S u m m er N ew s Play’s theme unusual Unlike musicals which base their conflict on the “Will boy win girl” time - worn theme, “Man of La Mancha” involves a struggle Hbetween illusion and reality. To the surprise of experts, audiences have responded warm­ ly to the gallant fight, waged by the dauntless dream er Don Quixote, who remains true to his - dream - ridden self until his death. at $2.50 and $3.50 are on sale at the box office, 965-3434. Since the Lyric Opera Theater production is a special show and, not part of the regular summer session cultural program , student and faculty admissions are the same prices as for the general public. earnestly seek ideals amid practical realities. The valorous knight who dreams the impossible dream” is both a criticism and a defense of man s idealism. By making us love him and recognize parts of him in ourselves, he reveals deen truths. Although hard-headed realists ” “8“ say, “Impossible,” the Somehow this ram pant in­ show captivated skeptical 20thPlaywright Dale Wasserman dividualism, in an age when men century audiences and critics. originally conceived his Don complain of losing their identity, The rule - defying hit reveals Quixote dramatization as “a has succeeded in touching the some telling facts about the smartly cynical comment on temper of our times. hearts of thousands. man’s infinite capacity for selfdeception.” In the musical, when reality A Talk With The Choreographer An opportunity to see this falls far short of the dream,'the award - winning musical will be fault is seen not as the dream ’s or -®ut h is cen tra l ch a ra cter available !® Valley audiences - toe dream er’s. Rather, it is th e - rf f i cted t*ia t in ten tion , In July 2,3 and 5 when “Alan of La fault of the dream - destroyers, dismay, said Wasserman, “I< n „„ n . . , heard my Cervantes - Quixote Mancha” will be staged at 8 p.m in Arizona State University’s snirihini^Iii ?te*8 £ omage t0 Hying. To dream the impossible ® Ch°ru f eam’ Gammage Auditorium. Tickets especially among the young who’ foe. . . ” to figh* the unbeatable Drawings display at Matthews Center E * « r d Jacobson r i l l , « exhibition at Matthews Crater galleries throughout the summer. • Rtwiv ».k - — *— ’ofRudy T Turk, curator University Art Collections, said toe exhibit includes 19th and 20th century works. The author realized then tha* he would have to plow “squarely upstream against the prevailing current of philosophy in our theatre” where people foregather “not for illumination but in orgies of mutual masochism.” He knew a play of affirmation ¿ L J j* would be regarded as theatr i^ i Carpeaux, a am»m watercolor bv felony. As a m atter of fact, “La Henri Harpignies, and an untitled Mancha” almost didn’t reach the pen and jnk drawing of two stage at all. Backers backed figures by the English satirist away in horror ferai an in­ Thomas Rowlandson. tellectual musical. \ Norm Heard Folk singer here at PVW July 1 Folk singer Norm H eard will ap p ear in a free concert in PV W est from 11 a.m . to 1 p!m. next w S nesday, it w as announced this week. „ ¿ g S r f J conc e rt is the first of the MU program s e s S n s inform al concerts for the 1970 sum m er • lea n ’ leathery-faced Texan, H eard has a S einth± SUgg^ tS a ye a ra i" g to tra v e l the distant hills in search of som ething. “The Rowlandson is one of that „ Well-known in Phoenix, fie has aDDeared at Among the contem porary artist’s finest and most amusing Having opted for the crime, d i p S k 1? Sh3j ° w s’ The P u b ’ C aravan ^ n , Saditems are four ink and watercolor works,” said Turk. “It is an Wasserman compounded it by VaUeyk ^ ^ m any 0ther popular nightspots in the drawings by Paul Jenkins, a exhibition by itself.” deciding there would be no inter­ reverse image by Fairfield mission, no visible orchestra, no Porter, an ink drawing by Ben bevies of girls, no ballets, nothing The Jacobson exhibit has been . Sai.d the M inneapolis S tar, “ The m ain thing is that Nicholson, a conte crayon but the actors, the music and the he likes w hat he s doing and you like it too. He use«? • drawing by Francisco Zuniga, shown previously at the Phoenix words. and a head by Alexander Calder. Art Museum and a t the b u ib rid e e ^ 11 ’ Vft?°dy G uthrie a n d traditional songs, I University of Arizona. After the Also included are works by ASU showing, it will be displayed McKuen*g