WEBVTT

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mm hmm.

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When I'm asked why you're doing this,
I'm saying that the reasons of

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population control, the ability to
serve more population, the reasons of

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waste of land, the reason of waste in
general, reason of pollutions and so

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on are only tangential reasons. You
know what? I don't advocate this

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because they are going to solve those
problems that they would solve those

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problems. I'm advocating this because
I believe that the the urban man is

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the man of the future. The natural man
of today is not the cave dweller or

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the or the or the country man or the
cowboy or the farmer, the city

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dweller. If it is the city dweller, we
better prepare that kind of device

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that that kind of topography that is
going to serve the city dweller,

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paolo Soleri italian born architect
who now makes Arizona his home. The

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topography he proposes. He calls our
ecology architecture plus ecology.

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Cities that are built up, not out that
are dense, not sprawling, That are

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three dimensional all man city based
needs and tools in close proximity

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and harmony. 20 minutes to go anywhere
without cars and all around the

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city. The variety and immensity of
nature. But for Solari, the archaeology

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is not just a better plumbing. It is
the expression of what he sees as a

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basic law of life, living entities
becoming steadily more complex and

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dance more life activity in less time
and space. By this rule man is

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evolving the super organism society.
Archaeology is a phase in the

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development of this organisms new
environment in the process of studying

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your work. Mr salary, I've noticed two
important concepts that of

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miniaturization and complex ification.
Would you elaborate on these,

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please?

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I think that if I ever somehow I'm
feeling that I am doing something very

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important is because I believe in
those two points. Which means that I see

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that life has been small developing
not myself. I mean this has been

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established by other people more
interested than I am, that life moves

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from the simple to the complex and
once this is accepted, then we see that

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this motion is automatically also a
motion from the scattered from the

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scattered to the gathered. Which means
life is really an implosive process

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is not an explosive process. And the
specific characteristic of man is

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that he is is the creature that is
going to be able to through this

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implosion too, in a way explode
mentally. Which means that he's going to

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become greater in its creative power
just because it has been able to

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somehow become so greatly imploded
instrumentally. And this is why I think

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the city, which is one of the greatest
instruments we ever invented life

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ever invented. It has to be this
implosive kind of phenomena so that the

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individuals and the society are going
to be able to really literally

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mentally

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reach beyond any physical obstacle and
beyond any physical boundaries just

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because of this fantastic discipline
that we were able to put to our

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instruments, our instrumentalities.
The city included. I agree with you

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strongly about miniaturization and our
our techniques are so clumsy when

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we start anything new. I mean, the
radio sets in the beginning of this

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century there great vacuum tubes, you
could warm your hands by and now

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we're down to these well, the works or
radio set today, you can't see with

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the naked eyes, only the loudspeaker
that's still visible. And maybe one

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day I'll miniaturize that out of
sight.

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Where life has miniaturized other
sites so many things. Our brain is a is

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a fantastic machine, which by the way,
should we miniaturize men Many

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years ago, somebody wrote a science
fiction story called minimum man

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suggesting one of the problems, one of
the ways of solving our problems of

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overcrowding problems to make men
about this big. You see, Oh, I'm I'm I'm

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advocating that maybe not that big,
but certainly it's a little smaller

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than what we are now because our
brains because but we don't have to, I

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guess, well, would be rather
disproportionate if we if our heads remain

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the same size or but instead of being
6.5 ft or seven that we are becoming.

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Now, let's let's stay in five or four
and

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think of the advantages. I mean, we we
explored the size of the earth. We

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solve many of the logistical problems,
the problem of space, of the

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structure of weight and we are
complicating our lives by becoming bigger.

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Remember the dinosaurs? It's really a
biological explosion in two ways

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we're exploring by number that we're
exploring by by size.

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It is not surprising that salary a
thoroughly modern man whose vision

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represents an advanced edge of
futuristic urban planning is himself a

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strikingly down to earth person who
prefers a simple, even spartan life.

