WEBVTT

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Paolo Salieri, Italian born architect, visionary and recently theologian,

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sees humanity in terms of evolution. A
3 billion year long struggle which

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has resulted in Consciousness Man is
not the end result of life. He is

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only a stage in the adventure and he
now must consciously take up the

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burden of making the future
miniaturisation complex the process whereby

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each higher level of evolution rises
above the preceding stage and a

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process that was described by Tay de
Chardin is applied by salii to the

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urban environment. He arrives at the
Archology, the high, three

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dimensional one structure city that
will permit man to reach higher levels

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of consciousness by improving the
connections and accessibility of people

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and other elements within the city to
each other. He provides a framework

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within which man can bridge a chasm
between matter and spirit.

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This programme is about Arcosanti, a
proto archology Soli is building in

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the desert of Arizona. The material
presented in this programme, including

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the piano, was recorded at Arcosanti.
In the background, you will hear the

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sounds of construction going on.

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Specific reason why we are there is to
define an urban environment, and

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since we don't have it. We are, um we
are deprived. So it's a deprived

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side. But, uh, since also I I'm
convinced that, uh, the urban environment

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that man needs is not available in too
many places. I feel it is necessary

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to to try to define it somewhere and
and accept this condition of

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deprivation. Palace is talking to a
group of new works shopper. If you

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went there five years ago, there was
not in castles and coyotes

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implants. Now, uh, now we have an
average of, uh, I'd say 70 people

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throughout the year. A mix of the
permanent and transient. The transient

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are people, mostly young. Many of them
are architecture students, but not

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necessarily so, who participate in a
six week workshop and pay about $350

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towards the cost of building
materials, construction equipment and food.

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So Le is able to match part of the
contribution made by workshop as from

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funds and from the sale of his balance
books and the fees from lectures.

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But the problem is that the this, uh,
this constant turnover of people and

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, uh, this is, uh, for the moment,
it's unavoidable because in order to

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keep going with the the work we need,
uh, that input of cash and effort

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that you are bringing. So since every
one of you is limited in this in

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this possibility and this ability, you
have to take you in for six weeks

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and then say, I'll see you later.
There's something about the fact that

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we're we're volunteering to do this
work and we're not getting paid so

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that I think it's a closer community
than it would be if if everybody's

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getting paid here, I think there's a
special attitude about the

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construction and just the work that
goes into the place. The permanent are

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the staff, all of whom originally
participated in a workshop and decided

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to stay on. They are paid subsistence
wages, which start at $20 per week,

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$15 of which goes to food. At present,
the community is centred in what is

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known as the camp, where minimum
shelter is provided in buildings called

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cubes. The cubes were built as an
experiment to test the size of various

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spaces. 8 ft cubes were found to be
impractical. The space is too small,

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sufficient merely for sleeping and for
storing luggage. 12 ft cubes were

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found to be more satisfactory. The
added height gives more space to move

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in, and it gives one's brain a chance
to breathe, so to speak. Also in the

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camp are bathrooms with showers and a
communal space called the Octagon.

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Tony Brown, site architect. Talks
about life in the camp last year was

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absolutely diabolical. Um, in the
middle of the summer, nobody brought any.

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There was nobody living across the
river. There was no trucks. There's

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nowhere to park. So we had about 100
and 40 people at one time living in

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the camp. And, uh, it also was the
year the leech Feld decided to quit on

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us. So we were really in in terrible
shape. So, uh, at the end of the year

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, we were frantically trying to think
of ways of getting new accommodation.

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So what we did is on the new
applications one you got. I guess this is

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the bigger one, which had a lot more
information on it. Uh, it also said,

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bring, uh tents and sleeping bags and
sleep in your trunks. So the problem

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actually disappeared this year. Most
people in the summer brought tents

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and slept out in their tents, and the
truck parking there sold a lot. It

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just evaporated just by rewording the
application, which is kind of neat.

