00:35:40.986
recognisable term in the literature
now. Maybe that's not much, but that's

00:35:41.019 --> 00:35:48.557
I think it's in one dictionary in the
moment.

00:35:48.590 --> 00:35:52.646
Uh, big deal.

00:35:52.679 --> 00:36:00.115
Um, why hasn't that idea become more
popular? Or maybe I should say, Why

00:36:00.148 --> 00:36:07.345
hasn't it become more essential as a
as a way of, of, of reconstructing

00:36:07.378 --> 00:36:12.345
the world number one? My limitations,
your limitations in every field,

00:36:12.378 --> 00:36:19.146
including architecture number two. The
fact that the idea presents a a

00:36:19.179 --> 00:36:24.586
condition that is antithetical to the
American dream. It's as simple as

00:36:24.619 --> 00:36:32.619
that. So to ask a suburbanite to
reverse its own priorities and move into

00:36:33.090 --> 00:36:35.385
the city,

00:36:35.418 --> 00:36:41.936
it's It's not very enticing.

00:36:41.969 --> 00:36:45.026
That means

00:36:45.059 --> 00:36:49.796
what does that mean? Well, it means
that unless you experience something,

00:36:49.829 --> 00:36:55.486
uh, you are really not married to what
the explanation comes about. So if

00:36:55.519 --> 00:37:01.006
you never experience the urban
condition or the urban effect, there is no

00:37:01.039 --> 00:37:05.856
reason why we should even think about
or consider it as something positive

00:37:05.889 --> 00:37:12.445
, something that has to be
experienced. You don't want it. And as

00:37:12.478 --> 00:37:17.497
Americans, given the the immensity of
the landscape, given the youth of

00:37:17.530 --> 00:37:25.530
the of the of the culture, uh, the
city remains almost a fringe thing that

00:37:26.418 --> 00:37:30.787
is not necessarily positive. So we
take the city as somebody has to be

00:37:30.820 --> 00:37:38.820
accepted but not necessarily embraced
or experienced or loved. Loved.

00:37:40.800 --> 00:37:47.115
So we could perhaps say that
especially about the newest cities.

00:37:47.148 --> 00:37:50.175
Well, the other thing is that to come
out with the with the what do you

00:37:50.208 --> 00:37:54.675
call a city? It's something that
requires so much knowledge, so much

00:37:54.708 --> 00:38:00.217
experience, a little bit of wisdom
that is difficult to combine into one

00:38:00.250 --> 00:38:05.195
enterprise. That's why we need
laboratories,

00:38:05.228 --> 00:38:11.635
City Laboratories, where things are
taken to levels of almost absurdity in

00:38:11.668 --> 00:38:19.668
order to find out where they break
down and start again, experience again

00:38:19.849 --> 00:38:24.467
failures and keep going, because
that's what we do in every field science

00:38:24.500 --> 00:38:27.316
, technology.

00:38:27.349 --> 00:38:32.217
It's test even the religion, of
course. So that's a that's a process of

00:38:32.250 --> 00:38:35.287
test to failure.

00:38:35.320 --> 00:38:43.077
Observe the failure and and we can say
we, but that's too expensive or a

00:38:43.110 --> 00:38:46.396
Slava Well, look at the cost that we
are paying the price we are paying

00:38:46.429 --> 00:38:53.345
now for for what we are being
embracing, which is abandon the city and

00:38:53.378 --> 00:38:57.115
come out with the with the paradise.

00:38:57.148 --> 00:39:03.776
The Garden of Eden, which we are
finding out, is, uh, it's a very,

00:39:03.809 --> 00:39:06.316
uh

00:39:06.349 --> 00:39:13.477
or, um Well, it turns out to be
pernicious. That's the the terrible thing

00:39:13.510 --> 00:39:18.077
about it.

00:39:18.110 --> 00:39:23.497
What are your thoughts about? Uh,
maybe I should mention that 30 years ago

00:39:23.530 --> 00:39:30.856
as a uh, not Not only did he, uh did
Paulo publish this book? Oncology. Uh

00:39:30.889 --> 00:39:38.889
, but, uh, he, uh, broke ground on the
smallest of those sketches, which

00:39:39.079 --> 00:39:47.079
is what we know as a kanti 770 miles
north of here. So, um, it's coming up

00:39:47.119 --> 00:39:55.119
to its 30th birthday. Yes, it is. It
broke ground. And it 70 um, and, um,

00:39:57.409 --> 00:40:01.997
like all cities, it's unfinished. Um,
but I wonder whether you have any

00:40:02.030 --> 00:40:08.655
observations about, um, about how it's
going. Observation number one is

00:40:08.688 --> 00:40:12.646
that is not even a small town. It's a
little fragment of a small town.