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He believes in the city, but he works
in the desert When he first came to

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America in 1946. It was to this
landscape to study under frank Lloyd

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wright, who he says was anti city, an
american pioneer type, who can't

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accept the discipline that urban man
has to accept. This discipline is

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based on what salary calls congruence.
Harmony of man with nature on the

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broadest scale, ignorance of the rule
of congruence leads to short term

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opulence in a despoiled world
acceptance of congruence is acceptance of

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nature's longer timescale. Congruence
Presupposes that man might have to

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give up some things that less material
things will confirm more living

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values for man. Well, I think that
many things are commodities to us now

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are demonstrating themselves as not
ecologically feasible and acceptable.

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So we have to find a congruence
between ourselves and nature. And then

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within this congruence we can we can
start to develop our beneficial

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environment. So it might be that
opulence as to go because opulence, it's

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in a way anti life opulence is a
state, it's not in a way a process of

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becoming. So we have to move from from
a state which is a dead end

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to a much more dynamic and in a way
through condition we're in life can

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start to move again. The Arizona
landscape probably had something to do

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with how I developed my ideas because
it's a very striking, wholesome

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landscape. And it suggested if man is
going to become anything, he has to

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deal somehow boldly with with nature
which is facing him and nature is is

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that machine that has allowed us to
become too to be invented? Let's say

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at the same time, it's a it's a
crushing machine and we have to be very

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careful in how we go about it. The
desert is a very funny quality. It's a

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very strong environment. At the same
time, you can destroy it with very

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little you put a little house in the
middle of the desert and the desert

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is gone. It's it's a very strange. We
are advocating the city and then we

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are getting people into the wilderness
saying, well, we have to start from

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zero and you don't have anything. You
don't know what you're seeking. You

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have to build it. So you're coming and
you don't find a society. You don't

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find a noble environment. You find
that the wilderness. So you have to be

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pioneers and work for something which
is not there yet, which is something

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is going to be there. If you put your
two cents in

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of the 30 archaeology. Solari has
designed one. Arcosanti is presently

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under construction in the central part
of my own home state. Arizona

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Arcosanti intended as the headquarters
for the Cassani Foundation. It's a

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larry school and workshop Is planned
to cover 10 acres, rise to a height

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of 20 stories and house 2500 people.
Normal procedure today for building

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in the southwest is to spread out at
ground level land is cheaper than

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high rise construction and besides
people want separate dwellings. This is

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phoenix Arizona expanding inexorably a
car is a necessity here. Everything

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is miles from everything else in such
a desert city. Only the people on

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the outside periphery actually live in
the desert and they too will soon

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be swallowed up. By contrast at
Arcosanti, all the residents will be

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minutes by foot from the elements of
their urban life and all will face

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nature and be only a few minutes walk
from its spacious statements by his

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own standards, Soleri's Arcosanti is a
very small archaeology, but he does

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what he can with what he had

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to to project too far into the future.
As took it as you know, as as just

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living in the past. So I think the
future has to be connected directly

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with our performance and a feasibility
at the same time. I feel that if we

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demand from technology strongly enough
some answers, technology is going

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to give it to us. My dilemma now is
that I I really want to want to check

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more the wise than the house. So we
are building. We are trying to build

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now one of those small example of this
thing and I keep telling my my

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apprentice and my participant in this
thing, that they shouldn't be so

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much worried about how we're going to
go about this, but to be convinced

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about the why we are doing it and then
do our best to to implement this

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thing one way or the other, once we
can demonstrate something, demonstrate

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to ourselves and to to other people
that there is something very, very

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basic developed into this. Then we
could ask industry technology to come

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in and really give sound and answer
invisibility in cost, in in effective

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efficiency and so on. Why's not house.
So Larry is trying to come to grips

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with whole systems and ultimately,
this is what our civilization must do

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when I was Secretary of the Interior.
And now on my own work as an

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environmental consultant, this idea of
whole systems has impressed me as

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absolutely essential to the
preservation of man and nature. The great

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naturalist, john muir put it simply,
everything is hitched together.

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Problem solving can be risky. Where
the tendency is to isolate the problem.