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Also in the camp is a kitchen where
cooks provide a choice of meat or

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vegetarian meals. Surrounding the
buildings are gardens supplying such

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produce as corn, beans, squash and
tomatoes, and also some flowers. All

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water is obtained from a well that was
originally for the cattle that roam

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on the ranch. I tried to talk with
Mary, the person responsible for

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keeping the camp and construction site
supplied with all needed materials

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. I am the gopher

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and materials and food. Do you find it
interesting? Fascinating,

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especially for a gossip. You know,
everything that's going on more or less

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,

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and I move very quickly. To keep up
with you, you have to keep

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frugality. An integral part of
Soleri's philosophy is given practical

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expression at our coon. In the
recycling of all recyclable materials from

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kitchen and the construction site,
Soleri talks about the construction

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process, which started in 1969. The
process is very slow because of

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problems with means and um, and so on.
One advantage of being so slow is

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that everybody gets used to it. But
people are more used to to a now than

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they were used 55 years ago because
when we moved there five years ago,

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but they saw were long hair, beards
and promiscuity. Now, now I think

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nobody, nobody both about that After
we were there for a while, there was

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a certain mountain, you know, front
against us. But then that, uh,

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collapsed because we were not that as
bad as they thought we were. And one

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reason was because they thought we are
working very hard. Was it, of

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course, is a sane which is being built
on top of the You have to keep in

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mind that the peculiar character of a
as A as a prototype, the motorcycle

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built in the garage, it doesn't have
to fit a ther E, which is the normal.

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You you you want to affirm something,
so you you get to the point where

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you get to affirm it. No matter how
and where and what I asked whether the

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building process will speed up in the
future. I think it will have to just

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because more people are here and
telling other people that it's sort of a

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nuclear fission type of thing. If it's
done at all, it will probably be

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completed within 20 or 25 years. I
think I'm thinking now that that one of

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the best way of of the getting this
moving faster would be for for us to

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involve to be involved in in order. We
have to come up with serious things

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in order to really have a backbone. So
if we could get involved with the

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same method in something that instead
of being 40,000 people and being in

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a way queer for many people would be
more acceptable. I think that new

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project would be very good for this
project. A central part of the design

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of Aryan is the absence or half domes
that will be 200 ft high. These

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abscess will have double skins or
walls, and there will be living space

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sandwiched in between the two walls.
All living units at different heights

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of the apps will have a unique space
for the angle of the walls, changes

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with height, the walls being almost
upright, close to the ground and being

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horizontal at the top of the apps.
Next some workshops talk about the

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buildings that have been completed so
far. The farms here are really

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terrific. Lots of need concrete and
textures and plants and growing things

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and need people. There's a couple of
rather small abs, which are quarter

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spheres, which are done in concrete,
which are facing south to catch the

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sun for the most useful part of the
year, catching the heat in the winter

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and giving shade in the summer. So
they're sort of naturally climate

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controlled. The water that is
collected from the rain runoff runs out to

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very long spouts and run down into the
leaching field to, uh, eventually

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water olive trees. It's, uh, very nice
ecological touch. Paolo explains.

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The design of the apps. There is
something similar

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and uh, that was built by me
personally and was organised by me personally

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, and I think it works fairly well.
And I was working there for many years

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, and I felt that, uh, doing ceramics
in that environment was more than

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than just work was pleasant. So I felt
that if someone else connected with

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me was going to the ceramic should
have the same kind of pleasant, uh, the

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same kind of environment. So instead
of coming up with, uh, what you might

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call a very efficient, rational
ceramic work area I came up with with the

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translation of that into this, I
wanted to build a place where that

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experience could be repeated with the
additional advantages. And there's

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also a large vault space, which is
right now used as a construction area

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and some living quarters off of those
and in construction right now is a

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three or four story restaurant. The
techniques are more or less, uh,

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something that Paulo is derived. You
don't see it anywhere else in

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commercial construction in terms of,
uh, sealed casting and the way he's

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using concrete in its most plastic
form. Silt casting is a technique that

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Paulo developed, uh, mostly as a
crafts method that when he started

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working with bells, digging out, uh,
hollow forms in the earth and putting

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clay into it and and, uh, extracting
bells from this and then, uh, he got

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to sort of using it in a reverse sense
by building up dirt mounds and then

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putting concrete over this and then
scooping out the dirt, uh, from

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underneath. Uh, this is the technique
that you use down at Cassani in

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Scottsdale. Uh, the apses here are
more technologically developed. Uh,

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from that they're a little more
complicated and a little less earthy. Uh,

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they're not directly built with mounds
of earth, but scaffolding is put up

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and dirt is put over forms there. And
then, uh, ridges are carved into