00:40:12.679 --> 00:40:20.679
Well, fair enough, but people might
come out and say, Where is the city?

00:40:22.688 --> 00:40:26.956
Well, we have, um we have the
beginning of so at the beginning show and

00:40:26.989 --> 00:40:31.247
say, this is what we are trying to
explain and this is what an application

00:40:31.280 --> 00:40:36.287
of it. But there are fragments. But
there are people living happy,

00:40:36.320 --> 00:40:43.876
productive lives there, productive
lives

00:40:43.909 --> 00:40:48.497
they could leave. But small
communities are very, very difficult animals.

00:40:48.530 --> 00:40:52.615
I mean, they are They should stay away
from small communities. That's why

00:40:52.648 --> 00:40:56.126
you're recommending the big city.

00:40:56.159 --> 00:41:01.936
So the the the complexity offers
checks and balances. Um, where there is

00:41:01.969 --> 00:41:06.376
not enough complexity there, quite
definitely. And one reason is that we

00:41:06.409 --> 00:41:10.986
don't have the means of importing
complexity, So we're developing some

00:41:11.019 --> 00:41:18.756
complexity on the site. But, uh, we
are economic animals, as we know,

00:41:18.789 --> 00:41:23.155
because we are consumers. So there are
limits to the poverty of the

00:41:23.188 --> 00:41:29.727
consumption, and we are very poor in.
In retrospect, would it have been a

00:41:29.760 --> 00:41:37.760
better move to have gone, um, south of
the tracks in Phoenix or to one of

00:41:37.889 --> 00:41:44.945
those deserted neighbourhoods in
Detroit to start the first archology? No.

00:41:44.978 --> 00:41:50.546
No, because, uh, there the vested
interest would have been enormous. As

00:41:50.579 --> 00:41:57.135
we know simply the real estate holding
and everything else you know, laws

00:41:57.168 --> 00:42:02.206
rules and regulations and so on. Then
there is the resistance of the of

00:42:02.239 --> 00:42:06.865
the of the people or the environment
to something that might be might look

00:42:06.898 --> 00:42:10.717
very, uh,

00:42:10.750 --> 00:42:14.405
the pharmacy national. Yeah.

00:42:14.438 --> 00:42:19.675
So I think to move out, that was a
good move.

00:42:19.708 --> 00:42:23.037
And in fact, at the very beginning, we
we didn't have any conception. We

00:42:23.070 --> 00:42:29.307
could do whatever we wanted. We had,
um uh a rezoning.

00:42:29.340 --> 00:42:37.340
The hearing at the beginning. And
there was a a laundromat guy, a cowboy,

00:42:38.688 --> 00:42:44.327
a lawyer and one a politician.

00:42:44.360 --> 00:42:50.675
So we got rezoning. 3000 people on 15
acres or so. Really? Which wouldn't

00:42:50.708 --> 00:42:57.497
have been possible in Phoenix. No. No,
it's still not possible. We got it.

00:42:57.530 --> 00:43:03.675
We are? Yes. Yes, yes. Then you should
have sold it.

00:43:03.708 --> 00:43:07.666
That's the Scottsdale way.

00:43:07.699 --> 00:43:14.376
No, not Walt Disney. Um, Elvis
Presley, the the the impersonators. There

00:43:14.409 --> 00:43:19.066
is one that is connected with the the
corporate system. They came to us

00:43:19.099 --> 00:43:24.236
and said, we have $10 million for you.
Cash if you want to sell.

00:43:24.269 --> 00:43:30.195
This was about what, Six months ago.
Really? Yeah. So we we were on the

00:43:30.228 --> 00:43:35.345
edge of Walt Disney,

00:43:35.378 --> 00:43:40.695
but we said no, I don't know why. But
we said that

00:43:40.728 --> 00:43:43.497
you said you were poor.

00:43:43.530 --> 00:43:51.530
Well, cheers. If you know what what
average average wages he would

00:43:53.619 --> 00:43:56.577
collapse.