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Indeed, to the extent that our
technology succeeds so well in providing

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solutions to problems, air
conditioning, the individual apartments in a

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city choked by pollution. For example,
salary is wary of technology. I

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think we can say that science is
beyond the morals, but I think technology

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is a moral in the sense that tends to
be an oversimplified. Technology

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always tries to find in a set of, of
problems once facets and and solve it

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, solve that facet by doing this, it
tends to peel off all the other

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elements that are making the problem
around problems. So the

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oversimplification of technology, Visa
vida, let's say the texture of life

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is what makes technology always on the
brink of being very dangerous so

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that technology has always to be
somehow reset on his course Bye by the

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individual, by the person, by the, by
the society that is going to somehow.

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So salary cities are intended as man
made environments. Large numbers of

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people presently in economic and
social diaspora will be brought together

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in great density implosion of
megalopolis. He says his goal is to uplift

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civilization and conserve the earth
and of course here his work parts

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company with nearly all architecture
past and present which has served

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special interests and short term
demands, which is not to say that

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salaries are Qala jeez there is no
relationship to what man has built

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before. There are many precedents and
correspondences in scale design and

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location of site. Solar shares a sense
of scale with a venerable tradition

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in architecture, which a good example
is piranhas, structures like this

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pose challenging design problems
except on paper from the air they are too

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big to be seen. The tradition of macro
structures has remained largely one

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of fantasies.

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An imaginary funeral monument by
bullet. The draftsman put people on the

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side of this cenotaph but they're too
small at this scale to be visible.

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In his book. The metropolis of
tomorrow Hugh ferris imagined a future in

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new york city, luminous skyscrapers
connected on many levels. A vision of

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the clean and multilayered city. These
were drawn in 1929 before the

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construction of the Empire State
Building. They are futuristic but by the

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standards of accepted building forms
rather than for any function in a

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radically changed society.

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The moving of huge quantities of earth
also defines an architectural

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tradition relevant to salaries work.
The ancient inca citadel of Sasha

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Woman reveals an astonishing talent
for large scale earthwork and for the

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techniques which enable men without
advanced technology to build

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structures that last for centuries.
Machu Picchu two shows this talent in

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its finest form and also shows an
accommodation with the natural

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environment. These forms not only
adapt themselves to the outcroppings of

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the Andes mountains, but in the end,
will look like outcroppings

00:14:59.500 --> 00:15:03.276
in europe. The advent of the cannon
rendered obsolete many previous

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notions of defense walls and gave rise
to huge earth fortifications in

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depth. Nardine. The Netherlands is a
particularly striking example. Modern

00:15:14.730 --> 00:15:19.746
technology often involves men in
similar tasks to build this concrete

00:15:19.779 --> 00:15:26.506
shell in indiana earth was mounted
into the exact shape and used as a mold.

00:15:26.539 --> 00:15:32.236
The concrete shell was then poured,
allowed to harden and jacked up the

00:15:32.269 --> 00:15:36.207
dirt mound was then bulldozed away.

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People have lived in the earth's
surface for centuries, a style called

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troglodyte by architectural
historians. This is the plan of a village in

00:15:46.340 --> 00:15:51.807
north africa. The dwellings are shafts
underground.

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In some cases, the earth's surface is
barely rearranged, as in these oven

00:15:56.830 --> 00:16:02.766
shaped layering of mud and stone
access is by log steps set into the front

00:16:02.799 --> 00:16:04.807
walls.

00:16:04.840 --> 00:16:08.917
The obvious analogy to this cave like
design is the modern experimental

00:16:08.950 --> 00:16:14.846
village habitat built in Canada by
Musashi, softy and above ground

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logistics system. It attempts to
provide privacy with the static and

00:16:19.370 --> 00:16:24.957
social unity. A gold sought and
achieved by most naive architecture, which

00:16:24.990 --> 00:16:30.787
also frequently solves the problem of
climate extremes

00:16:30.820 --> 00:16:34.876
at Mesa verde in western America
indian dwellings were positioned under

00:16:34.909 --> 00:16:39.707
rock outcroppings to take maximum
advantage of the sun in winter and yet

00:16:39.740 --> 00:16:44.827
be shielded from it. In summer, salary
is sensitive to considerations of

00:16:44.860 --> 00:16:49.096
climate, believing that man ought to
be aware of the weather and in tune

00:16:49.129 --> 00:16:54.947
with it. The archaeology would temper
extremes but will not create an

00:16:54.980 --> 00:16:57.937
artificial climate

00:16:57.970 --> 00:17:03.596
Talladega and psychology to be built
on a damn. The city is brought to the

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source of power rather than the other
way around. Such large scale efforts

00:17:09.140 --> 00:17:13.597
to harness natural power deeply
involves man in the responsibility of

00:17:13.630 --> 00:17:16.806
treating nature properly.