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that and then concrete put on the
surface of that, and then the earth is

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removed. There are also lots of, uh,
textures and colours, which are

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applied to the surface of the dirt,
which is, uh, then left on the surface

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of the concrete after the earth has
been removed. So there are all sorts

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of really nice colours and forms and
textures on the buildings and in the

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buildings and a part of the buildings
here. I asked several participants

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why they came to help build Arcosanti.
I was kind of hanging a little bit

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loose. Actually,

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I was taught for two years and didn't
like that and was sort of in a

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transition. Didn't really know what I
wanted to do. I kind of wanted to

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get out to this area. And I heard Paul
speak. It sounded interesting

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enough so that at worst it would be a
pleasant six weeks. And, uh, I guess

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the the other one of the other
contributing reasons is that there's also a

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pretty good group of people here, has
a chance to do reading and a chance

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to a lot. For me, there's a lot of
intellectual stimulation, and, uh, all

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all the things combined is a sort of
tough thing to be. You don't get a

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chance to be in that sort of situation
very often. I heard about it from a

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friend of mine, and I've been pretty
down on architecture and so called

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progress of mankind, and I was looking
for something better than what I've

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seen. So I thought I'd try just the
idea of our college brought me here in

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the first place, but I come back
because it's a special place. I know

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people here, and I just like it here.
I studied architecture for a while.

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I was working in a couple of offices
and was bummed out by that, and I

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heard about the Apollo in school, and
so I thought I'd come here and see

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what was really going on when I was in
school. Some friends of mine came

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out here and they built the cubes. I
came from Detroit and, uh, after

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living in Detroit, I went to college
in a very, uh, sort of an urban

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environment. And at that time I left
for about a year and lived very far

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out in the secluded countryside. And
at that time I realised the cultural

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benefits, the social benefits, all the
things that I missed from the city.

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But yet I was unwilling to subject
myself to the cities as they were, and

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I read Paulo's book The City in the
Image of Man and thought that he was

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offering a possible solution to a
person who wanted to have the benefits

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of the natural landscape and have the
cultural and social benefits of the

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urban environment. I came out in a
workshop, and I mixed concrete, and I

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tied steel and dug ditches and in
about three months became the camp

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director, which was a job that is
basically concerned with maintenance

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work and keeping the community in a
proper order. In your role as camp

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director, what did you learn about
people's reasons for coming? I think

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most people come with a very limited
knowledge about what's here. But

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they've come because they've either
read Paula's books or they've heard

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that a man named Celery has some type
of a viable alternative. And I think

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one of the unique things about it is
that they feel it's very

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comprehensive and when they come, they
find that we have something very

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far from an archology here.
Circumstances are such that you can't avoid at

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least part of this expectation of
paradise or utopia and finding out that

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instead of sweating and surgery. But I
think they all go away with feeling

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that it's a very unique experience in
that they live and work and eat and

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play and discuss and learn with the
same people for the duration of their

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stay here. And it is in a way
isolating people in sort of a brainstorming

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session about the problems that we're
trying to deal with here, a workshop

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of comments on the community. The
community is too homogenous. Everyone

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comes from the same general
background, although people vary widely in

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their interests and so forth.
Basically, we're all of the same age group

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from the same economic background, and
I think it will really be important

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to get a better mix of people in the
working community. Families are

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starting to come in next year. There's
a programme starting for them. I

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think it would really be helpful to
tap some older citizenry and get some

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skilled, retired, middle aged people
here that were out at a much greater

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complexity to the community here. As
it grows, there have been older

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people at a Nancy Gusman claims to be
the first such I have followed the

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work of Powell since 1957. I was
anxious to see what this design would

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really be like. So I wrote him and uh
said that I would phone him and that

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we could talk about it being, uh, an
older lady. Maybe I wouldn't be so

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suitable to the test at hand. He
thought it might be an interesting

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experiment to see how an older person
might survive. And we agreed that

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after three weeks, if I was too old
that I would find something else to

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less invigorated and happily, I was
able to stay. How does your experience

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here fit in with the scheme of your
life? We're at the time in life now

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that our family is gone, that we
should think about different patterns and

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particularly search for different
patterns and different ways of

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conducting our lives. I don't feel
any, uh, private need to escape

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anything. I I have enjoyed a very
active life. Nancy Gusman talks about a