00:43:56.610 --> 00:44:01.445
Well, we are really. And we are trying
an economy of frugality within,

00:44:01.478 --> 00:44:08.945
evidently an economy of abundance. So
the difference is quite substantial

00:44:08.978 --> 00:44:14.186
and makes the relationship between the
two quite difficult.

00:44:14.219 --> 00:44:19.287
Um, it it's interesting that the
number of people who come to visit cos

00:44:19.320 --> 00:44:25.506
Santi and also our kazani you have
over 50,000 visitors at each place. I

00:44:25.539 --> 00:44:31.517
would say 40. Well, what do they
learn?

00:44:31.550 --> 00:44:35.876
Are you to him?

00:44:35.909 --> 00:44:40.586
Is it is it? Do you think it is a
learning experience or is it more of a

00:44:40.619 --> 00:44:45.767
curiosity or entertainment? Well, most
of them comes out of curiosity or

00:44:45.800 --> 00:44:52.376
by bells. Some of them go back, leave
with some notions, especially that

00:44:52.409 --> 00:44:56.276
we gave tours. And

00:44:56.309 --> 00:45:00.747
so there is a certain impact or
certain influence, but I wouldn't be able

00:45:00.780 --> 00:45:07.675
to measure it. But you've also had, uh
uh, maybe it's very subtle, but a

00:45:07.708 --> 00:45:14.577
lot of influence in terms of of, um,
young minds in, uh, in the sense that

00:45:14.610 --> 00:45:21.686
since, uh, 1960. Well, since since
what? 59 was your first apprentice? Um

00:45:21.719 --> 00:45:28.307
, that there have been, I guess,
several 1000. Um, young people who have

00:45:28.340 --> 00:45:34.106
worked with you for various periods
and we're now at the stage where some

00:45:34.139 --> 00:45:39.146
of those people, uh, have, uh, led
full professional lives and have

00:45:39.179 --> 00:45:47.179
retired. Um, so we have the bag ready
for the money.

00:45:48.128 --> 00:45:53.217
Well, some of some of them seem to be
very grateful for that experience

00:45:53.250 --> 00:46:00.236
that they had with you, uh, in the
sixties and seventies. So, um, do you

00:46:00.269 --> 00:46:05.345
have any thought about the kind of
seeds that are represented in those, um

00:46:05.378 --> 00:46:12.365
, in those, uh, in turns, those
apprentices?

00:46:12.398 --> 00:46:16.227
I'm not sure, because I tend to
generalise because I think it's necessary

00:46:16.260 --> 00:46:24.260
to generalise. And that makes my
language somehow not easy to to buy into.

00:46:25.320 --> 00:46:27.320
And that might have been an obstacle beside the paradigm. Still trying to

00:46:28.438 --> 00:46:34.905
learn the language. No, I'm not
trying. I'm just fumble around.

00:46:34.938 --> 00:46:39.017
And then again, the ideas

00:46:39.050 --> 00:46:42.827
I think they are radical in the sense
of going back to to the roots. And

00:46:42.860 --> 00:46:47.967
they're not radical in the sense of
being fantastic or exotic or so. But

00:46:48.000 --> 00:46:56.000
that's another reason why the the
influence might be might have obstacles.

00:46:58.030 --> 00:47:00.030
Uh, the follow through has never been very good. We could have followed

00:47:01.458 --> 00:47:07.896
through, you know, through mail and
contacts and reunions and so on. We do

00:47:07.929 --> 00:47:13.186
some of that, but not much.

00:47:13.219 --> 00:47:21.219
Uh, Paula, you're still very active.
Um, what drives you?

00:47:21.878 --> 00:47:27.845
I enjoy it. Of course. Of course. I
think there are responsibilities that

00:47:27.878 --> 00:47:33.767
when you feel they exist here to try
to work with them,

00:47:33.800 --> 00:47:38.376
And, um, I feel I have responsibility

00:47:38.409 --> 00:47:42.416
because I think I know something that

00:47:42.449 --> 00:47:48.135
and you travel all over the world. No,
I'm no longer No. I go to Phoenix

00:47:48.168 --> 00:47:51.856
one a day.

00:47:51.889 --> 00:47:57.635
Yes, but not that much, but, uh,
people in other countries and other

00:47:57.668 --> 00:48:02.936
continents have been very interested
in, uh, I mean, not not. Maybe

00:48:02.969 --> 00:48:06.827
they're interested in you as a person
also, but they're interested in your

00:48:06.860 --> 00:48:13.586
ideas. Um, particularly in Japan.
Could you you comment? Why? Who are they

00:48:13.619 --> 00:48:17.276
interested? Well, probably the main
reason was that, uh, from the very

00:48:17.309 --> 00:48:23.376
beginning, we got a number of Japanese
young young friends. Yes, So many

00:48:23.409 --> 00:48:25.836
of them were architects.