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A turn of the century sketched the
city industrial by Tony Garnier was

00:17:22.059 --> 00:17:28.006
positioned on a dam of the Rhone
River. The idea of dams permeates modern

00:17:28.039 --> 00:17:32.967
visionary design, partly perhaps
because of the fascination for power

00:17:33.000 --> 00:17:38.826
without combustion. The earth's
surface is more water than land. Yet men

00:17:38.859 --> 00:17:42.857
have rarely established their
dwellings on it. Modern technology has made

00:17:42.890 --> 00:17:47.637
possible a few beginnings. This
floating island supports a ventilating

00:17:47.670 --> 00:17:53.417
system connected to a land based
industry. Paul may mounts artificial

00:17:53.450 --> 00:17:59.677
atoll might be imagined as a potential
floating city. Solaris nova noah

00:17:59.710 --> 00:18:04.326
designed for the continental shelf for
the open sea Proposed population

00:18:04.359 --> 00:18:09.887
400,000 Another version would house
over two million.

00:18:09.920 --> 00:18:14.036
Certain geometries find increasing
expression in modern architecture. The

00:18:14.069 --> 00:18:19.306
hyperbole Lloyd, for example, a curved
surface generated by straight lines.

00:18:19.339 --> 00:18:23.387
It has great advantages of structural
rigidity and considered as a

00:18:23.420 --> 00:18:28.736
building presents maximum internal
surface to the sun Buckminster Fuller

00:18:28.769 --> 00:18:34.167
used it in his design for the
renovation of Harlem Celera uses it in Babel

00:18:34.200 --> 00:18:36.907
too.

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Crystal forms to run through modern
architecture, Bruno tout designed

00:18:41.750 --> 00:18:48.607
Crystal House in 1919 to echo the
surrounding alpine environment

00:18:48.640 --> 00:18:53.447
salaries. Arc village also reflects
crystalline forms emphasized in this

00:18:53.480 --> 00:18:59.207
picture by the use of translucent
material for the model

00:18:59.240 --> 00:19:03.867
frank Lloyd Wright's town of the
future, spread widely in a rural area.

00:19:03.900 --> 00:19:08.556
Every man deserves his own acreage. It
was to be a bucolic, well planned

00:19:08.589 --> 00:19:13.986
, efficient version of a physical
environment that many americans believed

00:19:14.019 --> 00:19:19.127
was the backbone of the country. An
occasional tower of unmistakable right

00:19:19.160 --> 00:19:25.957
design dots this landscape. This is a
vision that salary does not share

00:19:25.990 --> 00:19:30.127
despite Solaris split with right.
However, architectural historians see

00:19:30.160 --> 00:19:35.707
definite influences of the late master
in salaries work, for example,

00:19:35.740 --> 00:19:40.657
right sketch for the community
buildings in marin county California and

00:19:40.690 --> 00:19:48.397
its realization Solaris Arcosanti long
arcades on a monumental scale of

00:19:48.430 --> 00:19:53.986
common to both. An early designed by
salary. This is his sketch from Mesa

00:19:54.019 --> 00:19:59.266
city. It appeared to other architects
to be romantic based on organic

00:19:59.299 --> 00:20:01.506
forms.