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wine tasting party she organised That
was a wonderful opportunity for me

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to share a little saved up things so
we could have a special day. So we

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had three different kinds of wine and
three different kinds of cheese. And

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I think he had a lovely warm exchange,
really. On Sunday evening, with

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some rice Fla and a little curry sauce
and, uh, some dancing and what I

00:18:11.358 --> 00:18:16.456
think I would call a lot of good warm
vibrations. Next, Tony Brown site

00:18:16.489 --> 00:18:21.055
architect discusses the development of
the building process since the

00:18:21.088 --> 00:18:25.137
early days when you take it in sort of
overall perspective, from four

00:18:25.170 --> 00:18:30.045
years ago to what's here Now, we we've
really come a long way, and it kind

00:18:30.078 --> 00:18:35.406
of illustrate that, um, what I did was
I brought down some of the

00:18:35.439 --> 00:18:41.006
information that we had early on in
the process and also some information

00:18:41.039 --> 00:18:48.166
of what's happening at this point in
time. Um, this folder here is all the

00:18:48.199 --> 00:18:52.367
information from the start of our
KANTI up to the third year. This

00:18:52.400 --> 00:18:56.496
contains pretty much all the drawings,
all the notes, the building of the

00:18:56.529 --> 00:19:01.956
cubes, the building of plywood City
three years, three years to give you

00:19:01.989 --> 00:19:05.887
sort of a, well, sort of an idea of
what's in here. I just thought I'd run

00:19:05.920 --> 00:19:09.617
through it fairly briefly. This is the
field drawing for the plumbing in

00:19:09.650 --> 00:19:13.637
the in the vault. It's done on the
back of the drawing. And, uh, this is

00:19:13.670 --> 00:19:17.206
the This is a real vinyl drawing, this
one. It's the only drawing that

00:19:17.239 --> 00:19:21.002
shows how the plumbing works in the
storage areas under the Well, there's

00:19:21.035 --> 00:19:24.881
no copies of it. This is the original,
and that's why we keep it real safe

00:19:24.914 --> 00:19:29.450
in this. I didn't even get the sort of
general idea of how things were

00:19:29.483 --> 00:19:33.180
done in the early days. Reasons these
were done like this wasn't just, uh

00:19:33.213 --> 00:19:36.381
, sort of out of sheer vindictiveness
that it was because it was only sort

00:19:36.414 --> 00:19:41.081
of two people running the whole
operation, and, uh, the buildings were

00:19:41.114 --> 00:19:44.631
being done as the drawings were being
drawn without drawings. It's a

00:19:44.664 --> 00:19:50.575
fairly wasteful, time consuming
process. Um, what we generally do is we

00:19:50.608 --> 00:19:55.627
try and get base construction drawings
together. In other words, the

00:19:55.660 --> 00:20:01.347
building itself in terms of walls,
floors, uh, windows, and so on, uh,

00:20:01.380 --> 00:20:04.416
without getting into the detail of how
the finished cabinet work's gonna

00:20:04.449 --> 00:20:09.045
be done or the windows or whatever,
Uh, that allows us to start a little

00:20:09.078 --> 00:20:12.946
bit ahead of, uh, having a complete
set of working drawings finished.

00:20:12.979 --> 00:20:17.305
We're in a little better position than
a a normal, uh, contractor

00:20:17.338 --> 00:20:22.976
architect relationship. Uh, because in
the normal situation, you have to

00:20:23.009 --> 00:20:26.246
have a set of drawings that show
absolutely everything so that anybody

00:20:26.279 --> 00:20:30.597
who's contracting for the job can sit
down and can take off every nut and

00:20:30.630 --> 00:20:35.756
bolt in the building and then give you
a price for it. We have a little

00:20:35.789 --> 00:20:39.117
leeway in as much as we can put in a
lump sum budget figure for, say,

00:20:39.150 --> 00:20:42.147
finish work based on the square
footage of the building. And if we go a

00:20:42.180 --> 00:20:45.097
little above or a little below, it's
not so desperate as it is in the real

00:20:45.130 --> 00:20:51.805
world. we're talking in terms of, uh,
developers profits and so on in 1972

00:20:51.838 --> 00:20:55.607
I guess, was the first time we did a
schedule. Our problem here is that

00:20:55.640 --> 00:21:02.107
our labour force fluctuates wildly at,
uh, from sort of 10 people up to