00:48:25.869 --> 00:48:33.869
And then I I had the great fortune of
having Tom Ai coming many years ago.

00:48:35.349 --> 00:48:39.816
and he's my right hand in terms of,
let's say, architecture and planning

00:48:39.849 --> 00:48:46.896
or whatever. And he pulled in more,
more students from Japan.

00:48:46.929 --> 00:48:53.807
And then I always said that Japan
represents in in a way of frugality is a

00:48:53.840 --> 00:48:58.557
very good representative of what it's
meant by frugality, which means that

00:48:58.590 --> 00:49:01.396
some kind of a lean

00:49:01.429 --> 00:49:08.405
expression that is a consequence of
quite a bit of interior of what

00:49:08.438 --> 00:49:11.997
reality is knowledge

00:49:12.030 --> 00:49:18.885
and, uh, Southern T and, uh, what you
might call good taste or whatever ST

00:49:18.918 --> 00:49:23.296
style or

00:49:23.329 --> 00:49:29.396
and then they live on a little piece
of land with no resources. So the

00:49:29.429 --> 00:49:35.896
ingenuity in, uh, carrying on with
their own culture is has been always

00:49:35.929 --> 00:49:38.856
admirable.

00:49:38.889 --> 00:49:41.126
So

00:49:41.159 --> 00:49:48.956
if another archology is started, it
might be in Japan.

00:49:48.989 --> 00:49:52.836
Well, we got the building, right,

00:49:52.869 --> 00:49:57.057
But is that still going? Well, it's
going in the centre. They they got the

00:49:57.090 --> 00:50:01.336
some of the ideas from myself and two
other architects, and they're

00:50:01.369 --> 00:50:05.767
working with them. This was, uh maybe
you should explain it. This was a

00:50:05.800 --> 00:50:12.336
combine of, uh, uh, large Japanese
corporations. Yeah, I think it was

00:50:12.369 --> 00:50:17.445
about three years ago, and, um, we we
were told there were 97 corporations

00:50:17.478 --> 00:50:21.517
and some banks and some input from the
government from the government to

00:50:21.550 --> 00:50:28.896
try to develop ideas that would, uh,
face the problems of of, uh, of a

00:50:28.929 --> 00:50:36.929
Japan that was fully developing into a
tight technology culture and how to

00:50:37.679 --> 00:50:44.856
shelter what, 90 millions of Japanese
on A on a real estate, which is

00:50:44.889 --> 00:50:49.986
really minimal compared to the to the
states is zero. So they're very,

00:50:50.019 --> 00:50:54.385
very worried about what's going on
with the with the fact that the rice

00:50:54.418 --> 00:51:00.206
paddies are becoming asphalt parking
lots.

00:51:00.239 --> 00:51:05.727
And in general, they are worried
about, uh, what's the next step?

00:51:05.760 --> 00:51:12.175
And so three architects, one from the
United States, um, 11 from

00:51:12.208 --> 00:51:20.208
Netherland and one from Japan. So that
was Graham Cool house. Um, and, uh

00:51:20.708 --> 00:51:26.146
, the third one. I don't remember his
name. But each of these three

00:51:26.179 --> 00:51:33.526
architects were invited to, uh,
produce a design of a so called hy hyper

00:51:33.559 --> 00:51:38.046
building. Was that their name or
yours? Is that their name? And they they

00:51:38.079 --> 00:51:42.416
assigned they had a square kilometre.
And on that square kilometre, you

00:51:42.449 --> 00:51:49.606
were supposed to be developing ideas
for the residential and living

00:51:49.639 --> 00:51:56.267
quarters of about 150,000 people, plus
a transient

00:51:56.300 --> 00:52:02.945
population of I don't know if it was
another 100,000 or so,

00:52:02.978 --> 00:52:09.166
so I found it interesting enough to
try to do something. And, um, your

00:52:09.199 --> 00:52:14.836
architectural, your proposal was, uh,
how many stories high. And then it

00:52:14.869 --> 00:52:20.405
had some subset. I don't remember a
story, but divided one kilometre by,