00:20:01.539 --> 00:20:08.266
A later work such as Arcosanti seems
more attuned to formal geometries and

00:20:08.299 --> 00:20:12.397
of course geometry from much older
traditions come to mind. This is the

00:20:12.430 --> 00:20:16.256
imperial forum of Rome

00:20:16.289 --> 00:20:20.296
in the spirit of the technological
age, say some critics, designers of

00:20:20.329 --> 00:20:25.187
utilitarian things including whole
cities invariably gravitate towards

00:20:25.220 --> 00:20:30.336
things that look functional things
that do the most with the least with

00:20:30.369 --> 00:20:33.857
this in mind. They have compared the
plans for our colleges with for

00:20:33.890 --> 00:20:39.147
example, machine parts, elements of
Solaris work also bring to mind the

00:20:39.180 --> 00:20:45.026
revival in our time of Earth art, huge
expressions outside museum walls

00:20:45.059 --> 00:20:49.786
and often is not in virtually
inaccessible locations, expressions of the

00:20:49.819 --> 00:20:54.006
human desire to mark the earth with
man

00:20:54.039 --> 00:20:58.407
work by artists like Michael Heizer
and walter de Maria seemed to share

00:20:58.440 --> 00:21:02.467
with Solari and optimism in the face
of the obviously contrary direction

00:21:02.500 --> 00:21:07.296
of the artistic marketplace and they
share a preference as it happens for

00:21:07.329 --> 00:21:15.329
the big spaces of the desert and its
beauty.

00:21:15.440 --> 00:21:19.266
Yet salary himself is extremely
careful to distinguish between form and

00:21:19.299 --> 00:21:24.417
function between the thing itself and
the appearance of the thing between

00:21:24.450 --> 00:21:30.086
fashion and a true aesthetic. I have
somehow maybe a peculiar concept

00:21:30.119 --> 00:21:35.006
about aesthetics. I make a
differentiation with Princeton between the

00:21:35.039 --> 00:21:41.197
beautiful and the aesthetic. The
beautiful is what nature does, what it's

00:21:41.230 --> 00:21:49.230
what man does eventually now and then
when he is good enough. And this

00:21:50.200 --> 00:21:54.496
happens seldom and through quite a bit
of effort and through quite a bit

00:21:54.529 --> 00:22:00.687
of pain. So much so that I see the
aesthetic process as in a way the last

00:22:00.720 --> 00:22:07.177
resort where man fails in a way to
find an answer rationally and logically

00:22:07.210 --> 00:22:15.210
, and justly, he has to somehow go
beyond those categories and and create

00:22:16.329 --> 00:22:22.467
aesthetically in order to to survive
in a way. So for me, instead of what

00:22:22.500 --> 00:22:28.107
I call the stereo genetic process,
it's a fundamental for men to become

00:22:28.140 --> 00:22:34.457
human. It's something that goes beyond
the rationalization of things

00:22:34.490 --> 00:22:42.490
beyond the whatever has to do with the
just and congress environment and

00:22:43.730 --> 00:22:48.457
social environment and so on. It has
to do really with the creation of a

00:22:48.490 --> 00:22:54.367
new universe. But this is happening
now only in fragments and slowly. We

00:22:54.400 --> 00:22:57.847
are capitalizing those fragments. So
we have a we have a background, for

00:22:57.880 --> 00:23:04.467
instance, or poetry or music,
sculpture, painting kraftwerk and so on. And

00:23:04.500 --> 00:23:11.756
this is a patrimony that helps us to
become civilized, but are also

00:23:11.789 --> 00:23:19.789
somehow achievements that tend not to
be sub subject to obsolescence to

00:23:20.029 --> 00:23:28.029
this grinding by of change to this
self destruction that we are we are

00:23:28.099 --> 00:23:35.006
exhibiting now in every other field.
Everything is so it's so temporary.

00:23:35.039 --> 00:23:39.336
What means something today. It is
meaningless tomorrow. Well, a good

00:23:39.369 --> 00:23:45.996
prime is something that doesn't obey
those kinds of laws. It has a some

00:23:46.029 --> 00:23:50.657
kind of an eternal quality into it,
which makes it fundamental. I don't

00:23:50.690 --> 00:23:56.127
see why why someone would build this
city for you. I mean white white. If

00:23:56.160 --> 00:24:01.167
this is the city for only 3000 people,
why can't why why can't this be

00:24:01.200 --> 00:24:05.407
built? Say in three or four or five
years it can be. But you have to be

00:24:05.440 --> 00:24:12.877
able to think that you're you're on
television that people understand

00:24:12.910 --> 00:24:16.576
where I just learned about you. You
know, I'm learning things. People find

00:24:16.609 --> 00:24:20.707
out maybe they didn't know before.
Maybe they can help you think it would

00:24:20.740 --> 00:24:25.006
cost to build this city? Well, we
estimated if if you have $10,000 per

00:24:25.039 --> 00:24:29.076
person would be close to 30 millions,
which is probably a little modern.