00:21:02.140 --> 00:21:07.446
100 and 70. Also, our money situation
fluctuates wildly. Uh, sometimes you

00:21:07.479 --> 00:21:10.035
don't have money to do things because
it tends to be a fairly hand to

00:21:10.068 --> 00:21:16.276
mouth process, and our machinery is
not incredibly reliable or some of it

00:21:16.309 --> 00:21:20.555
isn't. Our problem in terms of
scheduling is we have so many variables, it

00:21:20.588 --> 00:21:24.486
becomes a much looser process.
However, that didn't stop us from, uh,

00:21:24.519 --> 00:21:29.107
trying to schedule. So what we did the
first year is 1972 that we did a

00:21:29.140 --> 00:21:33.446
schedule and it's still hanging in the
Octagon, I think. Which it might

00:21:33.479 --> 00:21:37.285
give you some amusement to go and look
at it. It was incredibly optimistic.

00:21:37.318 --> 00:21:41.545
So then what we did is that over 72 we
got feedback which said this is

00:21:41.578 --> 00:21:45.325
ridiculous. Over the years, the
schedule has become more accurate about

00:21:45.358 --> 00:21:49.565
the schedule for 1975 Brown says we
have a fairly optimistic schedule

00:21:49.598 --> 00:21:52.996
again, but uh, it's optimistic, and as
much as we know it's optimistic,

00:21:53.029 --> 00:21:56.456
whereas the other years we thought we
were right on the money we have, uh

00:21:56.489 --> 00:22:01.256
, it's sort of two schedules. In a
way, the first schedule is an ideal

00:22:01.289 --> 00:22:06.996
schedule, assuming that we get enough
money to do it now, within that, uh

00:22:07.029 --> 00:22:10.847
, schedule, we have a series of items
that can be knocked out so that if

00:22:10.880 --> 00:22:14.795
we don't get the money, we can reduce
our overall work without, uh,

00:22:14.828 --> 00:22:18.045
completely disrupting everything. For
example, we have a figure in of

00:22:18.078 --> 00:22:23.506
$25,000 for kitchen equipment. Now, if
we get that money, then we can

00:22:23.539 --> 00:22:26.486
install that equipment. If we don't,
we can still build the building

00:22:26.519 --> 00:22:30.107
around it and try and put the
equipment in next year. Up to this point, we

00:22:30.140 --> 00:22:34.065
haven't had any budgets at all. We
just, for example, last year we just

00:22:34.098 --> 00:22:37.516
built until we ran out of money and
they didn't bring us anything anymore.

00:22:37.549 --> 00:22:40.996
So we're going into a process which is
called a ballooning budget, which

00:22:41.029 --> 00:22:46.137
is a A system whereby you you set your
budget for one year. Uh, whatever

00:22:46.170 --> 00:22:49.617
you don't get for that year, put that
into the next year, which will lose

00:22:49.650 --> 00:22:53.726
that budget. So what we're trying to
do for next year is we set out a

00:22:53.759 --> 00:22:58.436
budget which I think was, uh, $270,000

00:22:58.469 --> 00:23:05.285
and something for, uh, materials,
equipment and supplies. Wow, that's a

00:23:05.318 --> 00:23:11.585
pretty huge increase. Uh, we've done
an assumption on our budget next year

00:23:11.618 --> 00:23:15.726
in terms of increasing at the same
rate as it did the eight month first

00:23:15.759 --> 00:23:20.545
eight months of this year. And if that
happens, uh, we can get a certain

00:23:20.578 --> 00:23:25.726
percentage of that money. And but we
still need an additional $150,000

00:23:25.759 --> 00:23:29.266
of income to do all the things that
we'd like to do next year. That's the

00:23:29.299 --> 00:23:32.627
budget figure that we'd like someone
to go out. And if somebody said

00:23:32.660 --> 00:23:37.217
Here's 100 and $50,000 we know where
we could spend it and we could. We

00:23:37.250 --> 00:23:41.325
know we could spend it now. The
benefit of the project The budget this

00:23:41.358 --> 00:23:46.666
year, in terms of materials and
supplies and equipment again was, uh, a

00:23:46.699 --> 00:23:51.276
around $90,000. That's a very
approximate guess. There's also another