00:52:20.438 --> 00:52:27.296
say, five metres in, Come up with the
stories. Um,

00:52:27.329 --> 00:52:32.396
well, we depend on what? What I call
terrace. Every 30 or 40 story. There

00:52:32.429 --> 00:52:37.405
would be a, um a story which would be
much deeper, much higher, and would

00:52:37.438 --> 00:52:45.438
be a the place where you would develop
the next step into building the

00:52:46.000 --> 00:52:51.155
building. So it would be the
construction resources, so it would be a

00:52:51.188 --> 00:52:55.416
construction platform. But then when
the building was finished, this

00:52:55.449 --> 00:53:02.376
became a park. So this is this is an
outdoor space, which is a cavity that

00:53:02.409 --> 00:53:07.827
runs through the whole building up at
various points in in the air. But

00:53:07.860 --> 00:53:13.336
the main, uh, the main The thing that
I mainly try to emphasise was the

00:53:13.369 --> 00:53:17.615
how to combine the the vertical

00:53:17.648 --> 00:53:22.267
element with the horizontal landscape,
which is always a problem,

00:53:22.300 --> 00:53:24.467
apparently.

00:53:24.500 --> 00:53:29.655
But there is almost an inimical
confrontation between the what surrounds

00:53:29.688 --> 00:53:35.195
the skyscraper. And this, uh,

00:53:35.228 --> 00:53:39.256
well, the the tower with the
elevators. But I'm thinking about the the

00:53:39.289 --> 00:53:41.436
biological

00:53:41.469 --> 00:53:45.787
the Liga

00:53:45.820 --> 00:53:52.356
that every town has to develop. Show
the virility of the city.

00:53:52.389 --> 00:53:57.345
And so I try to connect that with what
I call the womb the the the

00:53:57.378 --> 00:54:01.577
surrounding of this Liga. So that
together they would come up with a A

00:54:01.610 --> 00:54:04.635
more,

00:54:04.668 --> 00:54:07.236
uh, more

00:54:07.269 --> 00:54:15.269
functioning and more logistically
useful useful condition so that the

00:54:18.110 --> 00:54:23.316
ground level was very important. And
then how you trans trans transfer

00:54:23.349 --> 00:54:30.425
from the ground into the upper levels?

00:54:30.458 --> 00:54:36.566
Um, recently, you did you, um, did a
little diagram explaining these three

00:54:36.599 --> 00:54:44.126
terms the geosphere, the biosphere and
the noosphere.

00:54:44.159 --> 00:54:51.256
Never mind. No, but they have
applications for For what you think. Yeah,

00:54:51.289 --> 00:54:57.046
well, we we come from the geosphere in
a sense that we are mineral matter

00:54:57.079 --> 00:55:02.936
becoming living matter. That's one of
the great miracles.

00:55:02.969 --> 00:55:06.997
And then from from the very beginning
of consciousness, which means about

00:55:07.030 --> 00:55:11.327
four millions of years ago, we began
to develop

00:55:11.360 --> 00:55:17.896
what one could call the new sphere the
that which hovers on top of the

00:55:17.929 --> 00:55:25.767
biosphere in a sense. And that's the
the intellect that the the planet as

00:55:25.800 --> 00:55:30.006
on its own skin. So they have the
geosphere as a base. You have the

00:55:30.039 --> 00:55:35.376
biosphere as the envelope of life, and
then the new sphere, which, uh, the

00:55:35.409 --> 00:55:39.126
term was used by the chain. I think at
the beginning, and now it has been

00:55:39.159 --> 00:55:43.155
used by the by cyberspace

00:55:43.188 --> 00:55:51.037
in cyberspace can be very responsible
for putting strength and and, uh,

00:55:51.070 --> 00:55:57.827
power into the into the new sphere
with some with some reservations.

00:55:57.860 --> 00:56:02.916
Because what cyberspace is doing is
produce an enormous amount of wealth,

00:56:02.949 --> 00:56:06.695
at least for some minorities. And this
wealth translates in hyper

00:56:06.728 --> 00:56:12.856
consumption. So you are loading the
new sphere, which is a fe with the

00:56:12.889 --> 00:56:18.135
with the geosphere product, which is
what we need. Whatever we think we

00:56:18.168 --> 00:56:24.706
need to surround ourselves with in
order to to make it So there is the one

00:56:24.739 --> 00:56:31.537
of the paradoxes of the of the
cyberspace. Is this almost confrontation

00:56:31.570 --> 00:56:38.345
between the the the transcendence of
matter by where the microchip and

00:56:38.378 --> 00:56:42.217
then they're coming down with even
more matter, because we are getting so

00:56:42.250 --> 00:56:47.655
wealthy and so able to manipulate and
to transform and to surround

00:56:47.688 --> 00:56:52.865
ourselves with all sorts of goodies.