00:24:29.109 --> 00:24:32.476
The shell, but not the whole building.
Well, that's reasonable. I should

00:24:32.509 --> 00:24:39.387
think you'd be able to do that. Okay.
You are very optimistic that the the

00:24:39.420 --> 00:24:42.826
the only thing that's really different
between art and architecture is

00:24:42.859 --> 00:24:47.566
that architecture gets done. Art
sometimes doesn't because there's a need

00:24:47.599 --> 00:24:52.107
for it. There is they'll need you see
as a sculpture, you can not very

00:24:52.140 --> 00:24:55.887
often you can afford to do what you
want as an architect very seldom. Very

00:24:55.920 --> 00:24:59.546
seldom. But we're getting

00:24:59.579 --> 00:25:05.236
our problems are really getting very
close to these because of the size of

00:25:05.269 --> 00:25:07.667
the

00:25:07.700 --> 00:25:13.026
cost is just an experiment for you.
Which would be finished talking about

00:25:13.059 --> 00:25:18.836
quite a bit less. I think your
position, I would think your position as a

00:25:18.869 --> 00:25:24.836
as a person who undertook the
responsibility of where people live and how

00:25:24.869 --> 00:25:28.187
they live and how they will get along
together. You know, psychologically

00:25:28.220 --> 00:25:33.826
, how does this city affect its
inhabitants? As opposed to say living

00:25:33.859 --> 00:25:39.907
stretched out in L. A. Or pushed in in
new york.

00:25:39.940 --> 00:25:46.947
You have a you have a position that
that that people people they need.

00:25:46.980 --> 00:25:52.776
They need you there's a cure. You have
a utilitarian function. In fact,

00:25:52.809 --> 00:26:00.809
you're a utility bean. If yeah. But
unless you're able to convince not

00:26:01.109 --> 00:26:06.127
them people that you have, you have an
answer or you have a partial answer

00:26:06.160 --> 00:26:09.006
at the beginning of an answer,

00:26:09.039 --> 00:26:15.066
people are not going to to accept a
radical. And so and so you're dealing

00:26:15.099 --> 00:26:19.167
with with a society which tends to be
conservative and you're trying to

00:26:19.200 --> 00:26:23.387
present radical normally the reaction
is to destroy what they don't

00:26:23.420 --> 00:26:28.556
understand it. No one is trying to
destroy in good shape. That's only half

00:26:28.589 --> 00:26:31.546
of the solution. Do you do you do you
think that you'll get to build one

00:26:31.579 --> 00:26:35.637
of the big ones before you die. I
don't even think, you know those things

00:26:35.670 --> 00:26:40.756
, if they happen, they happen, this
doesn't happen. You do your best and

00:26:40.789 --> 00:26:44.066
pray.

00:26:44.099 --> 00:26:48.407
The work at Arcosanti goes on with
dozens of new volunteers every few

00:26:48.440 --> 00:26:52.826
weeks. Young people mostly who have
heard salary speak on their campus or

00:26:52.859 --> 00:26:57.147
have read his book, the city and the
image of man. These young people are

00:26:57.180 --> 00:27:02.016
attuned to a worldview that puts so
many problems in perspective. The

00:27:02.049 --> 00:27:06.147
thrust of Solaris philosophy is that
man must adopt a new view of himself

00:27:06.180 --> 00:27:10.226
as a force in this world and that a
new architecture, a new physical

00:27:10.259 --> 00:27:15.756
environment is needed for this new
man. Next week, in the third of this

00:27:15.789 --> 00:27:20.076
four part series, salary addresses
himself to several specific challenges

00:27:20.109 --> 00:27:24.367
met by archaeology and then a picture
essay. His place in the long

00:27:24.400 --> 00:27:28.589
tradition of visionary architecture is
explored.