00:23:51.309 --> 00:23:56.006
factor in that in as much as the heavy
equipment. The the 50 tonne Crane,

00:23:56.039 --> 00:24:00.156
the batch plant and the back have all
been bought by a guy called Skip

00:24:00.189 --> 00:24:05.397
Seger, who's the president of
furniture manufacturing company, and he's

00:24:05.430 --> 00:24:09.597
bought them, and he's allowing us to
use them and pay them off at a very

00:24:09.630 --> 00:24:13.785
low rate, which is to be $1000 a
month. If we'd had to buy that equipment

00:24:13.818 --> 00:24:17.506
ourselves, it would probably have
taken up a whole operating budget for

00:24:17.539 --> 00:24:22.035
this year. Next, we examine the
educational aspect of the arson workshop.

00:24:22.068 --> 00:24:25.877
Many people expect it to be more of an
educational institution than it is.

00:24:25.910 --> 00:24:29.746
Our facilities have not allowed us at
this time to put too much emphasis

00:24:29.779 --> 00:24:34.656
on the teaching. So the intellectual
life or the social life is utterly

00:24:34.689 --> 00:24:38.065
limited. It's almost non existent. An
important part of the workshop

00:24:38.098 --> 00:24:42.976
experience is that weekly meetings, so
he has, with all participants a

00:24:43.009 --> 00:24:46.065
basic understanding of what Solari is
about, or even if he's read, you

00:24:46.098 --> 00:24:48.647
know, he's ploughed his way through
matter, becoming spirit or sitting in

00:24:48.680 --> 00:24:51.986
the image of man. But the point is, if
you come here, um, I mean, like,

00:24:52.019 --> 00:24:55.377
for example, I read a lot of that
stuff. And yet I come I came here

00:24:55.410 --> 00:25:00.456
expecting, um, or hoping for
clarification and and a real, you know, a

00:25:00.489 --> 00:25:05.555
real perspective on on on all of that
which, um, that's what solar

00:25:05.588 --> 00:25:08.256
meetings are for. He's not gonna
lecture. You have to ask the question,

00:25:08.289 --> 00:25:11.291
and that's what the whole thing is. If
you come here with questions, he'll

00:25:11.324 --> 00:25:13.940
answer them to the best of his
ability. And you can even ask him the same

00:25:13.973 --> 00:25:17.851
question every time. And he'll go into
it every meeting. But that's what

00:25:17.884 --> 00:25:21.222
he comes here for. But nobody's you
come here. This is a This is not a

00:25:21.255 --> 00:25:24.002
classroom experience. They also said
that in the brochure, we are

00:25:24.035 --> 00:25:28.601
interested in augmenting the
educational elements that we can offer here.

00:25:28.634 --> 00:25:34.565
And, uh, I think this will begin in
1975 and become much more obvious in

00:25:34.598 --> 00:25:39.887
1976. But still, the accent is on
construction, and the learning process

00:25:39.920 --> 00:25:46.776
has to be found. There fundamentally
been doing pre casting, glazing and

00:25:46.809 --> 00:25:51.996
digging in the pit. Have any
experience construction experience before you

00:25:52.029 --> 00:25:56.147
came here? No, it was pretty easy
working in the pit. All I had to do was

00:25:56.180 --> 00:26:02.206
pick up a chisel and chisel rocks all
the glazing. Um, I just followed Tim

00:26:02.239 --> 00:26:07.166
around for a while until I caught on
to what he was doing and the same

00:26:07.199 --> 00:26:11.516
thing with Charlie. When I was doing
pre casting, I was interested in that.

00:26:11.549 --> 00:26:15.315
So I asked her to work with him.
That's what I really like doing the most

00:26:15.348 --> 00:26:21.035
carpentry. Mostly it's been a long
time building forums and then, uh,

00:26:21.068 --> 00:26:25.305
finish carpentry. That's just up the
hill and then just do all kinds of

00:26:25.338 --> 00:26:32.746
projects on my own cosmic kin. What
kind of work? What kind of sunscreen

00:26:32.779 --> 00:26:36.666
have you been doing? Arco soI T
shirts. This is what we've been working on

00:26:36.699 --> 00:26:44.699
for the whole six weeks. We poured
£4250 concrete planners 7 ft six by 19.