00:56:52.898 --> 00:56:58.227
So this this is a case then where
miniaturisation is sort of backfired? Uh

00:56:58.260 --> 00:57:04.276
, the richness of it, uh, is going to
choke us. Yeah, but we we should

00:57:04.309 --> 00:57:09.115
develop also some wisdom, some some
more knowledge and eventually some

00:57:09.148 --> 00:57:15.595
wisdom. But, uh, I mean, the microchip
is a is a confirms to me that the

00:57:15.628 --> 00:57:20.635
importance of, uh, complexity
miniaturisation because that's really a a

00:57:20.668 --> 00:57:23.967
gigantic step

00:57:24.000 --> 00:57:29.256
where the brain is no longer possibly
necessary eventually, because the

00:57:29.289 --> 00:57:36.155
microchip might develop its own brain
systems, which is still a big

00:57:36.188 --> 00:57:38.195
question.

00:57:38.228 --> 00:57:45.115
So it's a, um it's a step forward
toward the breaking out from the

00:57:45.148 --> 00:57:51.296
biosphere as a source of life into
into the cosmos.

00:57:51.329 --> 00:57:55.646
But there are dangers which are very
rare. There

00:57:55.679 --> 00:58:02.626
we will be able to get a smiling and
laughing and crying computers

00:58:02.659 --> 00:58:06.236
that's still problematic.

00:58:06.269 --> 00:58:10.876
And what's the role of architects or
architecture?

00:58:10.909 --> 00:58:18.267
Flesh to, uh, to silicon, for
instance. So we tend to

00:58:18.300 --> 00:58:24.537
the mind to make less important the
question of shelter

00:58:24.570 --> 00:58:30.217
which naturally make the access to
space far easier

00:58:30.250 --> 00:58:36.537
because, um, once intelligence is
separated by flesh, then we can really

00:58:36.570 --> 00:58:42.017
colonised move into the cosmos.

00:58:42.050 --> 00:58:47.717
This is a pretty long haul, though,
isn't it?

00:58:47.750 --> 00:58:51.787
Few thousands of years here. Few
thousands of years there. Pretty soon you

00:58:51.820 --> 00:58:54.646
build aeons.

00:58:54.679 --> 00:58:59.686
Uh, but we have to remember that we
are really star for the star. We are.

00:58:59.719 --> 00:59:06.796
We are jokingly saying, Well, we are a
star. We are stuff of the stars and

00:59:06.829 --> 00:59:10.336
and that eventually, is going to be
the the making or the or the breaking

00:59:10.369 --> 00:59:15.577
of intellect. If we remember where we
come from, if we remember, there is

00:59:15.610 --> 00:59:22.026
a reservoir or that which we come
from, which is, uh, practically infinite.

00:59:22.059 --> 00:59:30.059
So there's quite a bit of work to do
to get somewhere.

00:59:30.869 --> 00:59:35.135
What do you think your legacy is?

00:59:35.168 --> 00:59:42.756
It's not. A few months ago, I I was
asked Mr Ward to nudge to nudge

00:59:42.789 --> 00:59:47.925
reality to our self revelation.
Whoops.

00:59:47.958 --> 00:59:52.267
Push reality just slightly in the
direction of what I call self revelation

00:59:52.300 --> 00:59:57.727
, which is making reality into so
sensitised

00:59:57.760 --> 01:00:00.865
domain.

01:00:00.898 --> 01:00:08.898
1020 billions of years. We may make
it.

01:00:11.530 --> 01:00:18.486
Thank you very much.

01:00:18.519 --> 01:00:22.767
That it

01:00:22.800 --> 01:00:30.095
OK,

01:00:30.128 --> 01:00:37.186
thank you.

01:00:37.219 --> 01:00:44.747
You wanna take that out of these
things? Yeah, right there. I got it.

01:00:44.780 --> 01:00:49.626
Yeah,

01:00:49.659 --> 01:00:54.267
OK, OK, Yeah.

01:00:54.300 --> 01:01:02.300
Let's go into water.

01:01:24.360 --> 01:01:26.809
Thank you.