00:26:45.410 --> 00:26:49.996
By 17. If we had a little more time,
we'd plant them after the chain hut

00:26:50.029 --> 00:26:57.156
, our tonne and a half chain hoist
that is, uh, used to roll over each of

00:26:57.189 --> 00:27:01.035
these flower pots because we cast them
upside down. Other tasks on the

00:27:01.068 --> 00:27:05.535
site, such as welding, plumbing and
operating, and maintaining the heavy

00:27:05.568 --> 00:27:09.555
equipment, tends to be done by staff
members.

00:27:09.588 --> 00:27:13.585
John Sandgren a works hopper comments
on the work scene as a whole. I

00:27:13.618 --> 00:27:17.236
think it's great. I have never seen
anything like it before. People

00:27:17.269 --> 00:27:22.147
singing and whistling around the site
is just phenomenal. Perhaps an

00:27:22.180 --> 00:27:25.766
outstanding example of the world to
work is when a semi trailer load of

00:27:25.799 --> 00:27:31.156
cement in £90 bags arrives on the
site, everyone is marshalled to unload

00:27:31.189 --> 00:27:35.555
it into the cement shed.

00:27:35.588 --> 00:27:39.565
You just before work.

00:27:39.598 --> 00:27:45.176
What about?

00:27:45.209 --> 00:27:49.756
No, sir, I don't. I think it's a
pretty good crew. That's what I think.

00:27:49.789 --> 00:27:52.956
You got a lot of people here.

00:27:52.989 --> 00:27:58.075
No, no. This is the first time I've
been in here. No, they told me that I

00:27:58.108 --> 00:28:01.367
get unloaded pretty fast. They told me
it would be by hand, though. Yeah,

00:28:01.400 --> 00:28:05.026
they said that they'd get a bunch of
people up here and really start going

00:28:05.059 --> 00:28:10.377
so far, You got to wait till the last
bags in here.

00:28:10.410 --> 00:28:16.916
No, I'm scared. Who's got the last
bag?

00:28:16.949 --> 00:28:21.996
I like to be the last bag.

00:28:22.029 --> 00:28:26.496
Is there a record pending or is there
Is this all? What sort of prize do I

00:28:26.529 --> 00:28:30.805
win for being the last bag?

00:28:30.838 --> 00:28:37.347
The bag? Yeah, Come on, let go.

00:28:37.380 --> 00:28:44.426
Yeah,

00:28:44.459 --> 00:28:49.717
the day I think the people's will to
work and to finish something that

00:28:49.750 --> 00:28:55.147
they have pride in is an advantage
which you won't get in another

00:28:55.180 --> 00:29:00.617
construction site. Which, uh, that's
one reason I'm glad I came. I've

00:29:00.650 --> 00:29:04.746
learned so much in just doing it much
more than a book had ever tell me

00:29:04.779 --> 00:29:08.967
how to do. How do you feel about
Paulo's relationship to to the

00:29:09.000 --> 00:29:12.637
construction work? The fact that he's
here quite a bit of the time, at

00:29:12.670 --> 00:29:16.825
least once a week is a very good
thing, only because at this point in the

00:29:16.858 --> 00:29:21.295
archology growth, it's essential that
he be here to to sort of oversee

00:29:21.328 --> 00:29:25.756
what's happening. And, uh,
unfortunately, many times, even in the in the

00:29:25.789 --> 00:29:30.825
real world is like everyone seems to
call it, Um, many. Some architects

00:29:30.858 --> 00:29:34.956
never even see the buildings that
their their company has designed, and

00:29:34.989 --> 00:29:39.387
that is an architecture to me. So you
you feel that it's it's good that

00:29:39.420 --> 00:29:42.357
pard takes an interest in the smallest
detail of the building. He's a

00:29:42.390 --> 00:29:47.347
visionary at heart, and, uh, these
times, which he comes up to the site,

00:29:47.380 --> 00:29:53.236
sort of, uh, give him some reality to
the vision that he's sort of built

00:29:53.269 --> 00:29:59.776
in his mind. And to see it being put
into concrete and steel is, uh is a

00:29:59.809 --> 00:30:05.236
nice thing and that some maybe we will
mould some of his ideas as to the,

00:30:05.269 --> 00:30:10.045
uh, the difficulty in building with
this certain material and, uh, how it

00:30:10.078 --> 00:30:13.390
will work in the future in other arch.